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Posts by Miranda

Open House

Happy Friday, friends! Here’s a roundup of the latest interesting bits from Creative Construction community members.

  1. Kate Hopper is teaching an online version of her Mother Words writing class.
  2. Bethany Hiitola is capturing late-night creative inspiration on her cell phone.
  3. Alana Kirk Gillham is vaccuming under the couch instead of writing.
  4. Elizabeth Beck hung her mother and daughter art show.
  5. Emma-Jane Rosenberg drew and painted some beautiful tomatoes.
  6. Suzanne Kamata noted her publisher’s novel contest.
  7. Liz Hum is building new muscles. Really.

I hope all February Finish-a-thon participants have a rewarding weekend! (Well, and everyone else who reads this, too.) Any great ideas for managing to fit family time, household time, and creativity time all into the same weekend?

2/04 Weekly creativity contest winner & new prompt

A quiet week on the creativity contest front. Perhaps the prompt “clock” didn’t set off many bells among Creative Construction readers — or perhaps some of you were hard at work in the February Finish-a-thon. Our winner is Kelly Warren, who sent in a stunning photo, with a lovely explanatory bit. Congratulations, Kelly! Your $10 amazon.com gift certificate is on its way.

Clock’s Tickin’

ford-ttv

Heading south out of Tallahassee on US 319/98 towards the coast, there’s a gathering of old trucks just off the side of the road. Being the intrepid traveler around Tallahassee and its environs, I’ve wondered about this “gathering” for years. They sit there as if on the starting line of some long ago race, all lined up waiting for some invisible spandex-clad starlet to throw down her scarf as the signal to go.

After some recent research, I found finally their origins. They’re are owned by Mr. Homer R. Harvey. He and his father Riley A. Harvey were in the timber, crosstie and turpentine business. They also farmed and raised some cattle and hogs, and the trucks were used in their business operations over the years. Riley died in 1957, and Homer carried the business on into the 1970s. The home on the curve near the trucks is where Homer raised his family. He and his wife Yvonne McLaughlin had four children: Pat, Mike, Dennis and Ouida. Pat now lives in the home on “Homer Harvey Curve.” A few years back Pat and Homer decided to move the old trucks out of the woods and place them closer to the road where they are now. Homer is now 92 and lives with his daughter Ouida just a few miles from the curve. Mike and Dennis both live close by.

The woman at the Wakulla County Chamber of Commerce who helped me with the research, Petra Shuff, told me that there’s a ’54 Ford amongst the gathering that was the first car she remembers steering, sitting in an uncle’s lap. Like Petra’s dream to drive, these old trucks are also a photographer’s dream. I took a series of pictures there recently and played around with a few to great effect, including that ’54 Ford. Clock’s tickin’, Ms. Petra. Been drivin’ lately?

 

From Jen Johnson, a photograph. Jen writes: “A very impromptu submission this week: a photo of our mantle, titled ‘Time and the River’ (yes that is the Wolfe title in the background).”

time-and-the-river

 

From Cathy Coley, a poem and photo pairing. Cathy says, “very silly, i was coming up empty.” Hey, your consistency is always impressive, Cathy!

Clocks

Always ticking
Never sticking
Slowly creeping
Suddenly speeding
Morning in
Evening out
What the heck
Is that all about?

clocks-006

 

From me (Miranda), a haiku:

Clock

The metronome of
life and all I know, music
of our nothingness

 

This week’s prompt: “Cookies”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, February 10, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point here is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

Reminder: The clock is ticking on weekly contest deadline!

There’s still time for an entry in this week’s creativity contest. The prompt is “clock.” Grab a minute or two and wind something up! (Gee, so many weak “clock” clichés, and so little time…)

Breakfast with Jacqui

It’s Breakfast time! Enjoy the latest in our bi-weekly visits with creative mothers from the blogosphere: Meet Jacqui Robbins, children’s author, blogger, and mother of two. Jacqui is funny and down-to-Earth — just what you need in order to start your day with a smile and a dollop of inspiration. Sunny-side up, please!

jrCC: Please give us an intro to who you are, what you do, and your family headcount.
JR:
My name is Jacqui Robbins. I’m a children’s author, sometime teacher, and parent to Tinkerbell, age 6, and Captain Destructo, who is 2 in every way. I live in Michigan with my kids and husband and two cats, a fish, and, lately, two families of attic squirrels against whom I battle daily. I am a 37-year-old who feels 25 or 98, depending on the day.

CC: Tell us about your children’s books and other creative endeavors.
JR:
My first book, The New Girl…And Me, illustrated by Matt Phelan, came out in 2006 and Two of a Kind (also illustrated by Matt) comes out this summer. I was a first grade teacher for many years and my books all reflect how hard social drama can be when you’re six. In The New Girl…and Me, it’s Shakeeta’s first day at school. Mia would like to show Shakeeta around, or to learn more about her pet iguana, but how do you start talking to someone who might punch you in the head?

Two of a Kind is about mean girls. You know those two girls in your class who won’t let anyone play with them and are somehow still the most popular? Yeah, them. What if they finally let you play but then they made fun of your best friend?

Right now I am working on a chapter book. It’s a mystery/adventure story with a hint of romance but not too much. I’m in the first draft stage, so I’m still in love with it.

I’m also writing a non-fiction book with my sister called Egghead and Monkey Girl Kick It Old School, in which two sisters (us) raised in the heart of feminism realize they never learned to do any traditional women’s work and can barely feed themselves, and set out to learn everything they need to be domestic goddesses, and to teach it to other domestically challenged souls, while maintaining their fundamentally feminist attitudes.

CC: What prompted you to start a blog? What keeps you going?
JR:
I always blogged. I used to write regular group letters, then e-mails and send them to all my friends and family. But I was insecure. I thought you had to be, I don’t know, famous or INVITED to blog, so I came late to the game. Also, it took me a while to find the voice of Jacqui’s Room. I’m a picture book author, but I’m also a novel lover and kind of snide. I wanted to talk seriously and hopefully helpfully about writing, but also be goofy about the classics and pretend to interview Salman Rushdie. When I realized I wanted the blog to be like the meeting rug in my classroom, a place where I hold forth, but everyone can comment and be welcome, it flowed from there. Now I keep going because people are (gasp!) reading it. Also, I am addicted to the internet.

twoofakindcoverCC: What goals do you have for your writing? How would you define your “life’s work”?
JR:
Wow. That second question is hard for me because I always thought teaching was my life’s work and I’m not sure it still isn’t. I guess I hope my books tell kids, “Yeah, I know it’s hard. But you’re not alone and you know what? It’s gonna be okay.” And I want to make people laugh those laughs where you smile for a while afterwards. That’s the most important thing.

CC: How has motherhood changed you creatively?
JR:
I’m more scatterbrained. I’m also more efficient. That’s a paradox I think only a parent can understand. My books are shorter, because I read to my own kids and I know bedtime is long enough already. I have a broader understanding of human emotions, which is very good for writing. But I’m also exhausted and frazzled and that’s bad. In the morning, I wrestle two kids into snowpants, hats, gloves, boots, coats and carseats, grab two lunches, homework, break up three arguments, find the library book, scream, “Whatareyoudoingupthereyou’resupposedtobebrushingyourteeth?!” and “Noyoucan’twearyourfairywingstoschoolputdownyourbrother’sorangejuice!” and get everyone off to where they need to be and then, heart racing, face frozen in a scowl, and every muscle tense, I sit down and tell myself, “WRITE! BE CREATIVE! You have ten minutes. GO! AAAH!”

officeCC: Where do you do your creative work?
JR:
Hee hee. Here is a photo of my office from the summer. It’s even worse now, but I’m working on it, I swear. Meanwhile, I write on the sofa and at my local coffee shop a lot.

CC: Do you have a schedule for writing? Did the pressure of writing under a book contract change your time management strategies?
JR:
I DO have a schedule for my writing. I make schedules for my writing all the time. Then I lose them or blow them off or one of the kids barfs and, well, you know. Sigh. Lately, I have been trying a timer: I sit down and write until it goes off. It works for me, this forced discipline. I’m a fast writer, if I’m focused, which helps. My books were all contracted as finished manuscripts, so I haven’t had contract deadline pressure. In fact, having the first book contract was very freeing for me in terms of feeling like “Hey! I’m a writer. I deserve time to write.” So even though I don’t keep a schedule, I respect my need to write and my need for time to do so.

CC: What do you struggle with most?
JR:
Balance, or more specifically, my neurosis over the lack of it. Because there IS no balance, I think. My work is clearly much better when I am 100% focused on it and my family is palpably happier when I take a week off writing. So I struggle with the constant feeling of not giving things/people that are important to me everything they deserve.

CC: Where do you find inspiration?
JR:
People assume I’m inspired by my own children, but really it’s my students. This is good, because at some point, my daughter is not going to think it’s so cool that her mom writes all these books about little girls who can’t make friends. I’m inspired by the difficulties my students have socially. Also, coffee helps.

CC: What are your top 5 favorite blogs?
JR:
Ack. This is hard. I read a lot of writer blogs, but I also like to read blogs by people whose lives are totally different from mine. I’m going to go with the top five that make me smile and spend the rest of the week worrying I hurt someone’s feelings.

  1. Yield and Overcome has musings, poetry, and laughs from a writer, father of four, and recently rediscovered good friend.
  2. Bookie Woogie is new to me. It’s a father and his children reviewing books and they are funny and honest and charming.
  3. Bossy cracks me up.
  4. Elise Murphy (who’s in my writer support group Rock Sugar Beets) blogs about writing and life on the farm. Math for Writers is my favorite post of Elise’s.
  5. Picture books get little respect in the writing world, but Boni Ashburn writes all about them at Life on the Bookshelf. Her own book, Hush Little Dragon, is fabulous.

new_girl_jacketCC: What is your greatest indulgence?
JR:
Books. I love them. Our shelves are overflowing and sagging and I love running my fingers across the titles and sighing happily. My friend, Erika Mijlin, wrote Feldman and the Infinite, a play about a guy who stole 15,000 books from the New York public library. He had books in the bathtub. I’m not there yet, but it doesn’t sound so bad.

Also, I never drank caffeine until my son was born. Now I am addicted to overpriced foamy coffee and soy milk drinks in big ceramic mugs.

CC: What are you reading right now?
JR:
I just started City of Thieves, by David Benioff. I’m also in the middle of Shadow Country, by Peter Matthiesson, which is lovely, but as dense and murky as its Florida Everglades setting, so I take little breaks from it to read Rick Riordan’s Percy Jackson and the Olympians series, which I recommend to everyone ages 9 to 100.

CC: What advice would you offer to other mothers struggling to find the time and means to be more creative?
JR:
Two thoughts, one internal, one practical. First, make sure you are not the one sabotaging yourself. Make sure that if something is important to you, it’s not last on your to do list. Put it first, and then believe that you deserve that time and that your family/your day job/the world will keep spinning if you disappear for 30 minutes.

Secondly, one of my new year’s resolutions this year was to do something every day to make the next day easier on myself. It’s worked out really well; before I relax for the night, I do one thing on my to do list for the next day. Then, the next day, I’m all, “Hey! I already did that! Look at all this extra time I have!”

CC: Wonderful, Jacqui — thank you!

Open Call to Creative Action: February Finish-a-thon!

Need a little kick in the pants in order to move your creative project a few notches higher on the to-do list?

Cathy Coley writes: “In my blog post of Tuesday, January 27, 2009, a challenge was proffered by Liz Hum, a Creative Construction contributor. So much for whining about deadlock, writer’s block, not being able to finish, or even getting a project off the ground. The writers here have challenged each other to a project duel of sorts for the month of February. We are two days from the beginning of the shortest month of the year, so let’s get busy! This is hopefully a variation of nanowhatchacallit for November.”

Fabulous idea, ladies. And everyone can participate, not just writers. If you would like to join us, please post a comment to this blog post. Tell us what you’re going to finish in February. Maybe it’s your novel, or maybe it’s a short story, 10 poems, 5 prints in the dark room, 8 canvases, 48 pinch pots, 15 pairs of earrings, or whatever you’d like to quantify. You might also identify what your primary work opportunities will be: daytime while kids are at school; during baby’s naptime; at night when everyone is in bed; early in the morning when everyone is in bed; your lunch hour at the office; three hours at the coffee shop on Sunday afternoons; etc.

Before submitting your comment, check off the box below the comment field, which reads “Notify me of follow-up comments via email.” That way you’ll stay in the loop on everyone’s progress and we can keep in touch as the month progresses.

Firing gun goes off on February 1, 2009! Get ready, get set…..

Weekly Contest Addendum

Huge apologies to Karen Winters — I filed her contest entry in the wrong folder, and neglected to post it with the rest of this week’s entries. This also means that Karen wasn’t even “in the running” (though I had acknowledged receipt). I’m so sorry, Karen! This is a casualty of the bird-brain induced by my current circumstances — hopefully not to be repeated.

Karen’s submissions (both are oil on canvas): “This painting was created specifically to represent the idea of hope, using a landscape as a metaphor. The title ‘Blue Skies Ahead’ refers to the song of the Depression Era, ‘Blue Skies,’ which helped lift people’s spirits in the midst of a time of financial disaster. I believe that art, like music, can be restorative and healing, and that it can communicate themes that will soothe the soul.”

bishop-california-clouds-b

“‘Blue Skies Ahead’ is a new painting, done just a few months ago after our November trip to the Eastern Sierra Nevada mountains in California, at a time when the financial markets were mid-descent. For me, clearing skies, sunsets and sunrises represent optimism, resilience and a positive approach to life. And now, my hope is that someone will add this to their collection as some did the painting below, named ‘Brighter Tomorrows.'”
brighter-tomorrows-dp

1/28 Weekly creativity contest winner & new prompt

Hope is a beautiful thing. And so is the collection of entries for this week’s creativity contest.

Our winner is book artist Rebecca Coll, who crafted a highly creative piece. Rebecca writes: “I pretty much decided to fall in love with Emily Dickinson’s poetry when I was in the 3rd or 4th grade and learned we had the same birthday… Although I’m not sure I’m as smitten as I used to be, the poem on the attached piece is one I have always liked. It describes hope in such a powerful way — as opposed to the desperate hopes you hear so much about. SO I decided to use that poem as inspiration for a paper cutout pop-up ‘book.’ It’s not really a book, more like a card with a hardback cover…. The outside cover is the Dickinson poem and inside is a gold papercut ‘tree of life’ with a red bird perched on a branch. The tree of life is the symbolic image I used for the ‘soul’ where Dickinson says our hope sits perched. Gold is for the precious nature of our souls and the red of the bird is for the fire and strength of our hopes.”

hope11

hope21

hope3

 

From Terri Fischer, a series of photographs. Terri writes: “The collage entitled ‘hope’ [below] is a collection of photos that I took of a few of my friends while we watched the inauguration. My good friend Sarah is from England, and has been obsessed with the campaign, election, and inauguration of President Obama (I still love saying that!). She hosted an little Inauguration Day party for a group of local moms that were home that day. Sarah is on the right, hand to mouth, likely stifling a sob.”

hope2

“‘Obama2’ [below] is, of course, from the same day. I love this photo because it signifies generations to me–mother, daughter, and baby doll, engaged in this historic moment. I feel that the role mothers play in shaping the future of this country is highly underrated! This photo speaks to me of both hope and responsibility.”

obama2

“‘Broo,’ [below] is a photo of my fourth child. OK, so really, she’s only watching Kung Fu Panda, but doesn’t that sweet little face make you think ‘hope’?”

broo

 

From Brittany Vandeputte, a poem with photographs: Brittany writes, “Again, a silly poem inspired by recent events.”

AN ODE TO A TODDLER BY THE DOG SITTING HOPEFUL BESIDE THE HIGH CHAIR

Please just a nibble.
Please just one bite.
Just a morsel of chicken.
Iʼll catch it mid-flight.
No one will notice.
No one will see.
Theyʼll think you ate your dinner,
When it was actually me!
brittany

 

From Jennifer Johnson, a poem:

Hope (The Thing With Feathers)

Some screams are ones you never will forget.
That day, the cries of raw distress
reminded me of blood on black macadam,
an elbow scraped, a shredded dress,
the gravel ground too hard on naked knees.
The common childhood playground casualties.

I went outside, prepared to cluck and shush
assurance — anything to halt
that run of ragged noise, too full of pain,
too flavored by the angry salt
of tears, too close to language to ignore.

I looked around the park but saw no child.
My ears found her — a wounded crow
was dragging one dark wing and hurling sound
at cats who crouched a pebble’s throw
away from her, tails twitching, inching closer.

I broke the clowder’s circle, scared them off,
but terrified the trembling bird.
She hopped away, still shrieking. I stood still
and willed her quiet. She preferred
to flap her one good wing and curse us all.

What could I do? She was no condor, tern,
or albatross; was neither rare
nor lovely. She was common. Did she know
this? Were her cries akin to prayer?
Her voice alone was keeping her alive:
her almost-human hope that she’d survive.

 

From Marsanne Petty, two entries (again! Go Marsanne); a photograph and a prose piece:

a) “We go to Savannah, Georgia, every year for vacation. We’ve been to the Pirate’s House Restaurant a couple of times. It’s a pretty good restaurant. Anyway, this lantern hangs by the front door, and according to each of the pirates that have taken us on various tours, it was there as a beacon of hope to those on the Savannah River. It may have worked; it may not have. Regardless of the truth of the story or the usefulness of the lantern, it makes for a nice photo.”

hope-lantern

b) Hope

Everyone knows there’s no such thing as a happy ending. She had heard it her whole life, especially from her mother. After three failed marriages and one husband who died, she could agree with her mother that there wasn’t much hope. But that didn’t stop her from trying to believe.

Her first hope was that she would get out of this town. That hadn’t happened, what with the abusive boyfriend and lack of schooling. She supposed, really, that her first hope had been to finish high school and go to college in another town. There. That was a much better clarification of her hope. The school thing hadn’t worked out too well – she ended up spending all of her time with the boyfriend, which in turn, led to a failed relationship and failing out of school. And yet she was still in the same small town, alone.

Her second hope was to give her mother a sense of happiness. The poor woman had been through so much, the husbands, the divorces, the death…. What’s a girl to do to help her mother cope with something like that? That had failed too. Her mother had fallen into a deep depression and was reduced to taking medication to get through the day.

Her third hope was to be an artist. She tried, really, she did. She attempted lovely landscapes on napkins, spare newspapers, bits of paper she could find anywhere. A severe lack of money didn’t exactly lend itself to art. When the landscapes didn’t work, she tried people, buildings, individual flowers. All failures.

So she moved on. Her fourth hope was to learn the history of her family. Where did they come from? What did their odd sounding names mean? Could she find more ancestors of her own – other family members, other than her battered, depressed mother? She questioned her mother, who knew nothing. Her own mother had abandoned her to a nearby family when she was four. She could no longer even recall her own mother’s name. The name of the family? Her mother didn’t remember them either, she was gone from their home by the age of twelve, on the street to fend for herself. Any other relatives, then? No, none that she knew of. What of her father? A vicious snort from her mother. Look at your birth certificate, child. I have no idea who he was. No maternal relatives, no paternal name to trace. Hope number four was dashed.

She hoped to take the money her mother had given her and make it stretch far enough to buy food for the two of them. Enough to last the week, at least. So she took the money and walked to the grocery store, closely tallying what she added to her basket. Like every other week, she came up short, even purchasing the cheapest brands of foods, the most cost efficient packages. She went to the register to pay for her meager collection, another hope ruined. They would be hungry at the end of the week.

Walking back home, it began to sprinkle and she thought of her mother’s words – no happy ending. Hope after hope…all failed. She looked up at the sky to see if the rain was going to get harder before she made it home. A rainbow gleamed down at her, reminding her that there was always hope, and it never hurt to stop hoping for something better.

 

From Cathy Coley, an illustrated prose piece:

Hope’s name is Lucy

epsn0039I love dogs, I grew up with generations of them. For many years living in condos or apartments, I promised my boys, especially K that we would get a dog as soon as we could afford a house. As soon as we moved in, I took them to the local SPCA on a Friday afternoon, near closing to ‘just look.’ The smell of urine and dog and cat fear was everywhere, as it is in these places, even when they are doing their best to find homes for the lost, the lonely, the neglected and the abused. As soon as we walked through the door to the kennels, the first thing we saw adopted us. She was a nervous mangy little cutie we couldn’t get out of our hearts as soon as we saw her. I had envisioned a fluffier, prettier and bigger dog than this tiny bald terrier mix, and we really tried to consider all the others, including puppies we saw, but my heart started racing. I called my husband at work, frantic that we would lose her if he didn’t come immediately with us first thing in the morning. Others stopped at her cage with the “aw” that only the most pathetic can evoke. I really didn’t want to lose her. Neither did K or S. I told the kennel tech we would be back with my husband first thing tomorrow, don’t give her away til we get here! I didn’t sleep at all that night. Of course, my husband was reluctant, but couldn’t turn away from her, either, once he saw her.

I also didn’t want to think I was making a hasty decision. I hoped she really was the best dog for our family. So gave myself a little more than twelve hours to consider bringing a dog with full fledged mange into the house, especially with my beautiful old cat. I didn’t want her to start losing her fur. I had no idea what it would take to get rid of it once we had her home. I learned after taking her to the vet that there are two kinds of mange: a highly treatable and a terrible version that the best thing to do is euthanize the poor creature.

1-21-2008lucy-006When I brought her to the vet, the vet tech looked at her and kept saying how lucky she was and what a wonderful family we must be, etc, but it looked like she probably had the latter version of mange. They sent us home with the treatment for the treatable kind after running tests. We all, the vet tech, the whole staff there, and family crossed our fingers, prayed and hoped. Well, two years, a lot of chewed shoes and otherwise, a lot of escapee chases around the neighborhood later, Lucy is a healthy, slightly spazzy, loveable, beautiful part of our family. After fearing she wouldn’t take well to the baby when she arrived, no one in this house seems to love each other more than Lucy and Baby C. Every time I take her into the vet’s office for a check up, they can’t believe she was adopted, she is healthy, and she’s one of their favorite patients, having come back from nearly completely bald mange to this beautiful shiny coat. Look at the hope in her eyes in the before of her before and after pictures. I know there is a lot of a grander kind of hope in the air these days, but we were hers, she was ours, and with her, hope came to great fruition.

 

From Kelly Warren, a photograph entitled “Hope for a New Day”:

hope

 

From me (Miranda): A poem written as I waited in the car with a sleeping baby while my mother ran into a few stores to take care of errands. A few moments are better than none!

Hope is
an iridescent spider’s web
spun fresh each morning,
delicate,
persistent;
strong enough to catch
the sustenance that flutters by.

Hope hangs in the alcove
silver in early sunlight
waiting

 

This week’s prompt: “Clock”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, February 3, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point here is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

Reminder: We “hope” for contest more entries

Don’t forget! Send something in for our weekly creativity contest. The prompt is “hope.”

Open House

Happy Friday! Here’s our bi-weekly roundup of interesting posts from Creative Construction community members.

  1. Christa Miller launched a new website.
  2. Georgia Geis is determined to find her creative mojo again.
  3. Kerry Bennett reflects on being alone.
  4. Emma-Jane Rosenberg thinks about patience.
  5. Mary Duquette finds undeniable beauty.
  6. Jean Van’t Hul has returned to her blog about being creative with your children. (Her blog is a treasure trove. Read our Breakfast interview with Jean if you haven’t already seen it.)

And how about this? The Belly Project blog, as seen in the Well Mom newsletter. How do you feel after looking at all those other women’s tummies? Better about yourself, or worse?

1/21 Weekly creativity contest winner & new prompt

A fun assortment for this week’s creativity contest prompt: “wool.” And not a baa-d entry among them. (Sorry!) Our winner is Kelly Warren, for a creative project she and her daughters sent in. Kelly writes: “I was stumped on this one until I started going through a pile of sweaters I was taking to Goodwill, and then the perfect little mom and daughters art day idea hit me. The girls and I were home for the MLK Jr holiday and created these pieces. The ‘wool’ came from the purple wool sweater I felted and then cut flower petals from. The girls followed my steps as I created my piece, each putting their own little spin on it. They actually added the rhinestones to theirs before I added any on mine! I love the freedom of their pieces! Makes mine look a little boring! We had paper and glue everywhere and had a great art day together. This morning, the girls wanted to take their pieces to school to show their art teacher, Ms. Haddon. When we showed her and I told her about our process, she literally had tears in her eyes. She said it meant so much to her to know that at least some parents were making art at home with their children and asked me to please bring in any other pieces we make together for them to share. Very sweet.” Nice work, Kelly, Livvie, and Sarah! (Shown in that order.) Your $10 amazon.com gift certificate is en route.

wool-kelly018

wool-livvie017

wool-sarah016

 

From Bec Thomas: A photo of her sumptuous collection of handspun yarn. Don’t you want to curl up in that pile, face down? Although if you closed your eyes, you’d miss the spectacular colors. Bec writes: “There is a lot of different fibers in that lot, wool, mohair, alpaca, camel, silk, yak, and feathers. Many of my yarns are a blend of various fibers and are usually one of a kind.”

yarn

 

From Cathy Coley, a poem:

Wool

I used to live in wool
the smell of it damp against my face
scarf breathed warm
a shield against New England winter wind

hat scratchy pulled low on my forehead
sweater over turtle neck under coat
I even had a wool poncho, hooded
great for fat flaked snowy days
and gloves
all of it wool

wooly knickers or tights under my jeans, too
one last pair of socks with a hole in one heal
all that remains of my wooly days
before Virginia

no fat flakes hover suspended
upon my shoulders or top of my hat
no shoveling the heavy plump,
heart pumping big
breath of wool warm and damp
against my raw cheekbones
no comfort in this unusual cold.

 

From Karen Winters, a painting entitled “Yorkshire Pals.” Karen writes: “I painted this in watercolor a few years ago using two different copyright-free reference photos. I liked the picture of the sheep but the background was poor. So I found a background landscape from the same region that I preferred. When I am painting, whether en plein air or in studio, I don’t let reality get in the way of my creative vision. Just because a tree is growing THERE doesn’t mean we have to paint it. And if the sheep are lovely but on an uninspiring background … well … we can make it different. Creativity is the process of inspiration plus innovation. The late Milford Zornes, watercolorist, once said ‘Don’t paint it how it is … paint it how it could be.’ So these Yorkshire pals are how they could be.”

winters_wool

 

From me (Miranda): A scarf. A mohair scarf. A very long mohair scarf — considerably longer than it needed to be, largely due to the fact that I don’t know how to cast off and I needed my mother to assist me. So I just kept on knitting while I waited. I think I waited, and knitted, for a few months before she finished it off. Last year I thought the thing looked a little loose-knit and I decided to wash it for that boiled-wool look. Uhm, didn’t really work out like I’d intended. Still, I’m proud of my poor straggly scarf, because it’s the first thing I ever knitted, and it’s actually a finished project.

 

scarf

 

This week’s prompt: “Hope”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, January 27, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point here is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

Stop to smell the roses. Really.

Perhaps you’ve seen the following, which is currently in e-mail circulation. It’s worth reading — and the story is verified by Snopes as true. (Thanks to Charlotte for the tip.)

A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that thousands of people went through the station, most of them on their way to work.

Three minutes went by and a middle-aged man noticed there was musician playing. He slowed his pace and stopped for a few seconds and then hurried up to meet his schedule.

A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping continued to walk.

A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.

The one who paid the most attention was a 3-year-old boy. His mother tagged him along, hurried but the kid stopped to look at the violinist. Finally the mother pushed hard and the child continued to walk turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.

In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.

No one knew this but the violinist was Joshua Bell, one of the best musicians in the world. He played one of the most intricate pieces ever written with a violin worth 3.5 million dollars.

Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston and the seats average $100.

This is a real story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and priorities of people. The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty? Do we stop to appreciate it? Do we recognize the talent in an unexpected context?

One of the possible conclusions from this experience could be: If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing?

In the video below, see how many people actually stop and listen, or pay any attention at all.

You can read an article about this event at the Washington Post.

How about you? Would you have stopped to enjoy the beauty of Bell’s violin, or would you have been too rushed and stressed to pause for a moment? What do you do when your kids want to slow down and observe something or talk about it, and you’re already late for wherever you’re headed?

Breakfast with Suzanne

There are many fabulous, creative women in my local community. One of them is Suzanne Révy, an inspiring photographer, blogger, and mother. Those of you who live in Massachusetts or southern New Hampshire can see Suzanne’s work in person at her solo show at the Griffin Museum of Photography‘s Atelier Gallery, located at the Stoneham Theater from February 2 through March 21, 2009; reception on February 26 at 6 p.m. For now, enjoy this latest edition of Breakfast — a feast for the eyes and a good dose of inspiration along with your morning cuppa.

56slefportrait-copycropCC: Please give us an intro to who you are, what you do, and your family headcount.
SR:
I am a 47-year-old wife and mother. I have two boys, ages 9 and 7. College days were spent at Pratt Institute, a Brooklyn, NY, art school, majoring in photography. In my professional life, in the days before kids, I was a photography editor at U.S. News & World Report magazine, and did a short stint as acting picture editor at Yankee magazine after moving to Massachusetts. Since having the children, I left the world of magazines, and returned to my artistic roots of college, and took up the camera again.

CC: Tell us about your photography. Given that you shoot with film and print your own photos yourself, how do you feel about digital photography?
SR: There are two aspects to my work. I make commissioned portraits for clients. I prefer to make portraits in natural light, dockand allow my sitters the freedom to be themselves in front of the camera. The second part of the work is a personal portfolio of images exploring childhood, and childhood play. When my kids were quite young, as I watched them play, I would notice light dancing through their hair…I would watch their hands, feet and toes. Soon I was compelled to make pictures that looked ever closer at the worlds they create.

As for digital photography, I have no problem with it, but I choose to use traditional media, because it suits my vision. And I dislike the obsolescence factor built into so many of our digital gadgets.

CC: What prompted you to start a blog? What keeps you going?
SR:
I found that I enjoyed reading blogs written by other photographers, and decided to give it a go about two years ago. I have found the discipline of keeping a blog instructive, and helpful when I want to clarify any thoughts or problems I have had in my work. And, I have to keep my five or six readers satisfied. So, I keep at it!! lol

swingnshoes-copyCC: Where do you do your creative work?
SR:
I have a darkroom in the basement of my home, and I rent some studio space about 15 minutes away. All those prints were taking over the house, and I needed a bit more space!! Oh… and if any of your readers are interested in building a basement darkroom…bear in mind that your sink CANNOT be too big!!!

CC: Do you have a schedule for your creative work?
SR:
When the kids are in school, I get into the darkroom at least twice a week. During the summer months it gets a little harder, but when I can’t get into the darkroom, I expose a lot of film. Every day.

I find that I have an annual cycle, where I shoot a lot of film during the summer, and processing film is not as time-consuming as printing, so I am able to keep up with processing film when the kids are home.

Then, in the colder months, I make a lot of prints. When I have a printing day planned, I get into the darkroom right after I get the kids onto the bus!

evolutionCC: How has motherhood changed you creatively?
SR:
As a college student at a New York City art school, I was deeply immersed in learning the creative process. I had a classic art education from foundation year through my senior show. It was an extraordinary opportunity to thoroughly engage in an artistic process. After art school, I was faced with that pesky business of making a living, and eventually landed into the world of editorial and magazine photography as an editor. For a long time this satisfied me creatively, and had the benefit of paying the bills, but my own artistry became dormant.

After marrying, and having kids, I was able to stay home with them, and found myself, as any new mother would, making pictures of my children. I found taking film to a local mini-lab frustrating, and started to think again about working in the darkroom. I was motivated to make beautiful prints of my children to hang on the wall. My artistic impulses that had lain dormant for almost two decades were resurrected when I built the darkroom. I did not realize when I had children, just how much I had missed making art for myself. And being immersed in motherhood made the connection for me.

foolsgoldCC: How do you feel about photographing your own children? How do your kids feel about being your subject matter? Do you obsess about capturing every moment that catches your eye?
SR:
I love photographing children. In fact, I love photographing people. I can make an emotional connection to them that is quite unique and apart from the connection I might make with someone in a different context. Looking at their faces and eyes through a ground glass of a camera offers me a unique view into them. It feels like falling in love.

Sometimes, my kids complain about my photographing them, but I think deep down, they find it special. They certainly like it when I make prints of them. As for capturing every moment…oddly enough, I’ve captured enough moments that I don’t need every one. And if we are doing something that I am actively participating in with them, a special day for example, then I don’t make pictures. Or even when they have a concert or play they are performing in. I don’t want to turn those moments into art-making opportunities for me. I want to enjoy them without the distraction of my own work.

And my photographs are about the every day, not really the special days. And there are lots of moments every day to capture. If I miss one or two…well, that’s ok. I will remember them in a different way.

That said, my older son, when he was four, had a bad fall in which he broke his arm and had a large bruise on his face. Fortunately, neither the broken arm, nor the contusion on his face was serious. In the days following, as he recovered, I never made a picture of that bruise. I hadn’t quite immersed myself in photography just yet…and I’ve always regretted not having a record of that injury. I don’t want him to hurt himself again, but if he does…I will remember to record it. Such injuries are an integral part of growing up.

steadyCC: What do you struggle with most?
SR:
Clutter.

CC: Where do you find inspiration?
SR:
I’m inspired by photographers who make good photographs no matter where they are. I am especially interested in photographers who have photographed one subject in depth…Emmet Gowin, Ralph Eugene Meatyard, Larry Towell, and Andrea Modica.

In addition to photography, there are amazing things to be found in the history of art, and I never miss an opportunity to go to museums. I’m drawn to the paintings of Caravaggio, Vermeer, Singer-Sargeant, Homer, Edward Hopper, and several abstract expressionists: Willem de Kooning and Mark Rothko. Oh…and I love the paintings and sketches of Jean Francois Millet.

CC: What are your top 5 favorite blogs?
SR:
I have a pretty big blogroll on my blog and in my reader. I have made connections to a lot of photographers through blogs, but if I have to pick 5:

I’m active on a couple of forums as well — the Analog Photography Users Group and Filmwasters. There are a few online photography magazines that I follow, Fraction Magazine, Flak Photo, and Lens Culture.

toad3-copyCC: What is your greatest indulgence?
SR:
Buying photographic monographs, and if anyone’s interested in helping me out with that, I have a convenient Amazon.com wish list!! lol

CC: What are you reading right now?
SR:
I just finished The Gift by Lewis Hyde. This book is a must read for every artist engaged in an endeavor that has seemingly no commercial value, because it has extraordinary value to a healthy society. It was one of the most important books I’ve read. Since I haven’t kept this answer short, I might as well add Michael Kimmelman’s The Accidental Masterpiece. An excellent book I read about a year ago.

CC: What advice would you offer to other mothers struggling to find the time and means to be more creative?
SR:
Make art before you clean the house.

CC: Thank you, Suzanne!