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Posts tagged ‘poetry’

Miranda: Art Every Day Month ~ Day 4

For day 4 of Art Every Day Month (AEDM), I practiced hand lettering my poem for the first collage. I liked the idea of having hand lettering in the final piece, but I wasn’t happy with how the writing came out. Shortly after a few experiments like the one pictured below, I decided that I would use Ye Olde Trusty Laser Printer instead.

I’m posting my AEDM work here on a daily or near-daily basis. If you’d like to join in the fun, it’s not too late! Here’s all the info. And if you don’t have your own blog, you’re welcome to post your AEDM work here. Just comment on this post to let me know.

AEDM Day 4: Hand lettering my poem; not liking the results

Miranda: Art Every Day Month ~ Day 3

For day 3 of Art Every Day Month (AEDM), I drafted the first poem for my series and began assembling collage elements. I forgot how much I love working on a poem: thinking, writing, sitting back, re-working, sitting back, looking again…

I’m posting my AEDM work here on a daily or near-daily basis. If you’d like to join in the fun, it’s not too late! Here’s all the info. And if you don’t have your own blog, you’re welcome to post your AEDM work here. Just comment on this post to let me know.

AEDM Day 3: Writing, rewriting, and assembling

Miranda: Art Every Day Month ~ Day 2

For day 2 of Art Every Day Month (AEDM), I experimented with different enlargement sizes for some of the images I’m going to use in my collage series. I’m looking forward to getting into the art room with a stack of options.

I’ll be posting my AEDM work here on a daily or near-daily basis. If you’d like to join in the fun, it’s not too late! Here’s all the info. And if you don’t have your own blog, you’re welcome to post your AEDM work here. Just comment on this post to let me know.

AEDM Day 2: Cutting, copying, enlarging, playing

Miranda: Art Every Day Month ~ Day 1

I’m playing catch-up here, as I’ve been without power since Saturday — but I’ve been chipping away at my daily practice for Art Every Day Month (AEDM). I had picked a particular project to work on for AEDM, and it feels great to finally get started after thinking about this project for so long. It’s a poetry/collage collection on a particular topic (more specifics later).

On day one (November 1, which was Tuesday), I took advantage of power from our borrowed generator (thanks, Ellen!) to brainstorm a list of memories for my collection. I’ll be posting my AEDM work here on a daily or near-daily basis. If you’d like to join in the fun, it’s not too late! Here’s all the info. And if you don’t have your own blog, you’re welcome to post your AEDM work here. Just comment on this post to let me know.

AEDM Day 1: Thinking, list making

 

 

Miranda (and Brittany): If these walls could talk….

Last month the lovely Brittany Vandeputte and her husband Tom stopped in for a visit on their way from Salem, Massachusetts, back home to the vicinity of Albany, New York.

Before she left, Brittany wrote all over my wall. Not a display of bad manners, mind you — I asked her to do it. Some of you may remember my half-bath makeover that included a wall of blank “frames.” This wall is a pretty happening place, I have to say. Here, with her permission, is the poetry that Brittany left behind. (Click on the image for a larger view if needed. The frame that Brittany chose was tucked beside the wall cabinet, so I was unable to get a straight-on shot.)

Yeah. I thought you’d like that.

 

Debra Bellon: Star

Debra Bellon’s ongoing poetry blog, No Haikus, is a treat. Excellent way to re-fill your own well. Here is a recent gem:

Star

Another long mile. You breathe;
the air is full of dust, the moon
achingly round.
All the words that once seemed important
are now gone, like the bitter
November leaves.
You yearn for the faraway light
of the nameless star
flickering in the dark sky,
both inviting
and devastatingly vast

Thanks for permission to re-post at Studio Mothers, Debra. More, more, more!

Applause

Our long-time blogmate Brittany Vandeputte was recently published in the Petigru Review! I stole the following from Brittany’s blog:

Yesterday I received my two free author copies of The Petigru Review. It felt good to hold a big chunk of a book in my hands, flip to the table on contents, and see my name listed three times. The $15 I made in “royalties” felt good, too. It brought the total profits from my writing to date up to $115. What a lucrative career choice I’ve made for myself…

Obviously I’m not in it for the money. It’s more the satisfaction of knowing someone else read my writing and thought other people would like it, too. That feels good. And it also feels good to be published in a literary journal named for James L. Petigru, SC stateman, who famously said “South Carolina is too small to be a republic, and too large to be an insane asylum.” I love my adopted state, but as a born and bred Tarheel, I do snicker (quietly) to myself whenever I hear that quote.

I had hoped that I could brag that it was now available on amazon.com, but it isn’t yet. It is, however, available at a local bookstore, Fiction Addiction.

I’m only doing my due dilligence by pointing out that it would fill a stocking nicely and would most certainly impress all your book-loving friends with its sophisticated, artsy, literary-journalness. Plus, I have it on good authority that you might even persuade one of the contibutors to autograph your copy. 🙂

Brava, Brittany! We’re so proud!

Help a writer out: No Haikus

Our friend Debra Bellon, a writer and filmmaker who lives in Toulouse, has a two-year-old son and a brand-new baby girl. Debra has been creatively percolating during the past couple of years, as many of us do while we’re otherwise occupied caring for little ones. To that end, Debra just launched a new blog site for her poetry: No Haikus. Debra says, “I’m going to see if I can write a poem a day, with each poem using a word from the last, if that makes any sense.” She has asked for support and encouragement from the Studio Mothers community — so please visit Debra’s blog from time to time. You know how having an audience helps to keep us honest and committed!

Félicitations, Debra! We much look forward to seeing more of your work.

Brittany: Fly Anyway

There’s something about that line that speaks to me.

Lately, I’ve found myself having a near-obsession with birds. Not real birds, but folk art birds. The kind in profile, that are painted and embellished, and look as unlike real birds as it is possible to get. During my latest trip to Asheville, my grandmother insisted that I go through all my great-grandmothers old craft books. And in them I found pattern after pattern for these birds. Bird statues, bird mobiles, bird appliques, bird sculptures, paper birds, cloth birds, clay birds, wood birds… It was like some kind of sign, because I had previously spent hours scouring the internet for folksy bird patterns and came up empty handed.

I don’t know why I’m so drawn to the birds, except that they’re colorful and friendly, a little quirky, and make me feel happy. People who know me well know that I’m a deeply grounded sort of individual. I dislike flying — literally and figuratively. If you had to describe me in zoomorphic terms, I wouldn’t be a bird. And maybe that’s where the attraction lies.

I read an interesting interview today about Lady Gaga’s new tattoo. What, I’m sure you’re thinking, does that have anything to do with the conversation topic? Bear with me.

First of all, I like Lady Gaga’s music. It’s catchy, fun, better than some other options on the radio. But Lady Gaga herself? I hadn’t given her much thought, to be perfectly honest. But according to the article I read, this is what she recently had tattooed down her arm: “In the deepest hour of the night, confess to yourself that you would die if you were forbidden to write. And look deep into your heart where it spreads its roots, the answer, and ask yourself, must I write?” It’s a quote by Rainer Marie Rilke. I’ll admit I was a little impressed. I don’t really have a thing for tattoos (although I could probably be persuaded to ink a 1940s pinup to my bicep as a conversation piece), but as a writer, I can’t think of anything more appropriate to permanently etch on myself. And then she added something else in this interview that I can’t quite get out of my head. The article said “Rilke’s ‘philosophy of solitude’ spoke to her. The New York native called solitude ‘something you marry, as an artist. When you are an artist, your solitude is a lonely place that you embrace.'”

We talk here a lot about the demands on us as mothers, about how we’re pressed for time and space and energy to write. But one thing we don’t talk about is the inherent loneliness that comes with our chosen occupation. Recently, on my personal blog, I wrote about how being creative and near-mental illness go hand in hand. Part of that is likely due to the fact that creative people have deep, complex inner lives. As such,we’re driven by the compulsion to write (or create) that Rilke speaks of, and soon live mostly in our creative mind. Add to this the loneliness that is inherent to motherhood and you really do have to learn to embrace the solitude or you lose yourself in it.

Which brings me back to the birds…

I said it once before, but it bears repeating. Creative mothers are like caged birds. Our children have clipped our wings, our families, and the sheer domesticity of our mothering lives have become our cages, as have our responsibilities, and financial obligations. We can’t escape from any of it, but then again, maybe we don’t want to. Motherhood was a conscious choice we made. As was following the creative path. And yet we all yearn to fly around. See the world. Live in it a bit.

But ironically enough, life isn’t so free and easy for birds either.

They spend an inordinate amount of time caring for their young. According to a birding website at Cornell University, “Sitting on a nest may look easy, but it involves more trade-offs than meet the eye. When birds sit on eggs, they are not simply relaxing. They are regulating the temperature of the clutch… Although most people think of incubation as a warming process, birds may need to cool their eggs by shading or moistening them in hot environments. For example, one pair of Black-necked Stilts at southern California’s Salton Sea made 155 trips in one day to soak their belly feathers in water to cool their eggs.” It went on to say that, “Incubation requires a balance between sitting on the eggs to maintain their temperature and leaving the nest to refuel by foraging. Incubation thus involves a series of trade-offs: a female gains energy by leaving the nest to forage, but she must expend energy to rewarm or cool the clutch after returning.”

Isn’t that an apt metaphor for the life of a creative mother? And what bird, or mother, has the time to carve out time for relationships with all that traveling back and forth? Sitting on her nest, creating life, is not different than one of us being holed up alone in her studio/office/corner of the sofa working on her latest project. I look at birds differently now. Sure they like to hang out in flocks and travel the world, but when parenthood enters the equation, they are as tied down, lonely, and exhausted as any of us.

I think back to Cathy’s most recent post, where she described the temporary nature of parenthood. And I think of the yearly cycle of nest building, baby hatching, and nest leaving I witness each year in my own backyard. My boys are bigger now than they were yesterday. Soon they will fly away from me. Soon I will have plenty of time for free-flying and writing. But I will not want it. I will want my boys back.

Maybe I am more like a bird than I thought I was. And maybe I should look to the bird as a symbol for the course my life will take. Right now is my time to hatch my clutch, but soon I’ll have to fly anyway.

Writers changed by motherhood

From the Milwaukee Journal Sentinel, highly recommended reading on writing and motherhood, including finding the time, missing the kids, and integrating the experience of being a mother. A brief excerpt from the article, written by Geeta Sharma-Jensen:

When Milwaukee poet laureate Susan Firer’s son was young, she’d often determine the length of her poems by his fingers.

Holed up alone in her writing room, she’d look up to see his fingers running back and forth in the space beneath her door. From the other side of the closed door, she says, he was wordlessly signaling that “it was time to come out and play.”

Her poems, then, were necessarily short; she never knew how long it’d be before the little fingers would slip under her door.

“I tend to be pretty obsessive about my writing, so my children have brought more balance to how I live,” Firer says. “Both my life and, consequently, my poems would be something very different, in fact unimaginable, without my children, who have greatly impacted both what I write about and how I write.”

Writing moms, like all writers, take life in all its aspects and use their imaginations to transform it into art. But motherhood does things to writers – from stealing their time to swelling their emotions to making them silly and dizzy with this strange, overwhelming protective love for another human. They’d often rather be with this human who’s taken over their life, their thoughts, their fears. And yet, there is their artistic impulse, a call so strong they cannot go long without yielding to its siren song.

Somehow, then, they have made time for their work, and the children are there, too – in their art, the result of the twinning of maternal instinct and artistic impulse.

The full article is here. Whatever you do, don’t miss reading this essay by novelist Alice Mattison (opens as a PDF), which is linked within the article. It’s an absolute gem.

7/20 Weekly Creativity Challenge and New Prompt

Another beautiful poem from Cathy Coley for our “finger prints” challenge.  This is so lovely, Cathy!

Finger prints

I awake in the daylight
still feel them,
tingly aftermath
a reminder of our love
after the arguments,
the kids,
the dishes,
the bedtimes,
the laundry,
the taking for granted.

In the stillest hours,
he leaves finger prints
all over my skin.


From me (Kelly Warren): “It will be gone before you know it. The fingerprints on the wall appear higher and higher. Then suddenly they disappear.” Dorothy Evslin

I stumbled across this quote on a friend’s Facebook page and the clarity and truthfulness of it has haunted me ever since.  I thought this picture I took of my girls, running away, suited it well.

FLK DSC_0279


This week’s prompt: “rushed”
Use the prompt however you like – literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by midnight eastern time on Sunday, July 26, 2009. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly challenge, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 48 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

7/6 Creativity Challenge and New Prompt

Some wonderful Fourth of July entries!  I think the one that will all take our breath away is the beautiful poem and accompanying photo from our lovely Miranda Helin Hersey, below.

Independence Day

On Friday morning, July the third
Liam nursed for the last time.
I did not know in the moment,
and so I did not say goodbye
to my little nursling
and the many years of my life
— six? —
that I have spent nursing my five children.
I did not imprint the memory, did not
photograph the image behind my eyes
the feel of him in my arms, the scent of his
warm hair against my arm and the pillow,
the pale blue sheets.
It was just another morning.

But that was three days ago.
I was ready, I thought.
And he was ready, for the most part.
But now that it has ended
(he isn’t asking, and
doesn’t seem to mind)
I find myself awash in grief
as if I have lost something,
or someone.

A part of my life has ended
as it should, naturally —
there is no more giving of new life,
sustaining that life, inside and out.
My body is mine now, forever.
No more sharing.

This strange milestone hits me
hard, and I reach for Liam,
burying my nose in his soft hair,
trying to remember.

miranda babyboy


From Cathy Coley: Baby C spent the morning of July 4th out harvesting beans and tomatoes.

Chloe '09 4th of July 004


From me (Kelly) : More in the mood for small-town goodness than big city traffic, we went to Fernandina Beach for the July 4th festivities…..parade, band and chorale, and fireworks. I had all intentions of capturing some great photos until I reached to capture a shot of the funky painted van outside the Green Turtle only to realize my camera card was still stuck in my computer at home.  Sigh…  I actually took this festive picture on another recent patriotic day: Memorial Day.  She’s a grand old flag.

kelly-glory


This week’s prompt: “ethereal”
Use the prompt however you like – literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by midnight eastern time on Sunday, July 12, 2009. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly challenge, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 48 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.