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Posts tagged ‘intentions’

Monday Post ~ June 18, 2012

“Not only should you believe in what you are doing,
but you should know what you are doing.”

— Mason Williams




This is the moment to deepen, or commit to, your regular creativity practice. Regularity — a daily practice, if at all possible — is key.

So what are your plans for creative practice this week? Given the specifics of your schedule, decide on a realistic intention, goal, or a milestone to reach for — and plan that time in your calendar. An intention as simple as “I will be creative for 10 minutes every day” or “I will gesso three canvases on Wednesday” is what it’s all about.

Share your intentions or goals as a comment to this post, and let us know how things went with your creative plans for last week, if you posted to last week’s Monday Post.

Monday Post ~ June 11, 2012

“When you’re bringing your whole self to the party, you’re practicing your art form. Be it in conversation, on the canvas, or on the court, when you’re creating something from your soul, you’re making poetry happen.”
— Danielle LaPorte




This is the moment to deepen, or commit to, your regular creativity practice. Regularity — a daily practice, if at all possible — is key.

So what are your plans for creative practice this week? Given the specifics of your schedule, decide on a realistic intention, goal, or a milestone to reach for — and plan that time in your calendar. An intention as simple as “I will be creative for 10 minutes every day” or “I will gesso three canvases on Wednesday” is what it’s all about.

Share your intentions or goals as a comment to this post, and let us know how things went with your creative plans for last week, if you posted to last week’s Monday Post.

Four Simple Ways to Create More and Worry Less

Sometimes creative angst gets the better of us. How often do you find yourself thinking “I don’t have enough time,” or “My work’s not good enough,” or “I’ll never reach my creative goals”? Here are four simple ways to avoid those minefields and stay focused on what really matters: your creative work.

1. Turn rejection into affirmation. With practice, you can reframe rejection so that it actually affirms your creativity, rather than causes injury. Here’s how. Simply put, you can’t get rejected if you haven’t had the courage to send your work out into the world. And you can’t send your work out into the world if you haven’t reached a level of completion and polish that makes you believe your work has legs. And your work can’t have legs if you haven’t put yourself at your desk or easel or studio bench and actually done the work, for however many hours it took. So at its most basic level, each rejection is evidence that you have done your work and sent it out into the world. This is something to celebrate. Rejections simply mean: Yes! I’m doing my work. I was brave enough to send it out into the world, and this “rejection” is simply an affirmation that I am a working artist. I celebrate that fact, and now I turn back to my work in progress.

If this sounds like a tall order, just try it. Over time, you’ll be amazed by how easy it becomes — to the point that you accept rejection as simply part of the process.

2. Move the goalpost into your sphere of influence. Shift your focus away from things you can’t control and onto the things you can. You might decide that you’re going to get your novel published next year. But instead of putting your focus entirely on something that you can’t ultimately control, move the goalposts into a domain that is solidly within your circle of influence. For example: Instead of deciding that you will get your novel accepted for publication next year (which may or may not happen, regardless of your best work, killer query letter, and an introduction to your cousin’s agent), decide that your goal will be to query 50 agents and 30 publishers from the pool of publishers who accept unagented manuscripts. You might start with those who accept simultaneous submissions so that it doesn’t take five years to hit your quota. Keep careful track of your submissions — via your own spreadsheet system or an online submission tracking tool — and when you hit your quotas, celebrate. The only two things you can really control are:

a)   Creating your best work.

b)   Playing the numbers game to get your work in front of as many sets of eyes as it takes.

If you feel discouraged by this process, go back and read #1 above.

3. Establish a regular creative practice. If you’re not already doing your creative work every day, or nearly every day, now’s the time to start. Think it’s impossible to find at least 30 minutes for your creative work on a regular basis? If that’s true—unless you’ve just had a baby or are dealing with a major illness or life event—consider keeping a time log for a few days in order to see where your time is really going. It’s more than likely that there’s something you can pare down on (TV, Facebook, sleep) in order to fit in a regular practice window. If your schedule is so hairy that you can’t commit to a set time every day (which would be ideal, as schedule creates habit and habit breeds productivity) at least commit to a set amount of time every day. When “life happens” and you have to skip practice, don’t beat yourself up about it—just show up tomorrow.

Working regularly may be the most beneficial thing you can do for your creative bandwidth. When you work every day, you learn to show up for creative practice even when you don’t feel like it—even when the muse is off in Bermuda, the house is a mess, the bills need to be paid, and your best friend wants to take you out to lunch. Just show up at your appointed time and do the work. Creative practice is a sacred commitment for those who make meaning through art. If something brilliant comes out along the way, so much the better. But brilliance isn’t the point; showing up is the point. Making meaning through your creative practice is the point. A regular creative practice helps you stay focused on process, rather than outcome.

4. Get comfy with crotchety Aunt Zelda. Our anxiety about creative fear is often more paralyzing than the fear itself. If you can accept that fear and self-doubt are inevitable parts of the process—and are things that even wildly successful writers, artists, and performers grapple with—you will diminish the negative power of insecurity. Try to develop a mantra to use when doubts arise. “Oh, it’s you again, Aunt Zelda. I see you’ve come back for another visit. Sit down and have a cup of tea over here while I carry on with my creative practice.” By acknowledging the fearsome inner critic of Aunt Zelda, and not resisting her arrival, you are free to move ahead. You might even be able to summon up a bit of empathy for Aunt Zelda, who has nothing better to do than drive all over town in her ancient Oldsmobile, just looking for the next person she can inject with fear, doubt, and perhaps even a wholesale existential crisis. Just say, “Thanks, but no,” to Aunt Zelda and stay focused on your creative process. Remember: Just because Aunt Zelda shows up doesn’t mean you have to get into her aging Oldsmobile and go for a ride.

The piece above originally appeared as a guest post at the fabulous Bliss Habits.

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Monday Post ~ June 4, 2012

“If not now, when?”
— Mark Nepo




This is the moment to deepen, or commit to, your regular creativity practice. Regularity — a daily practice, if at all possible — is key.

So what are your plans for creative practice this week? Given the specifics of your schedule, decide on a realistic intention, goal, or a milestone to reach for — and plan that time in your calendar. An intention as simple as “I will be creative for 10 minutes every day” or “I will gesso three canvases on Wednesday” is what it’s all about.

Share your intentions or goals as a comment to this post, and let us know how things went with your creative plans for last week, if you posted to last week’s Monday Post.

Monday Post ~ May 28, 2012

“Start before you’re ready.”
— Steven Pressfield



This is the moment to deepen, or commit to, your regular creativity practice. Regularity — a daily practice, if at all possible — is key.

So what are your plans for creative practice this week? Given the specifics of your schedule, decide on a realistic intention, goal, or a milestone to reach for — and plan that time in your calendar. An intention as simple as “I will be creative for 10 minutes every day” or “I will gesso three canvases on Wednesday” is what it’s all about.

Share your intentions or goals as a comment to this post, and let us know how things went with your creative plans for last week, if you posted to last week’s Monday Post.

Giveaway: Simplicity Parenting e-course

Oh, this one’s hard to resist. Have you been feeling like there must be a way for parenting can be more fun, peaceful, and less overwhelming?

Simplicity Parenting

Are you wishing for simpler times as the world seems to speed up and encourage us to cram more stuff into our lives? Wanting to find time to connect with loved ones competing with an influx of activities, screen time, and outside commitments? Daydreaming about having the support to implement simple but effective changes to your family’s rhythm and flow?

These are the reasons why Kathy Stowell decided to get certified as a Simplicity Parenting Workshop Leader. Kathy writes: “After reading the book Simplicity Parenting by Kim John Payne, I realized that my desire for a slower childhood for my kids is a normal, healthy mama-bear instinct reaction to the hectic, materialistic culture we find ourselves raising our children in today.”

Kathy is excited to offer this four week e-course centered on the principles behind Simplicity Parenting. With much support, she walks you through simplifying your home life by touching upon these realms throughout the month of June; environment (clutter), rhythm and scheduling (activities, pauses), adult content (media), and tending to soul fever (meltdowns).

The class will be held via videos and blog posts in a password protected blog with discussions held in a private forum as well as an optional weekly conference call that will be recorded for later listening at your convenience. And with this held space, small steps will be taken toward your vision of a peaceful family flow in attune with your consciously crafted values and ideals.

The course runs from June 1 through June 29, 2012. To learn more, click here.

To enter our giveaway, leave a comment on this post with a note about any steps toward simplification you’ve recently taken or would like to take! How would you like to see your family life simplified? The drawing will be held on Wednesday, May 30, at 8:00 pm eastern time. Good luck!

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Kelly: The 101010 Project

For the past two weeks, I’ve been participating in a Collaborative project called 101010 Project: 10 Women, 10 Businesses, 10 Questions. Ten women who own creative businesses each tackled 10 questions regarding our businesses, and each of us hosted a specific question. We had to include a headshot to be included with each post, so I stuck with the goofy one you see here. I’ve had a great time participating and getting to know the other women involved in the project. The questions were very thought-provoking, and our fearless leader, Robin Norgren (who is also a part of our Studio Mothers crew), did a great job pulling all this together. I wanted to share my responses with you, and give you the opportunity to hop around to all the other blogs to see other participant responses (yes, long post, but I hope you’ll read it!). And guess what? There will be two more rounds of this project coming up this summer! Check out the video here and hop on over to the Project 101010 website for all the details.

Collaborations: A good idea ?…My experience with collaborations has been fairly limited, and I’m not sure the experience I did have would be considered a true collaboration, but I’ll share it and let you decide! In 2008, I did a large Fat Book Swap. There were ten women involved and ten themes. The idea was to create 10 cards of each theme (basically the same 4 x 4 card 10 times), meaning we each created 100 total 4 x 4 cards. We then sent everything to the person doing the organizing, the wonderful Roni. I was amazed at how quickly Roni gathered each participant’s work and sent us back out a 100-card package of wonderfulness! I had a special box custom crafted to keep my full set in and enjoy looking back through them often. This collaboration was a challenge for me as I’d just gotten started in mixed media, but it really pushed me to try new things and I found that I really enjoyed the 4 x 4 format. The deadlines pushed me a little bit, but only having to come up with one design for each theme (even though I had to create 10 of each design) helped some. Would I do it again? Absolutely. I learned tons of new techniques, made some great blog friends, and have a beautiful box chock full of 100 pieces of original art to show for it! You can see my entries in the collaboration here. {hosted by Stephanie Samos}

Success in business is defined as… I think this is a very interesting topic, and I think it all depends on your goals and your outlook. For me, my art business is not my main source of income. I have a pretty demanding full-time career in higher education on top of my art. So for me, success in my art business is simply finding the time to put a little bit of me out into the world for others to enjoy. Would I love to be able to “quit the day job” and devote more time to my art? Absolutely, but I know that’s simply not a possible reality at this point in my life. So maybe for me, success in business is defined as knowing what my limitations are (time!) and embracing them rather than fighting them. Fighting them takes an awful lot of energy that could be better spent on enjoying the process instead. {hosted by Nolwenn Petitbois}

The hardest part about pursuing a dream is…I think the hardest part about pursuing a dream, first and foremost, is taking that first step and putting it out there! And then the second hardest part about pursuing that dream is remaining realistic about your situation and what’s doable at whatever point you are in your life. Read more

Monday Post ~ May 21, 2012

“There is a divine blueprint for your week ahead, in which the most creative possibilities unfold out of infinite thoughts of love. Imagine.”
— Marianne Williamson



This is the moment to deepen, or commit to, your regular creativity practice. Regularity — a daily practice, if at all possible — is key.

So what are your plans for creative practice this week? Given the specifics of your schedule, decide on a realistic intention, goal, or a milestone to reach for — and plan that time in your calendar. An intention as simple as “I will be creative for 10 minutes every day” or “I will gesso three canvases on Wednesday” is what it’s all about.

Share your intentions or goals as a comment to this post, and let us know how things went with your creative plans for last week, if you posted to last week’s Monday Post.

What are we doing, anyway?

Inspired beauty from Suzi Banks Baum of Laundry Line Divine. Thank you, Suzi!

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Monday Post ~ May 14, 2012

“Suspending self-judgement doesn’t just mean blowing off the ‘You suck’ voice in our heads. It also means liberating ourselves from conventional expectations — from what we think our work ‘ought’ to be or ‘should’ look like. Stay stupid. Follow your unconventional, crazy heart.”
— Steven Pressfield



This is the moment to deepen, or commit to, your regular creativity practice. Regularity — a daily practice, if at all possible — is key.

So what are your plans for creative practice this week? Given the specifics of your schedule, decide on a realistic intention, goal, or a milestone to reach for — and plan that time in your calendar. An intention as simple as “I will be creative for 10 minutes every day” or “I will gesso three canvases on Wednesday” is what it’s all about.

Share your intentions or goals as a comment to this post, and let us know how things went with your creative plans for last week, if you posted to last week’s Monday Post.

Everything and Nothing: A Day in the Life

Yesterday was one of those days filled with everything and nothing. I bet you can relate. It started in the wee hours:

12:30 am My three oldest (Russell, Matthew, and Emma) return home from a Dear Hunter concert; I am only vaguely aware of noises downstairs in the kitchen as someone prepares a midnight snack.

4:00 am Matthew, a high-school senior, is picked up by his girlfriend and her dad. They head to school for the band and chorus road trip to Cleveland. I have left a good-bye note for Matthew; I stay in bed.

6:00 am Up for the day — late. Abbreviated morning practice. Make tea. Husband departs.

6:20 am I plan the day and drink my tea. The three cats are acting somewhat frantic. One of them, Finn, is scheduled for surgery today so no one has had access to food or water since last night. Sasha tries to eat a houseplant.

6:35 am I carefully read through the thick recital packet from Emma’s dance school, decide that I’m not going to volunteer as a chaperone, and calculate our ticket purchase. Emma is still in bed; I go upstairs to confirm that she wants to stay home today on account of last night’s late concert. She does. So I don’t need to make her breakfast or lunch. Bonus!

6:50 am Liam, who just turned four years old this week, gets up (unusually late). We snuggle and eat breakfast.

7:20 am After settling Liam on the couch watching Tom & Jerry, I go upstairs to shower and dress.

7:40 am Seven-year-old Aidan is still asleep. I wake him up, hurriedly get him some cereal, make lunches for both boys, and dress Liam. I put Finn in the kitty carry bag and make it out to the garage.

8:10 am We drive down the hill. The school bus rolls up and Aidan departs. Liam, Finn, and I set off for the vet’s office. Finn howls all the while, trying to claw his way out of the carry bag. Perhaps he knows that he’ll be leaving the vet’s office with a little less than he’s bringing in. Each time Finn howls, Liam screeches in delight.

8:30 am At the vet’s office. I fill out Finn’s paperwork and Liam kisses Finn goodbye through the carry-bag’s mesh.

9:00 am We arrive at Liam’s school. Liam hates his school, and informs me of this repeatedly, as he always does, clinging to my leg as I try to leave. I extract myself remorsefully, telling myself that Liam’s acceptance letter to his new Montessori school is surely imminent.

9:25 am Back in the car, I listen to an installment of The Forgotten Garden by Kate Morton, which is lovely. En route to the studio, I pick up a cappuccino at my favorite local café.

10:00 am At Open Studio for the monthly meeting of my nonfiction writers’ group. (I am a member of this group, rather than the facilitator.) I love these women. Great feedback and encouragement on my e-book project, which is nearly finished.

12:20 pm Check e-mail from the studio, respond to a few client messages, take my turns at Words With Friends via iPhone, and plan the rest of the day before heading out. The vet calls to say that Finn did great; he’s still seeing double but I can pick him up anytime after 2:00.

12:40 pm Heading for home. On the way, I drop off two bags of shirts at the dry cleaner’s and stop at the pharmacy to pick up an rx.

1:15 pm At home. Eat lunch. Check in with daughter, who is enjoying her day off. More e-mail triage. Let dog out. Register Emma up for a creative fashion camp.

1:45 pm 30-minute phone call with student from my Wednesday writers’ workshop who missed class yesterday due to illness.

2:15 pm Brief chat with my oldest, Russell, about last night’s concert. Russ just returned home from college yesterday and I haven’t had much chance to see him yet. I also spend some time mapping out the choreography for the afternoon, as Matthew, who normally drives Emma to her voice and dance lessons, is en route to Cleveland and there is a lot to juggle being down my Thursday afternoon chauffeur. Russell is on deadline with five papers that are due tomorrow so I can’t assign him any driving.

2:55 pm Depart for Emma’s voice lesson. Emma, who has her learner’s permit, does the driving. I practice my deep breathing as Emma hesitates in the middle of an intersection, nearly causing a five-car pileup. But she’s doing great.

3:20 pm Arrive music school, late. Emma goes in for her lesson. I get into the driver’s seat and head to Liam’s school. More of The Forgotten Garden.

3:30 pm I retrieve Liam, who is always deliriously happy to see me. I have brought him some leftover candy from his birthday piñata, which he munches intently as we drive back to the music school to get Emma.

3:45 pm Depart music school with Emma and Liam. Emma is driving again. Getting to the dance school two towns over requires several highway stints. More deep breathing. Meanwhile, Russell, who is at home working on his papers, will meet Aidan when he gets off the bus.

4:10 pm Park outside the dance school. Emma goes inside for class. I check in with husband via text to be sure that he’ll be home by 6:00 in order to take Aidan to soccer practice. Everything seems to be on target. I have promised Liam a treat at the bakery next door (the piñata candy hasn’t made a dent in this child’s appetite for sugar and even though I try not to eat the stuff myself, apparently I have no problem feeding it to my children); we attempt to enter the bakery but they’re closed. Liam bursts into tears. I assure him that there’s another option a short walk away. He cheers immediately and we have a nice walk in the sun. He ends up with a brownie and apple juice. Happy.

4:40 pm Back in the car, we still have over an hour left to wait out Emma’s 90-minute class. I allow Liam the rare delight of watching a DVD in the car. I queue up Monsters Inc. With Liam plugged into the electronic babysitter as he happily strews brownie crumbs all over the car, I sit in the passenger seat and prepare to do some work on my laptop. I realize that a studio document I need is only available online, and I have no wifi access here. Instead of doing client work, I opt to make edits to my e-book based on feedback from the morning’s writers’ group. Nothing like creating in the middle of things. I make excellent progress punctuated by intermittent conversation with Liam.

5:40 pm I hear an unfamiliar beeping noise and suddenly realize what I’ve done. In my frantic attempt to jump out of the car and run around to the driver’s side, I get caught in the strap of my messenger bag and nearly wipe out in the parking lot. By the time I make it to the driver’s seat, it’s too late. The car battery is dead. I’ve been playing a DVD for nearly an hour without running the engine.

5:45 pm Call husband, who is nearly home. We decide that I’ll use the roadside service deal that comes with our car lease. I call and make arrangements for a jump. They tell me it will be about an hour. This is going to be a very long hour. Emma asks me if the battery will recharge itself just by sitting there. No, I tell her. That’s not how it works.

6:00 pm Liam is hot, as he’s sitting in the sun, and Emma is cold, as the windows are open and she’s sitting in the shade. I’m on Liam’s sunny side, and I’m pretty sure my left ear is getting burned off in the late afternoon soon. I’m unable to address any of these climate control issues, seeing as the car is dead. I tell Liam to climb into the shady side of the car. I check in with my husband, who has arrived home to take Aidan to soccer, but Aidan isn’t ready. (I neglected to ask Russell to tell Aidan to get his soccer kit on.) Aidan will be late for practice. I inform my husband, in case it isn’t readily apparent, that I will not be making dinner.

6:30 pm We’re getting hungry, and I really have to pee. Meanwhile, the vet closes at 8:00, and someone needs to get there in time to fetch Finn. The tow guy calls to tell me he’s on his way. He’s leaving from Newton, which is at least 45 minutes away. Seriously? Time for action. I decide that Liam and I will walk over to the pizza place around the corner while Emma stays with the car. As Liam opens his door, the interior light flicks on. How can the light go on if the battery is totally dead? I turn the key in the ignition. The car roars to life. Apparently that is how it works, I note for Emma’s benefit. It’s been a while since I experienced this level of gratitude for the combustion engine. We set off for the vet’s as I call to cancel the jump.

7:05 pm We make it to the vet. Liam, ever curious, comes in with me. $210 later, we come out to the car with Finn in his carry bag, which I hand to Emma. At which point we discover that it’s soaking wet. Apparently Finn, in his post-surgical state, relieved himself upon being installed in his bag. (At this point I can relate to his sense of urgency.) Given that Emma doesn’t want to hold the wet bag on her lap and Finn is meowing his head off, it’s an interesting drive home.

7:20 pm We’re home and I make a run for the bathroom. Emma takes Finn upstairs in the pee-bag and the boys sit down to eat the veggie corn dogs that my husband has set out for them. I scrounge up some dinner for myself. Aidan, recounting the day’s events at school, bursts into explaining that when he was out at recess, a second-grader named Tommy gleefully pulled a worm in half, brushing aside Aidan’s protests. Aidan, haunted by the image, is devastated, sobbing uncontrollably. I stifle the urge to do to Tommy what Tommy did to the worm.

7:40 pm My husband takes Liam upstairs for a bath. Aidan is still too emotional for bathing. We talk.

7:50 pm Partially recovered, Aidan heads upstairs to brush his teeth. I clean the kitchen.

8:30 pm It’s way past bedtime for the boys. I go upstairs to tuck Liam in and read to Aidan. We’re in the middle of Harry Potter and the Goblet of Fire. Aidan and I very much look forward to our nightly reading ritual.

8:50 pm I tuck Aidan in and go downstairs to start a load of laundry.

9:00 pm At my desk. As he has requested, I edit two of Russell’s final papers.

10:00 pm More e-mail triage. I set up a water delivery for the studio. I design a flier for an upcoming author event and post it to our facebook page.

10:45 pm Russell brings his laptop into my office and shares a few funnies from the interwebs. Emma makes an appearance and laughs with us. I advance the laundry.

11:05 pm Upstairs, I say goodnight to Emma and get ready for bed. I check my pedometer and see that I’m 100 steps short of my 5,000-step daily minimum. So I run downstairs to grab my prescription. By the time I get back, I’ve hit my quota. My husband has long since turned out the lights. I’m too tired to read my book, even though book group is on Saturday night and I’m only halfway through. Sleep awaits.

If you’re reading this line, you are the only person in the world to get this far, and I hug you for keeping me company all the way to the end.

Despite the day’s adventures, I’m pleased that I managed to create in the middle of things, and that I kept my cool rather than succumbing to stress. I know that by this time next year — heck, this time next month — I won’t remember this day at all. And yes, tomorrow is another day.

Monday Post ~ May 7, 2012

“Everyone who’s ever taken a shower has had an idea. It’s the person who gets out of the shower, dries off and does something about it who makes a difference.”
— Nolan Bushnell



This is the moment to deepen, or commit to, your regular creativity practice. Regularity — a daily practice, if at all possible — is key.

So what are your plans for creative practice this week? Given the specifics of your schedule, decide on a realistic intention, goal, or a milestone to reach for — and plan that time in your calendar. An intention as simple as “I will be creative for 10 minutes every day” or “I will gesso three canvases on Wednesday” is what it’s all about.

Share your intentions or goals as a comment to this post, and let us know how things went with your creative plans for last week, if you posted to last week’s Monday Post.