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Posts tagged ‘space’

The Importance of Making Space

A favorite from the archives of 2011!

home_office_CCMaking space for your creative work is almost as important as making time for your creative work. When you have a work space that feels inviting and inspiring — even if it’s just the corner of a room — turning to your creative work feels like a delightful retreat, rather than just another item on your endless “to-do” list.

In her fabulous book The Creative Habit, Twyla Tharp notes: “To get the creative habit, you need a working environment that’s habit-forming.” When you have a space that calls to you, it’s easier to go there regularly. Regularity, as Tharp points out throughout her book (as the title would suggest), is the heart of creative output.

We all know Virginia Woolf’s famous dictum that “A woman must have money and a room of her own if she is to write fiction.” Woolf was speaking about the feminist need for independence in order to create. Most of us probably feel comparatively liberated, despite the fact that we have children and Woolf did not — but her point is well taken.

Many of us don’t have the luxury of our own room or even the corner of a room to call our own. We take over the dining table when the muse strikes and then have to dismantle the work area when it’s time to eat. If this is the case for you, brainstorm ways to make this process as user-friendly as possible.

It’s also possible that there IS a nook or cranny lurking in your home that you could claim for yourself with a bit of re-thinking. Bring your creative skills to finding a space in your home that helps you return to your creative, authentic self as seamlessly as possible. And if you’re fortunate enough to have your own space, you might spend a bit of time in the coming month editing out anything in this space that doesn’t work for you anymore. Clean it up, organize, bring in a few fresh visuals that speak to you. Make it yours. Then, dig in.

What works for you?

“Without the studio, however humble,
the room where the imagination can enter
cannot exist.” ~Anna Hansen

This piece was reprinted from the Creative Times, our periodic newsletter. Click here to subscribe!

Photo courtesy Hiné Mizushima.

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The Artist at Work: Do You Welcome the Family, or Bar the Door?

The Daily WriterI enjoy starting my daily morning writing practice by reading a page in Fred White’s daybook The Daily Writer: 366 Meditations to Cultivate a Productive and Meaningful Writing Life. Today’s entry was particularly relevant to our scope here at Studio Mothers, whatever your medium. Here’s the excerpt:

August 30: Dealing with Family Interference

Writers mostly work at home, and that can pose a problem, especially if the writer has children. To ensure against quarrels or having the kids or the spouse feel neglected, the writer in the family needs to negotiate (not mandate like some dictator) ground rules. Another approach is to open your study to the kids. Introduce them to your work, explain your project to them in ways they’ll both understand and appreciate. You might even invite them to hang around and watch you working (about as unexciting as can be imagined for most children); it makes them feel more a part of you and gain more of an internal understanding of why you need to work uninterrupted. The opposite approach, making your study off limits, giving it the impression of being The Forbidden Zone, might prove just as effective superficially, but doesn’t do much to foster family togetherness.

Perhaps the best way to handle family interference is to let them interfere in the sense of making them feel welcome in your inner sanctum. There’s a memorable photograph of JFK at work in the Oval Office with four-year-old John-John frolicking at his feet. Children can better intuit how best to behave around a working parent once they feel that they’re included rather than excluded.

How about you? Do you include your children and/or your spouse in your creative work? What’s best for you and your family?

Miranda: For the Love of Books, Before and After

During August, I’ll be sharing a few choice tidbits from the archives. Enjoy!

Warning. This post contains an unusually intense degree of navel-gazing and otherwise raving on and on about one’s home library, books, and related minutiae. If you find such material nauseating, turn away now. 

Recently, I posted this on Facebook:

I’m staging a serious overhaul of the home library/office today, with Mom’s help. The question is — and please don’t cringe, fellow bibliophiles — shelve the books by author last name, or by jacket color? I know, I know….but I peruse and admire many design blogs and must admit that books shelved by color look fabulous. Although I’m not sure I can bring myself to mix genres…..help!

I was amused by the considerable volume of responses. People feel VERY strongly about how to organize their books — as well they should. This is serious business, people!

rainbowWhen I first heard of organizing books by color, I thought the premise was among the most ridiculous things I’d ever heard of. Not to mention sacrilegious. The whole idea sounded like “book as prop,” in the way that a professional decorator might buy small decorative things for a client’s room simply because they look nice against the wallpaper; nothing whatsoever to do with the item’s meaning or symbolism or its emotional value to the owner. Just “stuff.” Books, of course, are not “stuff.” Ew.

But over time, I came across more instances of books organized by color that really looked beautiful. Not just a stack of three yellow books next to a yellow vase, but shelves organized wholesale by color. Still, how would you ever find anything if you didn’t organize all of your books by genre and then by author last name?

When we moved into our new home, I was thrilled to unpack my books and various possessions into our new library. I very vaguely segregated the books by nonfiction and fiction, intending to properly sort out the shelves, alphabetize my collection, and arrange all of my non-book items in the near future. Eight months later, the time finally arrived. My mother had given me a birthday coupon for a day’s worth of organizational help (and, most importantly, moral support) so I booked my sitter for an extra day, and on Friday my mother and I tackled the library. (It seemed indulgent to pay for babysitting in order to overhaul my library/home office, but considering that my mother and I worked all day long on Friday, and then I spent the better part of the weekend finishing the job myself, I know that this never would have happened if I hadn’t paid for the extra help.)

So, alphabet or color? I was intrigued by the color principle, and I had to try it. (Obviously, by the photo I ran above, there isn’t much question about which way I went.) I can’t believe HOW LONG it took to sort all the books, but we did it. (All those “taupe” books — are they gray? Are they brown? Are they off-white?) It was a LOT of fun, I have to admit. And I came to realize fairly early on that finding a specific book was not going to be a problem. But more on that later.

I also went through ever drawer and bin, sorting out all of my office supplies. I weeded out tons of stuff I don’t need or want. I filed every stack of paper. I found (or created) logical homes for all those little things that you pick up and say “what do I do with THIS?”

I now have a desk that I can actually use! I paid bills sitting at the desk last night, and everything I needed was in arm’s reach. My art supplies are organized in the hall closet around the corner, as there just isn’t room for everything in one place. But it all works.

The basic footprint of the room hasn’t changed (months ago, we tried many different arrangements of the furniture, but nothing else worked). I did change out a yucky fiberboard bookshelf for a marginally better, longer bookshelf made by my ex-husband. (No, you can’t have it back!) Please ignore the hospital-style table on wheels (it’s one of the most practical things I own, and I use it all the time).

BEFORE

B_before

AFTER

B_after

Desk corner before:

Desk_before

Desk corner after:

Desk_after

Considering that relatively little actually changed, aside from clearing out all the clutter, I can’t entirely explain the magic that this room now holds. I FREAKING LOVE IT. I want to be in here all the time. Yes, I’m in here now, typing on my laptop at my desk. I swear, it’s as if Mr. Roy G. Biv turned the room into a bowl of M&M’s. Very cozy at night, too:

night1

night2

So here’s my case for organizing books by color. In the first “after” photo above, fiction comprises the vertical shelf on the far right and the white shelf up the middle. That’s not really so many books. If I’m looking for a particular title, it’s not going to be hard to find even if I can’t remember the color of its spine. This is the only place I have adult fiction aside from my “to read” shelf on the other wall. The books to the left in the same photo are general nonfiction (biography, autobiography, and history). Again, these are mixed together, but it’s not a lot of shelf space for me to peruse if I need something. The fifth shelf is poetry.

On the other wall, books are broken down by genre. I have a shelf for editorial reference, a shelf for art reference, a shelf for books about writing, a shelf for books about creativity, a shelf for parenting, a shelf for self-help & metaphysical (yes, I have that many self-help and metaphysical books). There’s another shelf of semi-mixed nonfiction; a little chunk of current political books, a chunk of animal-related training books, a chunk of sports-related books, a section for gardening. Then there is the to-read shelf, as well a short fiction and plays. And so on.

For each of these subsections, I organized books by color and shape, depending on what looked best for each shelf. Again, I’m not going to have trouble finding anything because I know what each subsection is, and no single subsection is more than a shelf long.

So, now that I’ve dealt with the question of “how will you find anything?” I’ll get to why I think this is such a fabulous way to organize your books. First, a book is so much more than words on a page, or the author’s position in an alphabet. A book is a piece of art — even an old Bantam mass-market paperback — and to my mind, organizing books this way is something that honors each book as art. Positioning each book on a shelf in a way that maximizes its beauty (almost as “paint”) rather than by the name of the person who wrote it seems to me a more potent way to celebrate the beauty of a personal library. The shelves are pleasing and peaceful, without losing the vaguely chaotic and cozy look that is inherent in any library. The color progression is so eye-catching that I think it actually calls more attention to the books, not less — without dominating. What do you think?

The downside to having a dream library/work environment is this: There is pretty much no excuse left on the planet for not coming up with something brilliantly creative. I seem to have run out of excuses. And I DID just use an entire weekend’s worth of “free” moments to finish the room. Time to get to back to the writing 🙂

What do you think?

The Importance of Making Space

During August, I’ll be sharing a few choice tidbits from the archives. Enjoy!

Making space for your creative work is almost as important as making time for your creative work. When you have a work space that feels inviting and inspiring — even if it’s just the corner of a room — turning to your creative work feels like a delightful retreat, rather than just another item on your endless “to-do” list. We also know that one way to dispel resistance is to shape your environment to support your goals. The easier it is to get at your work and get down to business, the more likely you’ll be to actually follow through.

In her fabulous book The Creative Habit, Twyla Tharp notes: “To get the creative habit, you need a working environment that’s habit-forming.” When you have a space that calls to you, it’s easier to go there regularly. Regularity, as Tharp points out throughout her book (as the title would suggest), is the heart of creative output.

We all know Virginia Woolf’s famous dictum that “A woman must have money and a room of her own if she is to write fiction.” Woolf was speaking about the feminist need for independence in order to create. Most of us probably feel comparatively liberated, despite the fact that we have children and Woolf did not — but her point is well taken.

How can you change your space in order to better support your creative work? Many of us don’t have the luxury of our own room or even the corner of a room to call our own. We take over the dining table when the muse strikes and then have to dismantle the work area when it’s time to eat. If this is the case for you, brainstorm ways to make this process as user-friendly as possible.

It’s also possible that there IS a nook or cranny lurking in your home that you could claim for yourself with a bit of re-thinking. Bring your creative skills to finding a space in your home that helps you return to your creative, authentic self as seamlessly as possible. And if you’re fortunate enough to have your own space, you might spend a bit of time this month editing out anything in this space that doesn’t work for you anymore. Clean it up, organize, bring in a few fresh visuals that speak to you. Make it yours. Then, dig in.

“Without the studio, however humble,
the room where the imagination can enter cannot exist.”
~Anna Hansen

What works for you?

The Importance of Making Space

Making space for your creative work is almost as important as making time for your creative work. When you have a work space that feels inviting and inspiring — even if it’s just the corner of a room — turning to your creative work feels like a delightful retreat, rather than just another item on your endless “to-do” list.

In her fabulous book, The Creative Habit, Twyla Tharp notes: “To get the creative habit, you need a working environment that’s habit-forming.” When you have a space that calls to you, it’s easier to go there regularly. Regularity, as Tharp points out throughout her book (as the title would suggest), is the heart of creative output.

We all know Virginia Woolf’s famous dictum that “A woman must have money and a room of her own if she is to write fiction.” Woolf was speaking about the feminist need for independence in order to create. Most of us probably feel comparatively liberated, despite the fact that we have children and Woolf did not — but her point is well taken.

Many of us don’t have the luxury of our own room or even the corner of a room to call our own. We take over the dining table when the muse strikes and then have to dismantle the work area when it’s time to eat. If this is the case for you, brainstorm ways to make this process as user-friendly as possible.

It’s also possible that there IS a nook or cranny lurking in your home that you could claim for yourself with a bit of re-thinking. Bring your creative skills to finding a space in your home that helps you return to your creative, authentic self as seamlessly as possible. And if you’re fortunate enough to have your own space, you might spend a bit of time in the coming month editing out anything in this space that doesn’t work for you anymore. Clean it up, organize, bring in a few fresh visuals that speak to you. Make it yours. Then, dig in.

“Without the studio, however humble,
the room where the imagination can enter cannot exist.”
~Anna Hansen

What works for you?

This piece was reprinted from the last issue of the Creative Times, our monthly newsletter.
Click here to subscribe!

Cathy: Results!

Remember this list?

I spent the previous two days at writing camp with my writing group. Two whole days dedicated to writing. Yesterday I had a different meeting in the morning, but then I headed straight to  my writing camp’s day two, and thought I was going to have trouble, but amazingly got right to it! I seriously surprised myself by what I accomplished in the last 48 hours!

The List now looks like this:

DONE~continue to edit Joe out/Mike into Thanksgiving and Observatory scenes

DONE~write observatory scene using A. H.’s notes

Fixed~pay attention to name changes for T. B. and T. N.

working on~characterize supporting characters more through action and physical description

working on~make ‘thought bubbles’ action scenes or move them to more fitting scene

working on~edit down cooking relevance

mostly finished, maybe a bit more at the end~more on comets

I also edited it a bit more in making sentences and paragraphs more succinct in the first 50 or so pages.

I need to edit the observatory scene now, but at least it’s on paper – er, computer screen. I think my next stage is to print and edit again by hand. I read very differently on paper than on screen, and can see needed changes so much better.

I obviously need to be in a different environment than my office with my home distractions to be able to concentrate on my manuscript edits.

The other five women I sat in quiet with for the past two days expressed the same thing. Here’s the funny part: I thought it was because of my kids, etc, but only half of us have children at home, and of varying ages. I am the only one with a toddler or a special-needs child, of course, I have one of each. Two are grandmothers who live with their retired spouses, who are both very good at busying themselves. And one is home while her husband still goes to the office.

We’re all at a stage of editing a large work we’re committed to. All of our projects are middle reader or young adult novels. Yesterday we planned that the rest of our usual twice a month meetings for the summer will be devoted to writing, no critique.

This way, when autumn comes around, we will all have work to critique. How’s that for commitment? I couldn’t do this without them. I am so grateful to my writing group and to the time we commit to working together.

[crossposted from musings in mayhem]

Cathy: The Universe works in mysterious ways

I will kvetch no more — this week anyway — as after my last two days of considering every option and feeling like I had none left, suddenly:

a friend offered to barter my tutoring her 13-year-old daughter for watching my 2-year-old daughter on writers’ group days.  So I don’t need to find and pay for immediate daycare just so I can have a few hours of writing and critique time a couple of times a month.

aaaand!

drumroll, please…..

Honey’s cousin needs some of Honey’s professional expertise on a public speaking gig in Colorado in a couple of weeks. And he offered to let me tag along, too. I will go to his public speaking gig, but largely, I am going to blissfully sit in my hotel room, without any interruptions and edit the bejeez out of my manuscript on Honey’s laptop!!!

and Grandma offered to watch the kids for that weekend.

I hope I didn’t die, because this sure feels like heaven.

[slightly edited crosspost from musings in mayhem]

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