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Posts tagged ‘photography’

7/20 Weekly Creativity Challenge and New Prompt

Another beautiful poem from Cathy Coley for our “finger prints” challenge.  This is so lovely, Cathy!

Finger prints

I awake in the daylight
still feel them,
tingly aftermath
a reminder of our love
after the arguments,
the kids,
the dishes,
the bedtimes,
the laundry,
the taking for granted.

In the stillest hours,
he leaves finger prints
all over my skin.


From me (Kelly Warren): “It will be gone before you know it. The fingerprints on the wall appear higher and higher. Then suddenly they disappear.” Dorothy Evslin

I stumbled across this quote on a friend’s Facebook page and the clarity and truthfulness of it has haunted me ever since.  I thought this picture I took of my girls, running away, suited it well.

FLK DSC_0279


This week’s prompt: “rushed”
Use the prompt however you like – literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by midnight eastern time on Sunday, July 26, 2009. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly challenge, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 48 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

7/6 Creativity Challenge and New Prompt

Some wonderful Fourth of July entries!  I think the one that will all take our breath away is the beautiful poem and accompanying photo from our lovely Miranda Helin Hersey, below.

Independence Day

On Friday morning, July the third
Liam nursed for the last time.
I did not know in the moment,
and so I did not say goodbye
to my little nursling
and the many years of my life
— six? —
that I have spent nursing my five children.
I did not imprint the memory, did not
photograph the image behind my eyes
the feel of him in my arms, the scent of his
warm hair against my arm and the pillow,
the pale blue sheets.
It was just another morning.

But that was three days ago.
I was ready, I thought.
And he was ready, for the most part.
But now that it has ended
(he isn’t asking, and
doesn’t seem to mind)
I find myself awash in grief
as if I have lost something,
or someone.

A part of my life has ended
as it should, naturally —
there is no more giving of new life,
sustaining that life, inside and out.
My body is mine now, forever.
No more sharing.

This strange milestone hits me
hard, and I reach for Liam,
burying my nose in his soft hair,
trying to remember.

miranda babyboy


From Cathy Coley: Baby C spent the morning of July 4th out harvesting beans and tomatoes.

Chloe '09 4th of July 004


From me (Kelly) : More in the mood for small-town goodness than big city traffic, we went to Fernandina Beach for the July 4th festivities…..parade, band and chorale, and fireworks. I had all intentions of capturing some great photos until I reached to capture a shot of the funky painted van outside the Green Turtle only to realize my camera card was still stuck in my computer at home.  Sigh…  I actually took this festive picture on another recent patriotic day: Memorial Day.  She’s a grand old flag.

kelly-glory


This week’s prompt: “ethereal”
Use the prompt however you like – literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by midnight eastern time on Sunday, July 12, 2009. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly challenge, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 48 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

Spotlight on Sarah Madsen

4087_90117mSarah Madsen, Facebook friend of Creative Construction, is a busy mother of four living in Nevada. Sarah is a prolific artist attracted to a range of different media. She finds much satisfaction in drawing from — literally — her vantage point as a mother. From Sarah’s profile on her blog, Arty Moments:

“This [blog] is a insight to a chaotic (ME) artist. I say chaotic because in a sense I seem to go in a million different artistic directions and I’m sure I’m chasing art not as constructively as I should be…However 🙂 This might (I say might because I know deep down, it’s indicative to my nature too!) be my reasons why this occurs… I’m a Mum to 4 busy and happy critters, 4, 6, 8, 10 years old. So with that, comes the balancing act between motherhood and creativity (and of course the odd freelance work). I’ve been drawing painting since I could hold a pencil and I remember drawing, many a night when supposedly asleep in bed. At the blank pages of old books (remember they always had a few blank pages in the beginning?) My get away moments are to draw from life and usually end up in a coffee shop/bars. So one day I would love to be a traveling artist…sketching people in various parts of the world. For now I mix up my love of jewellery and painting. Want to make tiaras, fine precious enamelled pendants, brooches, etc.”

4087_252732mThat chatty blurb gives us the behind-the-scenes look; here’s Sarah’s more formal introduction:

English artist Sarah Elizabeth Madsen attended Central Saint Martins School of Art & Design in London, England. There she gained a BA Hons degree in jewelery design.This interest in 3-D design was quite a different direction from her first love of fine art. The desire to follow figurative art has been constant theme throughout her life as an artist. In 1992 the young artist received a travel bursary from the Royal Society of British Sculptors on a medal design. She has also exhibited at various locations such as the Mall Galleries in London, Silvermine Art Center in Connecticut, and also at Steven Whyte Figurative Sculpture Studio in Carmel, California.

Sarah notes:

4087_121719m“I tend to work quickly with concentration to put the essence onto paper. Portrait drawing from life for me is an absolute challenge. The amount of expressions, gestures, moods, habits, and interaction that people show is incredibly complex. The studies of babies  and children are from constant observation of my own children. This definitely creates its own demands as children rarely remain still. Fortunately this pushes me to just grasp quickly the essentials and not to overdo a drawing. The interest in fine handmade jewelery/medal and enameling stems again from my love of observation (though currently somewhat on hold at present time). So one day hope to produce tiaras, fine gem rings, and necklaces though these would be more towards art/sculpture pieces than mainstream jewelery. The direction I take is organic and figurative in nature. Always to create a ‘living feeling.’ Whether it is a gold-forged wire curling around the nape of the neck, through to a few chosen marks onto canvas or paper.”

Sarah, you’re an inspiration! You can see more of Sarah’s fine art at her art site.

4/29 Weekly Creativity Challenge and New Prompt

Only two entries for our April Showers prompt, and with them comes a welcome back and a congrats to this week’s winner Dale Meister for her lovely necklace, pictured below.  Dale writes: “I have created a necklace inspired by the ‘april showers’ prompt.  I know this isn’t exactly the usual media you get at your blog. I hope this is okay. This is my second time participating, after following the ‘little black dress’ prompt a while back.”  And we’re happy to have any media Dale! 

dale


From me (Kelly): a photo entitled “Marion County Roadside”.  I took this shot last year about this time on the way home from a meeting in Tampa.  I’ve always wavered back and forth between wanting to live my life on the river and wanting to live my life on a horse farm in Ocala.  Some of the most beautiful property in all of Florida is along U.S. 301/441 in Marion County horse country.  I loved how this view captured the rain on the left and the sun on the right at the same time. 

 marion-co-roadside-blog


This week’s prompt: “May flowers” (did you see that one coming?)
Use the prompt however you like – literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, May 5, 2009.  Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly challenge, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

3/25 Weekly creativity contest winner

“Spring equinox” seems like a fitting contest prompt, seeing as we’ll be taking a little hiatus from the weekly contest: change and renewal. Beautiful entries this week — enjoy!

Our winner is Rebecca Coll. Rebecca writes: “As soon as saw what the prompt was for this week, I knew exactly what I was going to do… a dos-à-dos binding. This is a particular bookbinding technique that binds two books together with a shared ‘back’ cover. The two books are therefore both individual and half of a greater whole, much the same as the equinox: equal night. Half night, half day. Following are photos of my equinox-inspired dos-à-dos journal. Two books, each with six signatures (sections) to represent the six months from equinox to equinox, bound together to make one year-long diary. Each signature has 32 pages, which is approximately one page per day (you have to have multiples of 4 when bookbinding, so I couldn’t get the math to work out perfectly). Both ‘books’ are bound in leather with bookcloth onlays and the spines sewn in a button-hole technique using both green and brown cord — for spring and fall. The vernal equinox book is in blue leather with a colorful graphic depicting spring. The autumnal equinox book is bound in black suede (leather glued on backwards with the ‘soft’ side showing). The cover of this book shows a tree having lost it’s leaves. Together with both books one can record a year’s worth of memories: equinox to equinox.” Wow, is all I can say, Rebecca! An absolutely brilliant interpretation of the prompt. Your $10 amazon.com gift certificate has been issued.

dos-a-dos

darkside

blueside

 

From Cathy Coley:

Spring Equinox

The camellias are a winter bloom,
usually December, but this year
they bloomed in March. The ground
didn’t freeze until then,
and one shot of snow
moved the blooms to the Equinox.
The two red bushes dominate
and make the white one blush
as daffodils struggle,
and crocus never awoke.

The season of waking,
My daughter begins to walk
while first blooms of burgeoning
mingle my teen son’s drawing away
and drawing toward
the streets and halls filled
with cucumber perfumed
tresses and new curves
unsweatered,
scent of new skin.
3192009spring-015

 

From Karen Winters: “Malibu Creek Afternoon Hike,” 12 x 16 oil on canvas. Karen writes:

“This new landscape oil painting celebrates the arrival of spring in the Santa Monica Mountains in Malibu Creek State Park, one of my favorite local inspirations. The hills will only stay this beautiful green color for a short while but it’s glorious while it lasts. Soon, the greens will dry to a golden brown, and the desert look will be revealed. I learned something interesting about Southern California’s desert nature while watching a show on geology a little while ago. Before the Sierra Nevada range formed due to compression of the North American and Pacific tectonic plates, California received abundant summer rainfall, just like the rest of what is now the United States. When the mountain range rose, this changed weather patterns and So. Cal became a desert. To get the rain back we’ll have to wait quite some time for the mountains to age. But since the plates continue to compress and mountains continue to rise, that’s not going to happen anytime soon. Perhaps one day we’ll have Californian Alps or Himalayan-size peaks. I won’t be around to paint them, but I can imagine that they’ll look wonderful in springtime.”

malibu-creek-painting-b

 

dsc05371From Jen Johnson: “As I was thinking about this week’s prompt, I found myself reflecting on hibernation, awaking to sunshine. This week I’m also in the thick of preparations for my son’s fourth birthday (his party is Saturday and his actual birthday is March 31st). My little boy loves all things serpentine — two of his most significant attachment objects are rubber snakes that he has named ‘Stuxey’ and ‘The Other Stuxey.’ I knew I wanted to make my son something special for his birthday, and so all these things combined to inspire this morning’s project: ‘Spring’ the snake. ‘Spring’ is made from fleece, which is a fairly new material for me; I find it is very forgiving and I’m enjoying working with it! dsc05370She is the second stuffy that I’ve made from my own pattern. The stripes were the most fun! I brought her outside to take advantage of the sunshine for the picture, and happily our overgrown oxalis provided a suitable backdrop. (Wouldn’t be spring out here without the oxalis explosion!) And for a more literary –- and literal — approach to this week’s prompt, you can check out my blog post on the Equinox itself: an old poem that I found in the files. It’s posted here.”

 

This weekly contest has been a real pleasure, everyone. Please keep those creative juices flowing, and don’t feel shy about sending your creative endeavors in for posting. We love random acts of creativity!

In case you missed any of the prompts we’ve had during the past 47 weeks, here’s the list, ordered from most recent to oldest:

1.    Spring equinox
2.    Map
3.    Dance
4.    Light
5.    Eyes
6.    Box
7.    Cookies
8.    Clock
9.    Hope
10.   Wool
11.    Snow
12.    Stars
13.    Noel
14.    Gift
15.    Waiting
16.    Fire
17.    Thanksgiving
18.    Silver
19.    Quilt
20.    Self-portrait
21.    Hands
22.    Dream
23.    Apples
24.    Tears
25.    Autumn
26.    The notebook
27.    Dinnertime
28.    The guitar
29.    My favorite shoes
30.    Sunflowers
31.    The wedding
32.    Chocolate
33.    Circles
34.    Vacation
35.    Beauty
36.    Chinese restaurant
37.    My mother’s house
38.    Independence Day
39.    Wings
40.    At 3:00 am
41.    Margaritas
42.    The crows
43.    The ocean
44.    The last time you kissed me
45.    Little black dress
46.    A cup of coffee
47.    View from the window


3/11 Weekly creativity contest winner & new prompt

Care to dance? A lovely array of submissions for this week’s creativity contest. Our winner is Cynthia Platt, for a beautiful poem. Cynthia sent in this lovely note: “Here’s an entry for you for the ‘Dance’ category. Dancing has always been a big — and joyful — part of my life. Now it’s joyful part of my nearly-three-year-old daughter’s life, too. Thanks for taking a read, and for hosting the blog, which I read, and take inspiration from, regularly!” Congratulations, Cynthia. Your $10 amazon.com gift certificate has been issued.

Dance Party

Last night we had a dance party.
A dance party
used to mean something
concrete to me.
Late nights,
flashing lights,
speakers pumping out
bass at outrageous decibels.
I am older now, though,
and she is so young.
Early nights have replaced late,
a brightly lit living room has displaced
the dark, pulsing club.
Last night, her music played
sweet and low and lovely.
I am older now,
and she is so young.
The three of us danced
around the living room,
laughing.
“It’s a dance party, Mummy!” she trilled,
joy suffusing her voice.
And it was.
Last night we had a dance party.
A dance party means something concrete to me.

 

From Jen Johnson, a fabulous sonnet: “Submitting an oldie-but-goodie this week, something that came immediately to mind with the ‘dance’ prompt. It was written back when I was in my sonnet phase and really fascinated with poetic form and structure. (A fascination that I still have, though these days I have less of the required focus to put it into practice!) The idea originally sparked when I realized that the nursery rhyme for which it is named has fourteen words — so I wanted to see how it would work as an ‘acrostic sonnet.’ The term refers to the fact that this can be read two ways: top to bottom, like an acrostic, by reading the first words of each line ‘down’ the poem; and also left to right, like a typical poem.”

Ashes, Ashes — We All Fall Down

Ring me round with laughing children, dancing
around and around in the pale daffodils,
the yellow, nodding flowers chancing spring.
Rosy sky wipes wet hands down her skirts, spills
pockets brimming with sultry, heavy air.
Full puddles standing in the glossy street
of gravel-gilded pavement call for bare
posies of children’s toes — pink, tiny, sweet.

Ashes of memory, now — bitter, gray.
Ashes only, no longer the burning.
We slog through this muddy field on May Day,
all alone, sodden socks blistering, yearning.

Fall just once to your naked knees. Stumble
down and stop. Now rise, kindled and humble.

 

From Cathy Coley: “So, when I saw ‘dance’ was the prompt, I knew I could take this in a 1,000 different directions. However, very quickly the idea of dancing on my father’s feet as a little girl, and Baby C dancing on her Daddy’s feet popped up strongly and quickly from the bottom of that full pool. Unfortunately, I couldn’t get good light, dh and baby together all at once since last Wednesday. This is the result of the photos, which I had hoped would inspire a generational poem or something. Alas, bad photos don’t make for good inspiration, especially on Tuesday morning staring at the day’s deadline. But it was great to remember how I felt as a little girl dancing on my father’s feet. And I got a nice shot in of Daddy kissing his girl.”

babycdancing

 

From me (Miranda): When I was in high school, I won a competition for designing the T-shirts and sweatshirts for an annual dance event. (The win was one of about two happy moments related to my high school years.) I loved drawing in pen and ink, an interest that I inherited from my mother, who supplied me with a homemade light box. The final design is packed in a box somewhere in my attic, but I do have some similar sketches around somewhere — alas I spent nearly an hour tearing apart my just-unpacked house in search of the scrap of paper I was looking for, to no avail.

danceI have a weakness for images of dancers. I’ve always admired the beauty of a high arch. Many dancers have exquisite feet — and many non-dancers have exquisite feet, too. Whenever I notice a person with exceptional arches, I can’t help but ask if she’s a dancer. Unless someone is willing to intentionally point her feet for you (which is a bit awkward to ask of a stranger), the only way to really assess her arches is to casually observe her foot when it’s extended — say, if she’s sitting on the floor with her legs out straight, one crossed over the other, which tends to force a gentle pointing of the foot. Or, if someone is sitting in a chair cross-legged and has a natural turnout, you might be able to observe her arch when she absently points her foot during conversation. Not that I am utterly obsessed with feet or anything, really! Despite many years of ballet, and dancerly aspirations, I do not have beautiful arches — as you can tell from this photo of me en pointe. Just not that impressive. (Good thing that “arch augmentation” isn’t something that most plastic surgeons offer, or I’d have done it by now.)

I still remember the smell of new toeshoes with fondness — that intoxicating perfume of glue, leather, and satin. While I don’t consider myself a stage mother, I admit that I did drag my daughter to ballet lessons at the age of 5. Ballet just wasn’t her thing, however. She never cared for it, so I let it go after a few weeks. Now, I peruse my old copy of Allegra Kent’s The Dancer’s Body Book and Suzanne Farrell’s autobiography, hoping to manifest a little grace in my life, even with my regular old, Plain Jane arches. (Photo credit Jack Foley.)

 

This week’s prompt: “Map”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, March 17, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

3/04 Weekly creativity contest winner & new prompt

Beautiful submissions for this week’s creativity contest on the prompt “light.” Our winner is Cathy Coley, for a haiku image pairing. I love the simplicity of what Cathy did — just showing up and looking into the every day. Congratulations, Cathy — your $10 amazon.com gift certificate is on its way.

 

in the new morning light
quiet and promise
are all I need to write

 

morning-light-001

 

From Juliet Bell: “This is an oil painting I completed recently. It is painted from a photo I took of a morning glory blossom outside my kitchen door after an August rain. I changed the orientation of the light to appear to be coming from inside the blossom. It is entitled ‘Glory After a Morning Rain.'” [Editor’s note: OK, so this BEAUTIFUL painting is actually hanging on the wall in my new library….]

glory-after-the-morning-rain

 

From Amy Grennell, a beautifully textured pair of images — one an altered version of the other? I wasn’t able to ask Amy what media she used — Amy, please tell us!

light-alt

light-alt2

 

From Kelly Warren: “Here are two photos for you….one of one of lights of my life, and one of the light of her life.  I love the way the light plays off both of them in these pictures, highlighting Sarah’s jumble of lovely red curls and Bunny’s pensive thoughts.”

bunny-portrait-for-cc

sarah-and-bunny

 

From me (Miranda), a haiku image pair:

 

Inside the new house
we orient ourselves to
southern exposure

dsc_0104

 

This week’s prompt: “Dance”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, March 10, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

2/25 Weekly creativity contest winner & new prompt

Ah, the eyes have it! Lovely submissions for this week’s creativity contest. Our winner is Elizabeth Beck, for this beautiful collage. Elizabeth writes: “i just finished this collage this week …. and intentionally left out the eyes …. to leave it all more ambiguous and mysterious ….. so … for my eyes entry, i give you no eyes!” (I just love your work, Elizabeth, and I’m anxious to try my hand at collage with the SIX BOXES of potential collage materials I gathered up while packing for my move.) Congratulations, Elizabeth — your $10 amazon.com gift certificate has been issued.

100_79311

 

From Karen Winters, a watercolor painting. Karen writes: “I have always admired the way Egyptian women were portrayed in sculpture and painting, so I decided to do a closeup watercolor just featuring the eyes of an exotic beauty. Unlike the ancient paintings that were very stylized and graphic-looking, I chose to represent the eyes in a more realistic manner. The kohl that Egyptian women and men used for distinctive outlining served more than a decorative purpose. Originally made from the soot derived from burning sandalwood paste, kohl served as a medicinal aid and protection against strong sun. Modern preparations may contain lead, so caveat emptor.”

eyes-3x5

 

From Jen Johnson, a poem. Jen writes: “My submission is a quick little poem dashed off during naptime (because that’s all the time I had this week!) based on something I seem to remember reading somewhere a long time ago. Your prompt reminded me of it — not sure if it’s scientific fact or not (and a quick google search with the kids in my lap can’t confirm it) but I like the idea anyway.”

Moongaze

They say that the dark side of the moon,
The side blind to human eyes,
Has a gigantic crater, so big it could be seen
With ease from our own Earth —

If ever we could see what can’t be seen.
It would look like an enormous lunar eye,
Peering down at us each night.
The huge hole a dark iris, pale moondust sclera.

What myths would have been made,
What stories spun, what gods imagined,
If each night we looked up to see
A changeable gaze staring down from the sky?

 

From Rebecca Coll, a painting that she created this week as a gift to her husband on their anniversary. Rebecca writes: “I stretched the theme of ‘eye’ to include how we use it and experimented with the whole optical illusion thing. I figured after 19 years a marriage is about so much more than you can see on the surface. It’s about who we are and the love we have shared. To show this I painted a tree (growth, stability, branches for our independent passions, etc.) using both of our profiles to create the trunk. Then, up in the tree I added 19 hearts for the 19 years… Can you see them all?”

annivtree1

 

From Kelly Warren: “Pure goofiness…the eyes are two of my evil eye pendants.  I’d say this is me after one too many margaritas.” Love it, Kelly!

goofy-eyes

 

From Cathy Coley, a poem:

Eyes

My eldest son’s mossy deep forest green
glow in the sun and mute to wood.
They are the unusual eyes
of my grandfathers,
both of Carolina Cherokee blood.
I wander lost in those eyes
when they look at me.

At a powwow when he was three
a young Mohegan boy of eight
smiled and said,
‘He has the eyes of my tribe,
the eyes of the wolf.’

From boy to boy passed more
than a stick of rock candy.
This is his second early memory
after the red and licorice
ladybug birthday cake.
He has the eyes of a wolf.

My second son’s eyes kaleidoscope
from bright blue to green to slate.
My mostly Irish father’s eyes are aqua green,
Turn to crystal blue, even lavender.
My boys’ father’s Irish eyes switch, too —
Sky eyes clear blue to thunderclouds.
My young son’s eyes are big as the sky.
I can fall into them, and rarely swim back out.

My daughter’s eyes are deep,
clear, warm bullets,
black brown depths of her father and me.
My mother, my grandmother,
his father and generations
back into the hills and across the ocean.
The deep history of continents
collide in our daughter’s eyes —
founders, natives, immigrants,
brown as earth’s rich soil.

Histories upon peoples read
in our children’s eyes.

 

From me (Miranda): A header image that I several months ago — it’s one of my favorites. Naturally, I am enchanted by the eyes of all of my children, but I have to say that Liam (the youngest) has extra depth to his baby blues.

babyeye

 

This week’s prompt: “Light”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, March 3, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

2/18 Weekly creativity contest winner & new prompt

It probably wasn’t too difficult to figure out where the “box” prompt came from in this week’s creativity contest. (For anyone not in the know, I just moved!) This week’s winner is Brittany Vandeputte. Brittany writes: “I was inspired for this week’s contest when my brother-in-law finally proposed to his girlfriend yesterday (it wasn’t soon enough for our taste). I thought to myself ‘Cupid must’ve finally knocked some sense into him…’ Then ‘Hmmmm… isn’t our prompt for the week “box”?’ Cupid is approx. 4 inches tall, adapted from Laurie S. Wagner’s Mini Baby Mannequin pattern. He is entirely hand sewn (I hate using a sewing machine) and made from hand tea-dyed flannel, black vinyl, polyester fiberfill, and craft feathers. I embroidered his hair, face, and tattoo and used white embroidery thread for his boxing glove laces. His diaper is made from a scrap of interfacing and a spare safety pin.” Very creative, Brittany — love your pugilist take. Your $10 amazon.com gift certificate has been issued.

cupid221509
 

From Jen Johnson: “My submission this week is a little poem, one of those ‘came to me in the shower’ creations. It was also inspired by the deteriorating ‘playhouse’ that has become a fixture in our dining room over the last few weeks.”

Boxes (Thinking Outside)

Crayon, canyon,
match, mail, window,
gear, strong, jury,
car, kite, music,
ballot, chatter,
soap, Pandora.

Black, juke, sentry,
signal, compass,
sound, snuff, witness,
office, coffin.
Jack’s in, cat’s out.
Cardboard spaceship.

dsc05048

 

From Cathy Jennings, an image created in Adobe Illustrator. Cathy writes: This was fun. ‘Box’ got me thinking about spring cleaning and emotional baggage.”

springcleaningsquares
 

From Cathy Coley, a pair of photographs. Cathy writes: “No better entertainment exists for a baby than a box! S was about the same age Baby C is now in this photo from ten years ago. Look how he adored his big brother! So, yes, I went for the obvious once again. It was nice to break out the old photos! Baby C was too active to get a good shot of her sitting in the box to mimic the old one. I liked this one of her heading in.”

cathy_boxes
 

From Rebecca Coll, a piece just for me! (In the interest of full disclosure, Rebecca is my BFF.) Rebecca writes: “So I wasn’t able to finish (as you can clearly see!), but I figured I’d send it in anyway. The piece is actually going to be your housewarming gift once it’s done — hence my comment earlier about not being in the running to win this week 🙂 . It’s a shadowbox, loosely depicting your family and your new house. I glued the frame and started to place some of the elements (people, your front columns, windows) but I didn’t have a chance to finish and I also need to paint it. It obviously looks very underdone in the raw colors of the board I am using. Trust me, it will look VERY different when it’s done.” (Editor’s note: Look’s like I’M the big winner this week, ladies!)

box1
 

From me (Miranda), a prose piece and photograph:
Moving

All of my wordly possessions, my life in the most mundane terms, wrapped in sheets of gray paper and boxed by strange hands. Hands that had no interest in my bird’s nest diorama, my reams of manuscript pages, my hundreds of books, the many ceramic treasures that my children have created over the years, the quilt that my mother made for me, my prized sugar bowl. Three Guatemalan men packed my house in silence — except for when one of them accidentally pushed a button on a small key-chain found in the kitchen desk: “Dr. Fart.” From the next room, we heard the eruption of laughter.

The hands packed without interest, and perhaps without judgment, although I wonder what the inventory of my household looks like through someone else’s eyes. I catch a glimpse, I think, as I unfurl each carefully wrapped item. I open a thousand presents, sometimes with a smile as I discover a favorite object; sometimes with a sigh as I unwrap yet one more thing that I’m not sure I really want to keep. In the light of a new home and shifting priorities, I wonder why I paid to have it packed and moved. Out it goes.

The mover’s boxes are my appreciated friends, but our friendship is fleeting. As soon as a box is empty, I am anxious to remove it — immediately — from my living space. Each emptied box feels like a significant accomplishment. Box by box, my life comes back to shape, as much as I wish my life weren’t so thoroughly defined by my material goods.

Two days ago, a couple came by and took masses of boxes from the collection in our driveway — mostly flattened, but many bulging full of crumpled newsprint. I was relieved to see most of the boxes go, and glad to know that they would be serving another family rather than heading to the recycling center.

Ten days after moving, there are just a handful of boxes left in my living space. By the end of the coming weekend, those will be gone too. Back to “real” life, out of the box.

Maybe I’ll save a few in the basement, just in case I’m not quite ready….

dsc_0048

 

This week’s prompt: “Eyes”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, February 24, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

2/04 Weekly creativity contest winner & new prompt

A quiet week on the creativity contest front. Perhaps the prompt “clock” didn’t set off many bells among Creative Construction readers — or perhaps some of you were hard at work in the February Finish-a-thon. Our winner is Kelly Warren, who sent in a stunning photo, with a lovely explanatory bit. Congratulations, Kelly! Your $10 amazon.com gift certificate is on its way.

Clock’s Tickin’

ford-ttv

Heading south out of Tallahassee on US 319/98 towards the coast, there’s a gathering of old trucks just off the side of the road. Being the intrepid traveler around Tallahassee and its environs, I’ve wondered about this “gathering” for years. They sit there as if on the starting line of some long ago race, all lined up waiting for some invisible spandex-clad starlet to throw down her scarf as the signal to go.

After some recent research, I found finally their origins. They’re are owned by Mr. Homer R. Harvey. He and his father Riley A. Harvey were in the timber, crosstie and turpentine business. They also farmed and raised some cattle and hogs, and the trucks were used in their business operations over the years. Riley died in 1957, and Homer carried the business on into the 1970s. The home on the curve near the trucks is where Homer raised his family. He and his wife Yvonne McLaughlin had four children: Pat, Mike, Dennis and Ouida. Pat now lives in the home on “Homer Harvey Curve.” A few years back Pat and Homer decided to move the old trucks out of the woods and place them closer to the road where they are now. Homer is now 92 and lives with his daughter Ouida just a few miles from the curve. Mike and Dennis both live close by.

The woman at the Wakulla County Chamber of Commerce who helped me with the research, Petra Shuff, told me that there’s a ’54 Ford amongst the gathering that was the first car she remembers steering, sitting in an uncle’s lap. Like Petra’s dream to drive, these old trucks are also a photographer’s dream. I took a series of pictures there recently and played around with a few to great effect, including that ’54 Ford. Clock’s tickin’, Ms. Petra. Been drivin’ lately?

 

From Jen Johnson, a photograph. Jen writes: “A very impromptu submission this week: a photo of our mantle, titled ‘Time and the River’ (yes that is the Wolfe title in the background).”

time-and-the-river

 

From Cathy Coley, a poem and photo pairing. Cathy says, “very silly, i was coming up empty.” Hey, your consistency is always impressive, Cathy!

Clocks

Always ticking
Never sticking
Slowly creeping
Suddenly speeding
Morning in
Evening out
What the heck
Is that all about?

clocks-006

 

From me (Miranda), a haiku:

Clock

The metronome of
life and all I know, music
of our nothingness

 

This week’s prompt: “Cookies”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, February 10, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point here is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

1/28 Weekly creativity contest winner & new prompt

Hope is a beautiful thing. And so is the collection of entries for this week’s creativity contest.

Our winner is book artist Rebecca Coll, who crafted a highly creative piece. Rebecca writes: “I pretty much decided to fall in love with Emily Dickinson’s poetry when I was in the 3rd or 4th grade and learned we had the same birthday… Although I’m not sure I’m as smitten as I used to be, the poem on the attached piece is one I have always liked. It describes hope in such a powerful way — as opposed to the desperate hopes you hear so much about. SO I decided to use that poem as inspiration for a paper cutout pop-up ‘book.’ It’s not really a book, more like a card with a hardback cover…. The outside cover is the Dickinson poem and inside is a gold papercut ‘tree of life’ with a red bird perched on a branch. The tree of life is the symbolic image I used for the ‘soul’ where Dickinson says our hope sits perched. Gold is for the precious nature of our souls and the red of the bird is for the fire and strength of our hopes.”

hope11

hope21

hope3

 

From Terri Fischer, a series of photographs. Terri writes: “The collage entitled ‘hope’ [below] is a collection of photos that I took of a few of my friends while we watched the inauguration. My good friend Sarah is from England, and has been obsessed with the campaign, election, and inauguration of President Obama (I still love saying that!). She hosted an little Inauguration Day party for a group of local moms that were home that day. Sarah is on the right, hand to mouth, likely stifling a sob.”

hope2

“‘Obama2’ [below] is, of course, from the same day. I love this photo because it signifies generations to me–mother, daughter, and baby doll, engaged in this historic moment. I feel that the role mothers play in shaping the future of this country is highly underrated! This photo speaks to me of both hope and responsibility.”

obama2

“‘Broo,’ [below] is a photo of my fourth child. OK, so really, she’s only watching Kung Fu Panda, but doesn’t that sweet little face make you think ‘hope’?”

broo

 

From Brittany Vandeputte, a poem with photographs: Brittany writes, “Again, a silly poem inspired by recent events.”

AN ODE TO A TODDLER BY THE DOG SITTING HOPEFUL BESIDE THE HIGH CHAIR

Please just a nibble.
Please just one bite.
Just a morsel of chicken.
Iʼll catch it mid-flight.
No one will notice.
No one will see.
Theyʼll think you ate your dinner,
When it was actually me!
brittany

 

From Jennifer Johnson, a poem:

Hope (The Thing With Feathers)

Some screams are ones you never will forget.
That day, the cries of raw distress
reminded me of blood on black macadam,
an elbow scraped, a shredded dress,
the gravel ground too hard on naked knees.
The common childhood playground casualties.

I went outside, prepared to cluck and shush
assurance — anything to halt
that run of ragged noise, too full of pain,
too flavored by the angry salt
of tears, too close to language to ignore.

I looked around the park but saw no child.
My ears found her — a wounded crow
was dragging one dark wing and hurling sound
at cats who crouched a pebble’s throw
away from her, tails twitching, inching closer.

I broke the clowder’s circle, scared them off,
but terrified the trembling bird.
She hopped away, still shrieking. I stood still
and willed her quiet. She preferred
to flap her one good wing and curse us all.

What could I do? She was no condor, tern,
or albatross; was neither rare
nor lovely. She was common. Did she know
this? Were her cries akin to prayer?
Her voice alone was keeping her alive:
her almost-human hope that she’d survive.

 

From Marsanne Petty, two entries (again! Go Marsanne); a photograph and a prose piece:

a) “We go to Savannah, Georgia, every year for vacation. We’ve been to the Pirate’s House Restaurant a couple of times. It’s a pretty good restaurant. Anyway, this lantern hangs by the front door, and according to each of the pirates that have taken us on various tours, it was there as a beacon of hope to those on the Savannah River. It may have worked; it may not have. Regardless of the truth of the story or the usefulness of the lantern, it makes for a nice photo.”

hope-lantern

b) Hope

Everyone knows there’s no such thing as a happy ending. She had heard it her whole life, especially from her mother. After three failed marriages and one husband who died, she could agree with her mother that there wasn’t much hope. But that didn’t stop her from trying to believe.

Her first hope was that she would get out of this town. That hadn’t happened, what with the abusive boyfriend and lack of schooling. She supposed, really, that her first hope had been to finish high school and go to college in another town. There. That was a much better clarification of her hope. The school thing hadn’t worked out too well – she ended up spending all of her time with the boyfriend, which in turn, led to a failed relationship and failing out of school. And yet she was still in the same small town, alone.

Her second hope was to give her mother a sense of happiness. The poor woman had been through so much, the husbands, the divorces, the death…. What’s a girl to do to help her mother cope with something like that? That had failed too. Her mother had fallen into a deep depression and was reduced to taking medication to get through the day.

Her third hope was to be an artist. She tried, really, she did. She attempted lovely landscapes on napkins, spare newspapers, bits of paper she could find anywhere. A severe lack of money didn’t exactly lend itself to art. When the landscapes didn’t work, she tried people, buildings, individual flowers. All failures.

So she moved on. Her fourth hope was to learn the history of her family. Where did they come from? What did their odd sounding names mean? Could she find more ancestors of her own – other family members, other than her battered, depressed mother? She questioned her mother, who knew nothing. Her own mother had abandoned her to a nearby family when she was four. She could no longer even recall her own mother’s name. The name of the family? Her mother didn’t remember them either, she was gone from their home by the age of twelve, on the street to fend for herself. Any other relatives, then? No, none that she knew of. What of her father? A vicious snort from her mother. Look at your birth certificate, child. I have no idea who he was. No maternal relatives, no paternal name to trace. Hope number four was dashed.

She hoped to take the money her mother had given her and make it stretch far enough to buy food for the two of them. Enough to last the week, at least. So she took the money and walked to the grocery store, closely tallying what she added to her basket. Like every other week, she came up short, even purchasing the cheapest brands of foods, the most cost efficient packages. She went to the register to pay for her meager collection, another hope ruined. They would be hungry at the end of the week.

Walking back home, it began to sprinkle and she thought of her mother’s words – no happy ending. Hope after hope…all failed. She looked up at the sky to see if the rain was going to get harder before she made it home. A rainbow gleamed down at her, reminding her that there was always hope, and it never hurt to stop hoping for something better.

 

From Cathy Coley, an illustrated prose piece:

Hope’s name is Lucy

epsn0039I love dogs, I grew up with generations of them. For many years living in condos or apartments, I promised my boys, especially K that we would get a dog as soon as we could afford a house. As soon as we moved in, I took them to the local SPCA on a Friday afternoon, near closing to ‘just look.’ The smell of urine and dog and cat fear was everywhere, as it is in these places, even when they are doing their best to find homes for the lost, the lonely, the neglected and the abused. As soon as we walked through the door to the kennels, the first thing we saw adopted us. She was a nervous mangy little cutie we couldn’t get out of our hearts as soon as we saw her. I had envisioned a fluffier, prettier and bigger dog than this tiny bald terrier mix, and we really tried to consider all the others, including puppies we saw, but my heart started racing. I called my husband at work, frantic that we would lose her if he didn’t come immediately with us first thing in the morning. Others stopped at her cage with the “aw” that only the most pathetic can evoke. I really didn’t want to lose her. Neither did K or S. I told the kennel tech we would be back with my husband first thing tomorrow, don’t give her away til we get here! I didn’t sleep at all that night. Of course, my husband was reluctant, but couldn’t turn away from her, either, once he saw her.

I also didn’t want to think I was making a hasty decision. I hoped she really was the best dog for our family. So gave myself a little more than twelve hours to consider bringing a dog with full fledged mange into the house, especially with my beautiful old cat. I didn’t want her to start losing her fur. I had no idea what it would take to get rid of it once we had her home. I learned after taking her to the vet that there are two kinds of mange: a highly treatable and a terrible version that the best thing to do is euthanize the poor creature.

1-21-2008lucy-006When I brought her to the vet, the vet tech looked at her and kept saying how lucky she was and what a wonderful family we must be, etc, but it looked like she probably had the latter version of mange. They sent us home with the treatment for the treatable kind after running tests. We all, the vet tech, the whole staff there, and family crossed our fingers, prayed and hoped. Well, two years, a lot of chewed shoes and otherwise, a lot of escapee chases around the neighborhood later, Lucy is a healthy, slightly spazzy, loveable, beautiful part of our family. After fearing she wouldn’t take well to the baby when she arrived, no one in this house seems to love each other more than Lucy and Baby C. Every time I take her into the vet’s office for a check up, they can’t believe she was adopted, she is healthy, and she’s one of their favorite patients, having come back from nearly completely bald mange to this beautiful shiny coat. Look at the hope in her eyes in the before of her before and after pictures. I know there is a lot of a grander kind of hope in the air these days, but we were hers, she was ours, and with her, hope came to great fruition.

 

From Kelly Warren, a photograph entitled “Hope for a New Day”:

hope

 

From me (Miranda): A poem written as I waited in the car with a sleeping baby while my mother ran into a few stores to take care of errands. A few moments are better than none!

Hope is
an iridescent spider’s web
spun fresh each morning,
delicate,
persistent;
strong enough to catch
the sustenance that flutters by.

Hope hangs in the alcove
silver in early sunlight
waiting

 

This week’s prompt: “Clock”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, February 3, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point here is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

Breakfast with Suzanne

There are many fabulous, creative women in my local community. One of them is Suzanne Révy, an inspiring photographer, blogger, and mother. Those of you who live in Massachusetts or southern New Hampshire can see Suzanne’s work in person at her solo show at the Griffin Museum of Photography‘s Atelier Gallery, located at the Stoneham Theater from February 2 through March 21, 2009; reception on February 26 at 6 p.m. For now, enjoy this latest edition of Breakfast — a feast for the eyes and a good dose of inspiration along with your morning cuppa.

56slefportrait-copycropCC: Please give us an intro to who you are, what you do, and your family headcount.
SR:
I am a 47-year-old wife and mother. I have two boys, ages 9 and 7. College days were spent at Pratt Institute, a Brooklyn, NY, art school, majoring in photography. In my professional life, in the days before kids, I was a photography editor at U.S. News & World Report magazine, and did a short stint as acting picture editor at Yankee magazine after moving to Massachusetts. Since having the children, I left the world of magazines, and returned to my artistic roots of college, and took up the camera again.

CC: Tell us about your photography. Given that you shoot with film and print your own photos yourself, how do you feel about digital photography?
SR: There are two aspects to my work. I make commissioned portraits for clients. I prefer to make portraits in natural light, dockand allow my sitters the freedom to be themselves in front of the camera. The second part of the work is a personal portfolio of images exploring childhood, and childhood play. When my kids were quite young, as I watched them play, I would notice light dancing through their hair…I would watch their hands, feet and toes. Soon I was compelled to make pictures that looked ever closer at the worlds they create.

As for digital photography, I have no problem with it, but I choose to use traditional media, because it suits my vision. And I dislike the obsolescence factor built into so many of our digital gadgets.

CC: What prompted you to start a blog? What keeps you going?
SR:
I found that I enjoyed reading blogs written by other photographers, and decided to give it a go about two years ago. I have found the discipline of keeping a blog instructive, and helpful when I want to clarify any thoughts or problems I have had in my work. And, I have to keep my five or six readers satisfied. So, I keep at it!! lol

swingnshoes-copyCC: Where do you do your creative work?
SR:
I have a darkroom in the basement of my home, and I rent some studio space about 15 minutes away. All those prints were taking over the house, and I needed a bit more space!! Oh… and if any of your readers are interested in building a basement darkroom…bear in mind that your sink CANNOT be too big!!!

CC: Do you have a schedule for your creative work?
SR:
When the kids are in school, I get into the darkroom at least twice a week. During the summer months it gets a little harder, but when I can’t get into the darkroom, I expose a lot of film. Every day.

I find that I have an annual cycle, where I shoot a lot of film during the summer, and processing film is not as time-consuming as printing, so I am able to keep up with processing film when the kids are home.

Then, in the colder months, I make a lot of prints. When I have a printing day planned, I get into the darkroom right after I get the kids onto the bus!

evolutionCC: How has motherhood changed you creatively?
SR:
As a college student at a New York City art school, I was deeply immersed in learning the creative process. I had a classic art education from foundation year through my senior show. It was an extraordinary opportunity to thoroughly engage in an artistic process. After art school, I was faced with that pesky business of making a living, and eventually landed into the world of editorial and magazine photography as an editor. For a long time this satisfied me creatively, and had the benefit of paying the bills, but my own artistry became dormant.

After marrying, and having kids, I was able to stay home with them, and found myself, as any new mother would, making pictures of my children. I found taking film to a local mini-lab frustrating, and started to think again about working in the darkroom. I was motivated to make beautiful prints of my children to hang on the wall. My artistic impulses that had lain dormant for almost two decades were resurrected when I built the darkroom. I did not realize when I had children, just how much I had missed making art for myself. And being immersed in motherhood made the connection for me.

foolsgoldCC: How do you feel about photographing your own children? How do your kids feel about being your subject matter? Do you obsess about capturing every moment that catches your eye?
SR:
I love photographing children. In fact, I love photographing people. I can make an emotional connection to them that is quite unique and apart from the connection I might make with someone in a different context. Looking at their faces and eyes through a ground glass of a camera offers me a unique view into them. It feels like falling in love.

Sometimes, my kids complain about my photographing them, but I think deep down, they find it special. They certainly like it when I make prints of them. As for capturing every moment…oddly enough, I’ve captured enough moments that I don’t need every one. And if we are doing something that I am actively participating in with them, a special day for example, then I don’t make pictures. Or even when they have a concert or play they are performing in. I don’t want to turn those moments into art-making opportunities for me. I want to enjoy them without the distraction of my own work.

And my photographs are about the every day, not really the special days. And there are lots of moments every day to capture. If I miss one or two…well, that’s ok. I will remember them in a different way.

That said, my older son, when he was four, had a bad fall in which he broke his arm and had a large bruise on his face. Fortunately, neither the broken arm, nor the contusion on his face was serious. In the days following, as he recovered, I never made a picture of that bruise. I hadn’t quite immersed myself in photography just yet…and I’ve always regretted not having a record of that injury. I don’t want him to hurt himself again, but if he does…I will remember to record it. Such injuries are an integral part of growing up.

steadyCC: What do you struggle with most?
SR:
Clutter.

CC: Where do you find inspiration?
SR:
I’m inspired by photographers who make good photographs no matter where they are. I am especially interested in photographers who have photographed one subject in depth…Emmet Gowin, Ralph Eugene Meatyard, Larry Towell, and Andrea Modica.

In addition to photography, there are amazing things to be found in the history of art, and I never miss an opportunity to go to museums. I’m drawn to the paintings of Caravaggio, Vermeer, Singer-Sargeant, Homer, Edward Hopper, and several abstract expressionists: Willem de Kooning and Mark Rothko. Oh…and I love the paintings and sketches of Jean Francois Millet.

CC: What are your top 5 favorite blogs?
SR:
I have a pretty big blogroll on my blog and in my reader. I have made connections to a lot of photographers through blogs, but if I have to pick 5:

I’m active on a couple of forums as well — the Analog Photography Users Group and Filmwasters. There are a few online photography magazines that I follow, Fraction Magazine, Flak Photo, and Lens Culture.

toad3-copyCC: What is your greatest indulgence?
SR:
Buying photographic monographs, and if anyone’s interested in helping me out with that, I have a convenient Amazon.com wish list!! lol

CC: What are you reading right now?
SR:
I just finished The Gift by Lewis Hyde. This book is a must read for every artist engaged in an endeavor that has seemingly no commercial value, because it has extraordinary value to a healthy society. It was one of the most important books I’ve read. Since I haven’t kept this answer short, I might as well add Michael Kimmelman’s The Accidental Masterpiece. An excellent book I read about a year ago.

CC: What advice would you offer to other mothers struggling to find the time and means to be more creative?
SR:
Make art before you clean the house.

CC: Thank you, Suzanne!

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