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Posts tagged ‘motherhood’

Jennifer New: Full Circle

Reprinted from Mothers of Invention, by permission. (If you aren’t already a subscriber of Jennifer’s blog, go directly here, do not pass go, do not collect $200!)

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Everything that happens will happen today
& nothing has changed, but nothing’s the same
and ev’ry tomorrow could be yesterday
& and ev’rything that happens will happen today.
~David Byrne

No doubt it’s the 50+ degree weather and sunshine that’s making my synapses fire more brightly. The sluggishness and fear of just a week ago is melting away with the snow to the point where I have these great ideas that BANG me in the head and then are gone — whoosh. I’m left wondering how many of these ideas might ever get accomplished? How many will ever be realized, let alone remembered long enough to be pondered and fiddled with? Not so many, I’m beginning to see, and I’m more and more ok with that. In the past, the notion of all of these unused, unexamined but no doubt amazing ideas being lost sent me into a state of mortal depression; I will die with my precious ideas.

A useful word advice I once received from a writing teacher: Kill your babies.Good advice for any artist, difficult as it is to hear as a mother. Some of your seemingly most inspired ideas/prose/images are there for your benefit alone. They help you move from one lilly pad of creativity to the next, but they needn’t become full-fledged forms.

BIG IDEAS – not of the Barney ilk, not of the board book kind.

It’s hard to remember this when the ideas are flying. I felt this way most keenly after my second child was born. I’d just signed a book contract at the end of the pregnancy and ended up toting baby Tobey around New York City as a sleepless infant in order to get interviews done for the project. Laying on a blow-up mattress in my friend’s parents’ Upper West Side apartment with a very wide awake tiny kid by my side, I was dizzy and nearly ill with the combination of zero sleep and nerves. I was interviewing David Byrne the next day. David fucking Byrne on no sleep and betwixt and between semi-public breast feedings?!? The next day, I managed to get the collapsable stroller up and down the subway with a hefty six-monther under one arm and a backpack full of diapers in the other. He was charming – both the rock star and the baby. I didn’t spill anything or say anything as chaotic and unhinged as my mind really was.

by Margaret Mendel

For the first two years of Tobey’s life, it was often some variation on this: me not sleeping enough, me wanting terribly to write (my god was I pained by it!), me taking care of a baby and a toddler with mind-numbing attentiveness. Ideas were bombarding me. BIG IDEAS — not of the Barney ilk, not of the board book kind. They were lovely and rich, full of such possibility … and yet they were downright impossible to fulfill, even to consider fully, as I carried one kid on my hip, drove the other to preschool, dealt with acid reflux, and folded laundry. So much laundry.

Grace Paley by Diane Davies

A few months back, I was taken with Garrison Keillor’s (or the ever-so-good writer who surely must work for him) description of Grace Paley — the way in which she somehow got the milieu of motherhood to workfor her:

“So she kept on writing poems, but she had plenty of other things in her life — she did occasional work as a typist, she was active in community projects, and she took care of her two young children. She had moved to Greenwich Village when she got married, and she spent many afternoons in Washington Square Park, hanging out with other mothers, hearing their stories. She would write down poems on scraps of paper, but she was too busy to think of writing anything much longer. Then she got sick, and she sent her kids to daycare so that she could recover. She had several days a week all to herself, so she started to write stories, drawing on the voices of the women she spent time with in the park every afternoon, writing about the kinds of events and characters that filled their lives.”

(Ironically, I’m currently discovering Paley as a wonderful poet of middle age – poems of old people in love, poems of aches and pains and the grace of aging.)

How to step into this moment of our life and open to its possibilities, rather than mourn what can’t be? I think of my friend Jill who lost her photography when she started having kids but returned to drawing, taking a journal to playgrounds and sketching the other mothers. I think of the novelist Marilynne Robinson who kept notes for a novel in a drawer, and when her kids were in school and the university she was working for went on strike (this was during a sabbatical in France), she had the unexpected time to start cobbling those notes into a novel.  I think of everyone who has a crib pulled up next to a writing desk. And everyone who has had to refigure her studio or even her art in order to keep toxic fumes away from a baby. And every mama who has given up her studio altogether in lieu of a nursery.

Our babies will kill something in us – a certain degree of focus perhaps, naivete or selfishness.

So many babies being born – one to a friend this very day, another to a fellow yogi a few weeks past. So many ripe ideas and fresh perspectives being born — not only in the babies but in their mamas. Our babies surely kill something in us — a certain degree of focus perhaps, naivete and selfishness. They’ll also take a few “brilliant” ideas away through their need for our attention. Their all-encompassing love won’t always leave room for clever wording for a pitch-perfect verse. But these are replaced with patience as we surrender to the knowledge that it will all come around. Full cycle. We grow into our ideas; they re-find us when we are ready. I had dinner with a friend a few weeks ago who is a few years into being a widow and has a grown son who is through with college. “I get so much more writing done now,” she said with clear pleasure. I heard no regret for what had come before; only satisfaction in the now. It was a window of what is to come. The ideas that are out there, ripening and reforming.

Cue the song, David. Thanks.

Cathy: Love and writing

I really do often feel stuck between what I “should” be doing instead of writing, and my writing. If I don’t put it first right now, I will only be a resentful pig of a mother and wife. And that’s the truth. Plain and simple.

So yesterday, when I needed a moment in the midst of writing, I doodled this instead.

It’s really almost done. This is the final push. So if my family sees less of me, if you see less of me around the blogosphere, etc., this is why. I am hard at work. I will be back in my family’s life more when I can focus on them better because I will not be dissecting and rearranging a manuscript in my head during our interactions.

And that’s it.

[Cross-posted from musings in mayhem]

The Feminine Mystique

Canadian painter Robert Genn has a twice-weekly newsletter that I always enjoy reading. While Genn writes about painting, his thoughts usually apply to any creative pursuit, including writing — and we’ve reposted his letters here before. Recently, Robert wrote a letter entitled. “The Feminine Mystique.” I found the letter quite timely, as I’d just dusted off my copy of Friedan’s classic and reminded myself that I needed to finish it (read all but the last 100 pages several years ago before getting pulled into something else). Genn’s newsletter is reprinted here by permission.

Many readers of my letters may not be old enough to remember Betty Friedan’s 1963 bombshell book, The Feminine Mystique. In those days, 78% of college faculty were men, as were 95% of physicians and 97% of lawyers. Only 30% of college graduates were women. Now, women outnumber men in higher education and are apparently nearing par in job placement and life achievement.

One of Friedan’s main points was that post-war, middle class women had to figure out what they were going to do after their little ones had flown the coop. With longer life expectancies, smaller families, relative economic freedom and a shopping cart full of labour-saving devices, millions of women apparently grabbed the brass ring of creativity. They found they were well suited to it. Based on this subscriber list, workshop attendance and popular statistics, 78% percent of living painters are women. And to the disgruntlement of some of the boys, we know that women in general tend to have better art-brains. Long-time readers may remember I’ve frequently identified women artists as the next big thing.

Going by my inbox, it’s possible to get the idea that women are in a bit of a bad patch. Many tell me they are “not motivated,” “lack passion,” and are “too distracted to be anything other than mediocre.” Perhaps an indication of our anxious times, in my darker moments I also wonder if these concerns are mainly from those who are reading too much self-help stuff. Like the sort of thing I put out.

But in my vast and virtual part-time mentoring practice, which I generally do for free, I also see highly optimistic, ambitious women who value education and are willing to put in time and treasure (when they have it) to achieve their goals. These women cut to the chase and, in my experience, get good. Here’s what they bring to their easels:

* The capability and the desire to work alone.
* A degree of independence from outside opinion.
* Steady, well-regulated, workmanlike habits.
* The understanding that passion comes from process.
* The curiosity to explore sets and series.
* An intuitive sense of quality and reasonable taste.
* A philosophical but nevertheless combative attitude to the miserably dying vestiges of the boy’s club.

Betty Friedan would have been particularly enthused by these ladies.

Best regards,

Robert

PS: “Who knows what women can become when they are finally free to become themselves.” (Betty Friedan)

Wendi: A Writer’s Introduction

I am a WAHM, working as a freelance writer and photographer, currently in Act II of a very happy and successful professional life. Prior to taking on these creative challenges I spent nearly 20 years working for two national nonprofit children’s organizations.

Through each of my professions, the one thing I have always been committed to is helping other parents get more joy and be more successful in the hardest and most rewarding job ever. When I’m not wrangling babies I’m a writing articles about nonprofit business management for Stevenson, Inc.

As a freelance writer my works about parenting and child welfare have been published on a regional and local level. I was recently featured as a guest blogger on Fans of Being a Mom and keep my own blog, Warts and All.

On the creative front, I love experimenting with my new digital SLR camera and sharing my love of photography with others. With two young children, I have to say that most of my creativity right now goes into planning what I will enjoy doing when I have more time, including scrapping some of the 10,000+ pictures I have taken since my kids were born. Right now I’ll settle for just getting them organized.

I’m an avid reader and love connecting with other moms over all things parenting.

I live in upstate New York with my husband and our children, ages 7 and 3. I can be reached at www.wendibrandowwrites.com.

Joyelle: Why I Make Art

My name is Joyelle Brandt, and I am an artist/blogger/songwriter/mommy. Kind of feels like an AA introduction doesn’t it? But I guess that is appropriate, because creating is kind of an addiction for me. I do photography and mixed media art, and I write and record songs. Creativity is my sanity-keeper, through the sometimes long days at home with my 3-year-old son. I love being a mom, it sure beats all the day jobs I had before, but it is also the hardest thing I have ever done. I turn to my art to express myself, to relieve stress, and to remember the person I was before having a child.

I had an opportunity to clarify this for myself last August, when one of the neighbourhood kids was over for a playdate with my son. She’s 8 years old, and seemed fascinated with exploring our house. In particular, my microphone and Digi 003 were quite interesting to her.

“What is this?” she asked.

“My recording equipment.” I responded.

“Why do you have it? What’s your job?”

“Well, mostly my job is being Gabe’s Mom, but I am also recording a CD.”

“So you’re famous?”

This one caught me off-guard. Unsure how to respond I stammered… “Well no, but I’d like to be… Um, I mean not really famous, like those people who are stalked by Papparazzi or anything, but…” How does one explain the concept of an independent musician who creates music for love, and has long since realized that she is not cut out for a touring musician’s lifestyle?

We moved upstairs, where she turned her attention to a multimedia art piece I was working on. Again, the questions: “Did you make this?”

“Yes.”

“So you’re a famous artist?”

Wow. The fame thing again. And I wondered, is this just a natural response for someone who has grown up in our fame-obsessed culture? Is it assumed by today’s youth that to pursue an artistic calling is really a pursuit of fame? Because I’m pretty sure that the majority of creative people have absolutely no interest in fame whatsoever, and in fact many creative people are quite introverted. Finally I found a response: “No, I’m just someone who likes to make things, it makes me happy.”

And that’s really what it’s all about for me. I still have dreams of achieving a level of success that would allow me to make a living through my creative pursuits, but when it comes down to it, I make things, whether they are recordings, art, or otherwise, because it is what I do, because it makes me feel truly alive. When I am creating I feel that flow, the hours slide by me unnoticed and the worries of the day disappear from my consciousness. And I want to have that feeling as much as I can, in every aspect of my life.

My goal is to live my life artfully. Charles De Lint summed it up best when he said “All endeavor is art when rendered with conviction.” Creativity is not limited to artistic expression, although it is often manifested that way. It is a way of thinking, a way of being in the world.

I want to make art out of everything I do, from the way I parent my son, to how I decorate my house, to how I throw a party, to how I paint a canvas. It’s all the same thing. Because at the end of my life, it is not the level of fame or not-fame that will define my life. It’s whether I lived true to myself, whether I made of my life a work of art. So here is to the artful endeavor, and to all the creative people out there. May you live your days beautifully, and find joy in every creation.

Joyelle can be found blogging through the days here. You can listen to her songs here. Some time this year, you can visit her brand-new Etsy shop. She hopes.

Bonnie Rose: Navigating creativity and motherhood

I’m Bonnie Rose Kempenich of A Life Unrehearsed. I am an artist, passionate blogger, writer, amateur photographer, and card designer — living my best life right now in Fargo, ND. I am growing as an artist, experimenting with new mediums and playing with bright and bold color. Bright colors just make me happy! I am a big believer in sending real mail, the warm fuzzies kind of mail. My goal for this New Year is to grow more as an artist, and to inspire you with my art and my writings. I have so much in store for you!

I have a unique story. I believe in being completely transparent, in the hopes of helping other women out there with similar struggles and stories. Click here to read more of my story in detail. The good, the bad, and the ugly.

No one lives a perfect life.

I live a different life than most of you, I believe. My children live apart from me, about three hours away. They are now teenagers, and honestly, our relationship together and our friendship has grown stronger over the years. I see them about every three weeks throughout the school year, and my ex-husband and I share holidays and school breaks. Negotiating my time with my children has gotten much easier with time. I am thankful for that.

For me, art has helped me so much as a mother who daily, misses her children. In the beginning years after our divorce, art kept me alive and sane. I would create photo albums for my children and fill every hour with creative things I could do for my two beautiful girls.

Now I am coming into my own as an artist, and love sharing my art with my children and with the world.

They see me blossoming and are so proud of me, their mother. They know all the pain we all endured years ago, and we all are happy now. So much happier.

I will always need to be creative. I will always need to express myself through art, through my writings. It’s what makes me, me. I strongly believe as women, we often live our lives being everything to everyone, and somewhere along the way, we lose ourselves. We struggle. We want more for ourselves, but are often scared to express our wishes, because we don’t want to feel selfish. I remind myself of this. No one can make me feel badly about myself without my permission. This is true.

It’s a choice.
Yes, our families and our children give us unending joy.
That goes without saying.

But in the quiet times, we must learn to give ourselves that joy.
Make ourselves happy.

As a mother who spends days and weeks without seeing the smiles of her children, I’ve learned to be comfortable in my own skin. To look around, and give myself snippets of joy.

Joy is everywhere.
We all need to open our eyes and look harder to see it hiding.
It’s there.
It’s there.

Joy.

You can read more about my life and art on my blog. I am a prolific blogger — meaning there is always something new and wonderful to share every day. Please come visit my Etsy shop for unique artist supplies, original art, and graphically designed greeting cards. A portfolio of my creations can be found on my Flickr page here. You can find me on Facebook here. Custom art and card design orders are always welcome! Wishing you all a fabulous New Year filled with dreams come true!


Jodi: An Introduction

[Editor’s note: Please join me in welcoming Jodi to the Studio Mothers community!]

I am a wife and mom to four great kids: 14, 12, 2.5 years, and 8 months old. I live up in Timmins, ON, Canada. I have been running a small home daycare for the past 7 years while I dabble with writing, blogging, mixed-media artforms, reading, cooking, baking, and my biggest passion, photography. I am a collector of vintage cameras (Brownies, Hawkeyes, Minolta), toy cameras (4 and 8 lens), and the proud owner of a Holga, a Diana, and too many Polaroids.

I recently graduated from the New York Institute’s Full Photography course and have committed to opening up my own photography studio where I plan to offer traditional indoor studio sessions and outdoor/location shoots. I also have delusions of grandeur that include my own line of fine art prints (check out my Etsy shop), notecards, templates, and anything else I can create in my little home photo/art studio. I love my Canon 7D and Photoshop Elements 9. Whatever would I do without you?

I look forward to being a part of a community that encourages creativity and family.

Where I can be found:



Cathy: New favorite thing

Please forgive me if my sentences make no sense today. I had a cahrazy weekend, which included Honey’s birthday, on which I barely saw him. It was a good weekend, a celebratory weekend, but I have been having a cold coming on for a few days, and I think it hit me full force today, when I can finally rest, while catching up and critiquing two manuscripts for tomorrow’s writing group, that is. How’s that for a run-on?

Oh, and for some unknown reason, Captain Comic has decided that somewhere between 3 am and 4:30 am is primo wakeup and run back and forth with lights on and doors slamming time.

Anyway, in time for the December challenge, one of my old writing friends from my Boston days turned me on to a new writing tool. It works like Julie Cameron’s Morning Pages from The Artist’s Way, but it’s online. It’s typed. It’s private, and you can let your mind wander for 750 words, the equivalent of three pages. And you don’t have to find that notebook or pen. I think most of us are sitting in front of a screen these days anyway, right? And it gives me a community of people who are also writing, whether or not I make any more of a connection beyond just knowing they are out there somewhere doing the same thing: http://750words.com.

I am a horrible typist. It takes me about 20 minutes per day to meet the 750, averaging about 35-40 words a minute. all typos are left in place. I try not to go back and correct. I don’t think about what I’m writing, I just let the garbage fall out of my brain through my fingers tips and up onto the screen.

Usually about three quarters of the way in, I hit my stride and there’s at least a phrase if not an idea that I like or that I can work with in something else, later.

Here’s the thing:

When the boys were younger, and I was single and working three part-time jobs to support them, when I woke up in the morning, I put the baby gate across the kitchen doorway of our little condo, got the coffee started, and while it brewed, I started my morning pages with pen and notebook amidst the dulcet tones of Captain Comic hanging on the opposite side of the gate, rattling it and screaming for my attention, Mr. Cynic momming me, and the themes of Blues Clues or Bob the Builder running from the tv in the background. After a few months, they got that I was not going to give them the time of day during “Mommy’s morning pages.”

And that’s when I started writing my almost finished editing this draft manuscript — later in the day, somewhere between job number one and the first school bus arrival, I had 30 minutes in which I wrote the first thirty or so pages of this book. But I was only productive on that if I had been productive earlier by getting through the mess of my daily concerns to hit the subconscious, where the better writing sprung from, like an underground spring of fresh water. First I had to clear away the mud.

So why have I not been writing or editing what I really want to be working on lately?

I think the key is in these morning pages. I think it’s in getting the garbage out of my head. It only takes me 20 minutes, so why not? Here I am, doing it online. And this site has some interesting tools to help you see what mood you’re writing in, for instance. Or what words you repeat, or what senses you are using, and how dominantly you write in one over another. It also has a healthy dose of competition that fuels some of us to write. For me it’s much needed accountability. I highly recommend it: http://750words.com.

C’mon….you know you want to.

 

Brittany: Fall in New York

This is my favorite time of year. I love it when the leaves change color and the opressive heat (and sun) of the summer gives way to cooler temperatures. I feel energized in the cool (but not cold) weather, and my writing output attests to the fact that I am a seasonal writer — doing my best writing in the fall.

Fall is also a great time to be a mom, since I’m finding so many fun things to do with the boys right now. We’ve done the apple orchards and pumpkin patches — with the farm rides and corn mazes, fresh apple cider, and apple cider doughnuts. And this past week, Kira and I got pumpkins and had the boys paint them.

 

 

You can see one of the painted pumpkins beside John’s foot in this picture. The boys had a lot of fun with it, but honestly, so did I. I love that the boys are finally both old enough to do all of the activities I dreamed of doing before I became a mom. Easter egg hunts, painting/carving pumpkins at Halloween, making gingerbread men at Christmas, all of it is finally possible, for the most part.

I say for the most part because of the mixed success we had with another Halloween project I cooked up. I had some tomato stakes that were just lying around, and it occurred to me that they were the shape of ghosts. A (very ill-defined) plan for making some ghosts with the boys started forming in my head. I was going to buy some cotton or cheesecloth at the craft store, but then I found a huge roll of polyester quilt batting that I wasn’t likely to ever use in the basement, and grabbed the boys, their non-toxic washable paints, went outside, and tried to wing it.

That’s never a good idea with two boys, by the way…

So we went outside, wrapped the batting around the stakes, and I drew a rough outline of a mouth and eyes on each ghost so that Sam could paint the face. Except Sam thought the ghosts should have noses. And John, who didn’t understand the spirit of the project, thought the ghosts needed some random paint dabs everywhere.

This ghost turned out fairly well in spite of everything.

The ghost on the left… well, it looks like it had a bad run in with a Dematerializer. LOL

 

But the boys had fun with it, they expressed themselves (Lefty The Ghost has three noses and two circular arms on his head), the boys feel a sense of accomplishment about the experience, and really, that’s all that matters, right?

In the future, I might try to make different tomato stake ghosts like the ones described here. But that’ll have to wait until the fun of painting crazy ghosts wears off. And who knows? With our twisted sense of humor around here — the Halloween Paint-Your-Own-Crazy-Ghost thing could become an annual tradition.

[Cross-posted from Re-Writing Motherhood]

Art and Motherhood

Does blending art and motherhood = mission impossible? One recent response to this perennial question comes from Canadian painter Robert Genn, in his twice-weekly newsletter. While Genn writes about painting, his thoughts usually apply to any creative pursuit, including writing — and I have reposted his letters here before. Late this summer, Robert wrote a letter specific to making art as a mother. The letter garnered a TON of comments that are well-worth reading. Much inspiration and practical advice to be found. (Genn’s newsletter is reprinted here by permission. Thanks again, Bob.)

Yesterday, Cedar Lee of Ellicott City, MD, wrote, “I have a 10-month-old son. Before I had this child I never realized the level of freedom and time that I had. The demands are so all-consuming that they leave me with little if anything left to give to my work. I’m depressed about my career–at full speed a year ago, it’s now barely squeaking along. Do you have any advice for how to keep my creative flames burning, how to keep my professional image from slipping, and how to be productive during this time? What are the creative, financial, political, and practical dilemmas facing female artists with young children.”

Thanks, Cedar. Big order. Before I start in with my stuff about being more efficient, making time, getting help, etc., I need to ask you mothers to give me a hand with Cedar’s questions. Your best advice will be included in the next clickback. Live comments are welcome as well. FYI, we’ve put a short video of Cedar’s studio at the top of the current clickback.

Also, I want to mention the extreme expectations that current parents have for their children. Children have taken on a god-like role and have become the focus for everything from prepping for stellar futures to daily parental companionship. Parents sacrifice their own lives for the potential brilliance of kids. For better or for worse, raising kids well is the new religion.

Further, I wanted to say that letters like Cedar’s come in here like leaves from a shaken maple. I’m conscious that many artists, both male and female, use the advent of parenthood as a scapegoat for failing careers. Artists in this predicament need to examine their true motivation for this popular complaint.

It’s been my experience that dedicated artists will always find a way. I’m also happy to report that selfishness need not prevail, nor need the baby lie unchanged in its crib. The creative mind is always working, even during the application of nappies. Household workstations can be set up and work can continue between feedings and other downtimes. The intermittent business may actually benefit the art–for many of us, contemplation is a much needed ingredient to our progress.

Cedar, exhausted though you may be, there is always recourse to the DMWH (Daily Manic Working Hour). This can be programmed any time, perhaps early morning or late at night. When performed as regularly as baby-feeding, you might amaze yourself with how much you can get done when you focus hard for one lovely little hour.

Best regards,

Robert

PS: “You have no obligation other than to discover your real needs, to fulfill them, and to rejoice in doing so.” (Francois Rabelais)

Esoterica: There is an excellent book on the subject. The Divided Heart: Art and Motherhood by Rachel Power [reviewed at Studio Mothers]. It’s well researched with lots of references and historical evidence. An excerpt is here. There’s value in partnership. “To create art once you have children requires the commitment of more than one person,” she writes. “As novelist Eleanor Dark wrote, ‘The balance is elusive; the support crucial.’ “

To read the many responses to Robert’s letter, click here. Any pieces of advice that really stand out for you?

Miranda: Psst…”creativity” does not contain the letters S, H, O, U, L, or D

So I have this other blog about my newbie Buddhist practice. In a recent post I wrote about motherhood and creativity, so I wanted to share that post here as well. Please share your thoughts.

Last month I attended “Mothers’ Plunge” in Boston, a one-day retreat for mothers led by Karen Maezen Miller, author of Momma Zen and Hand Wash Cold (two invaluable books about showing up for motherhood in your entirety — relevant for any mother, no Buddhist label required).

As the retreat was drawing to a close, Karen made time for a short Q&A session. My arm shot up. Yes, I did have a burning question. I explained that I understand the concept of paying attention to that which requires attention, of focusing on the matter at hand rather than fretting about stuff that isn’t within arm’s reach. I get that. But with so many people in my life and responsibilities to tend to, I could easily just turn from one urgent matter to the other and fill nearly every waking moment of every day without ever finding/making time for my own stuff, like finishing one of my manuscripts. Do I need to just make peace with that? Do I need to stop clinging to this idea (ideal?) of “being” a writer — for now?

Karen suggested that — despite my protests — it really does get easier, and that at some point the opportunity to write would present itself. Have faith. Write in bits and pieces. Make hay when the sun shines, even if it doesn’t seem like it shines very often. (My cheesy phrasing, not hers.) Let go. Trust. Everything in its own time.

I wanted Karen to have the answer, and I suspected that she did, if I could surrender to it. But I felt enormous resistance bubble up inside me. No. I will never be able to do what I really want to do without making a painful sacrifice somewhere else. My oldest child is nearly 20, my youngest child is only 2, and while the demands of motherhood change over time, the totality of five children and a freelance career is often overwhelming. I don’t want to wait until I’m 60 before I can count on a little “me” time — time to breathe, time to be creative, just time.

During the drive home, I started mulling all of this over — and over. I’ve devoted much of my life to the topic of motherhood and creativity, trying to figure out how to be a mother and an artist without completely messing up one or the other or both. I’m writing a book on the subject, for which have interviewed dozens of creative mothers, extracting commonly successful strategies. I have a blog — this blog — devoted to the community of creative mothers. I know firsthand how the need to be creative coupled with the seemingly inescapable roadblocks of motherhood can lead a woman to tears in the frozen food aisle. I get it. Is the answer really just letting it all go and accepting that the time for creativity will come when it’s time for creativity?

Under the tension of my growing resistance, somewhere along Route 3 a long-held knot popped open, untangling itself into clarity. I realized that when I decided to practice meditation on a regular basis, I started getting up every morning at 5:30 instead of 5:50 to sit for 20 minutes. It wasn’t a big deal. It was important to me, and I wanted to do it, so I made it happen. Sure, there are some mornings when I’m just too tired to get up or my youngest child wakes up exceptionally early and my sitting time is abandoned. But in general, it works. Why then, during all my years of complaining about not having time to write, didn’t I get up 20 minutes earlier to eke out a paragraph or two? There may have been a few early morning or late night attempts over the years, but the strategy never seemed sustainable. Admittedly, a “set” schedule isn’t feasible when you have a newborn or during some other major transition, but my littlest guy has been sleeping fairly predictably for at least a year now.

I realized that I’d fallen into the trap of my own “story.” I write for a living, but writing and editing for hire isn’t enough. I want very much to complete my own personal writing projects. But. (To borrow a Karen-ism.) Do I really want that? Was writing something that I wanted to do so desperately during all those years, or something that I thought I should want to do? Perhaps spending time on my personal writing projects was something I rarely made a regular commitment to because it’s hard, and not always gratifying, and maybe there were a lot of other things — like cleaning the kitchen grout with a Q-Tip — that seemed more important at the time.

It’s hard to make time for shoulds. The shoulds weigh us down and transform everyday life into a bone-wearying Sisyphus impersonation. Meanwhile, the things that we really want to do? We usually do them. A bit of compromise might be required, but if you are totally keyed up to write a haiku today, chances are, you will find 10 minutes to scribble down the draft floating around in your head. Conversely, if you think you should write a haiku today, you might discover that item #37 on your to-do list is so important that there’s simply no way that you can get to the notepad to pen a few lines. Just 10 minutes? Not a chance.

Maybe I wrapped myself up in a coat of creative deprivation just so that I would have something to hide behind. Maybe it really was as uncomplicated as my husband’s response to my martyring complaints, which he offered with a shrug of the shoulders: “If you want to write, write.” This used to infuriate me, but now I see the truth there — as annoying as that is to admit. No, I am not able to run off for six hours of solitary writing time. But. Even 20 minutes of writing time yields 20 minutes’ worth of words that I wouldn’t have otherwise. I know this from personal experience; I have 200 viable pages in my nonfiction manuscript and nearly as many in my most recent novel. These words were amassed in fits and starts rather in predictable, extended writing stints. (Note to self: Try to avoid forgetting all the things that you worked so hard to figure out.)

On my drive home from the retreat, I couldn’t sort out how this construct of beleaguered, suffering writer-mother had sustained me, or why I had bought into it so hard, but I did know that many things I had accepted as inescapable truths were suddenly swathed in question marks. Time to start all over again, with beginner’s mind.

Kelly: How the Birds and the Bees Made Me Grateful

I came across this picture cleaning up and packing my office before our repaint and recarpet this summer and found it tucked in my calendar last week. It was taken at the beach wedding of a friend. Sarah and I were watching the wedding while DH and Olivia were off shell hunting, and the wedding photographer caught this shot. Such innocence. Where the heck did it go!?!

I was driving the girls to school Friday when Sarah asked, “Mama, how can teenagers have a baby?” Stalling, I asked her what she meant, and she said she saw a teenager on TV that had a baby. Wow! Didn’t expect to have the birds and the bees conversation quite this early. I tried to respond with, “Well, teenagers really shouldn’t be having babies.” And she said, “’cause you aren’t supposed to have a baby until you are at least 30.” See, I’m trying to train them well! I tell them that you can’t get married until you are 30, so therefore, you can’t have a baby until you are at least 30 because you have to get married before you have a baby. (Now, I realize that in this day and age, many women are having children without getting married, and that’s fine, but that’s a discussion for another post…) Anywho, Sarah continued with, “So do we have to start taking no-baby pills now so that we don’t have a baby?”

You see, when the girls have asked me about the little pill I take before I go to bed every night (they are far too observant), I tell them that’s my no-baby pill so that I don’t have any more babies. (Okay, so maybe I need to rethink that conversation.) I tried to explain that while, yes, no-baby pills work to keep you from having a baby, there are things that mamas and daddies do to make babies that you won’t need to worry about for a long, long, long time (like when you are 25, she says, as she sticks her head in the sand). “What’s that, Mama?” And I stupidly responded, “Sex.” “What’s sex, Mama?” I somehow managed to change the subject by responding again that it’s something they wouldn’t have to worry about for a long, long, long time, and then said, “Hey look! They mowed the cow pasture! What are the cows going to eat now!?”

I’m guessing the topic of “What’s sex?” has now probably come up at school amongst their friends. I can hear it now: “Destiny, do you know what sex is? My Mama said it’s what mamas and daddies do to make babies.” I am expecting a call from the school any day now.

This Mama stuff….when you don’t have your own Mama around, it’s very much a make-it-up-as-you-go-along thing. I guess even if you do have your Mama around, you might still be making it up as you go along. There are mornings when it just smacks me out of nowhere. I’ll be standing at the kitchen sink, washing up the breakfast dishes while trying to keep the girls on task to brush their teeth, pack their backpacks and get ready to head out the door, and it smacks me right across the face: I’m a mother. I don’t know why it sometimes hits me that way. From early on, I knew I wanted children. Heck, I wanted four children! Boys! I think maybe that came from seeing my college boyfriend’s family. They are a family of four boys who all absolutely adore their Mama. But still there are days that I find myself amazed that I am a mother…that I am worthy of this task…that I have been given this blessing…that I have the qualifications for this most wonderful of jobs… Maybe it’s because we had to go through so much to get where we are, who knows?

Take a peek over at Brene Brown’s post Monday. She and I corresponded a bit after this post and I’m working on doing a few things on campus related to this project. What does this have to do with being a mother, you ask, other than what should be the obvious that “perfect mother” is an oxymoron? In our e-mails, she directed me to a TED talk she did about vulnerability, and what she speaks of everyday, having ordinary courage, taking the time to realize the small wonderfulness that happens in our lives every day. The little things we overlook. That’s what it has to do with being a mother. I will remember the conversation Sarah and I had Friday morning hopefully for the rest of my days. And standing at the kitchen sink tomorrow morning, I will remember what a blessing it is to stand there and wash the breakfast dishes of two little angels. And I will be amazed and overjoyed that I am their Mama. And I will be incredibly grateful for that gift. How about you? Have you taken the time to think about what you are grateful for today?

[cross-posted from Artful Happiness]