Care to dance? A lovely array of submissions for this week’s creativity contest. Our winner is Cynthia Platt, for a beautiful poem. Cynthia sent in this lovely note: “Here’s an entry for you for the ‘Dance’ category. Dancing has always been a big — and joyful — part of my life. Now it’s joyful part of my nearly-three-year-old daughter’s life, too. Thanks for taking a read, and for hosting the blog, which I read, and take inspiration from, regularly!” Congratulations, Cynthia. Your $10 amazon.com gift certificate has been issued.
Last night we had a dance party.
A dance party
used to mean something
concrete to me.
speakers pumping out
bass at outrageous decibels.
I am older now, though,
and she is so young.
Early nights have replaced late,
a brightly lit living room has displaced
the dark, pulsing club.
Last night, her music played
sweet and low and lovely.
I am older now,
and she is so young.
The three of us danced
around the living room,
“It’s a dance party, Mummy!” she trilled,
joy suffusing her voice.
And it was.
Last night we had a dance party.
A dance party means something concrete to me.
From Jen Johnson, a fabulous sonnet: “Submitting an oldie-but-goodie this week, something that came immediately to mind with the ‘dance’ prompt. It was written back when I was in my sonnet phase and really fascinated with poetic form and structure. (A fascination that I still have, though these days I have less of the required focus to put it into practice!) The idea originally sparked when I realized that the nursery rhyme for which it is named has fourteen words — so I wanted to see how it would work as an ‘acrostic sonnet.’ The term refers to the fact that this can be read two ways: top to bottom, like an acrostic, by reading the first words of each line ‘down’ the poem; and also left to right, like a typical poem.”
Ashes, Ashes — We All Fall Down
Ring me round with laughing children, dancing
around and around in the pale daffodils,
the yellow, nodding flowers chancing spring.
Rosy sky wipes wet hands down her skirts, spills
pockets brimming with sultry, heavy air.
Full puddles standing in the glossy street
of gravel-gilded pavement call for bare
posies of children’s toes — pink, tiny, sweet.
Ashes of memory, now — bitter, gray.
Ashes only, no longer the burning.
We slog through this muddy field on May Day,
all alone, sodden socks blistering, yearning.
Fall just once to your naked knees. Stumble
down and stop. Now rise, kindled and humble.
From Cathy Coley: “So, when I saw ‘dance’ was the prompt, I knew I could take this in a 1,000 different directions. However, very quickly the idea of dancing on my father’s feet as a little girl, and Baby C dancing on her Daddy’s feet popped up strongly and quickly from the bottom of that full pool. Unfortunately, I couldn’t get good light, dh and baby together all at once since last Wednesday. This is the result of the photos, which I had hoped would inspire a generational poem or something. Alas, bad photos don’t make for good inspiration, especially on Tuesday morning staring at the day’s deadline. But it was great to remember how I felt as a little girl dancing on my father’s feet. And I got a nice shot in of Daddy kissing his girl.”
From me (Miranda): When I was in high school, I won a competition for designing the T-shirts and sweatshirts for an annual dance event. (The win was one of about two happy moments related to my high school years.) I loved drawing in pen and ink, an interest that I inherited from my mother, who supplied me with a homemade light box. The final design is packed in a box somewhere in my attic, but I do have some similar sketches around somewhere — alas I spent nearly an hour tearing apart my just-unpacked house in search of the scrap of paper I was looking for, to no avail.
I have a weakness for images of dancers. I’ve always admired the beauty of a high arch. Many dancers have exquisite feet — and many non-dancers have exquisite feet, too. Whenever I notice a person with exceptional arches, I can’t help but ask if she’s a dancer. Unless someone is willing to intentionally point her feet for you (which is a bit awkward to ask of a stranger), the only way to really assess her arches is to casually observe her foot when it’s extended — say, if she’s sitting on the floor with her legs out straight, one crossed over the other, which tends to force a gentle pointing of the foot. Or, if someone is sitting in a chair cross-legged and has a natural turnout, you might be able to observe her arch when she absently points her foot during conversation. Not that I am utterly obsessed with feet or anything, really! Despite many years of ballet, and dancerly aspirations, I do not have beautiful arches — as you can tell from this photo of me en pointe. Just not that impressive. (Good thing that “arch augmentation” isn’t something that most plastic surgeons offer, or I’d have done it by now.)
I still remember the smell of new toeshoes with fondness — that intoxicating perfume of glue, leather, and satin. While I don’t consider myself a stage mother, I admit that I did drag my daughter to ballet lessons at the age of 5. Ballet just wasn’t her thing, however. She never cared for it, so I let it go after a few weeks. Now, I peruse my old copy of Allegra Kent’s The Dancer’s Body Book and Suzanne Farrell’s autobiography, hoping to manifest a little grace in my life, even with my regular old, Plain Jane arches. (Photo credit Jack Foley.)
This week’s prompt: “Map”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to email@example.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, March 17, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.