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How She Writes: Caroline Topperman

I’m delighted for you to meet Caroline Topperman, a member of my fiction-writing peer group. Caroline is a European-Canadian writer, entrepreneur, dancer and world traveler. Born in Sweden, Caroline has travelled extensively. She speaks fluent English, Polish, and French.

As the founder of Style on the Side, Caroline has infused her professional background in fitness and beauty with her worldly upbringing to share her personal experiences, insights, and ultimately give others permission to step outside of their boxes and discover their own unique style/voice.

Currently living in Waterloo, Canada, earlier this year Caroline’s book Tell Me What You See, an inspiring collection of visual writing prompts, was published by One Idea Press. I’d heartily recommend Caroline’s book even if I didn’t know her personally. But since I do know her personally, I am really jumping up and down about her accomplishment. Caroline has kindly allowed me to share with you one of her prompts as a PDF. And if you’re interested in a structured exploration, Caroline just launched an online class based on her book. Enjoy!

Caroline! Introduce yourself.
I am a European-Canadian writer, entrepreneur, dancer who has never really said no to trying a job. I’ve owned a Pilates studio frequented by A-list celebrities and professional athletes; I’ve sold cosmetics; worked in fashion, the automotive industry, insurance, and had a stint in real estate. Several years ago, I founded my blog, Style on the Side where I share personal experiences and provide actionable advice in the style and fitness fields. Most recently, I wrote a visual prompt journal, Tell Me What You See, which helps people see the world through a new lens (along with a companion online class). Currently, I’m working on my next book, which is a family memoir.

Tell us about your book, your photography, your writing, and other creative endeavors.
I have always loved all the creative fields, but writing, whether through screenplays, scripts or stories, dance, or photography, has always been my favourite. I learned to take photographs on an old Rolleiflex camera and I wrote and performed in plays for as long as I can remember. I believe that creativity breeds creativity and participating in all these fields made me better at all of them. Dance and my film degree have allowed me to understand the composition for photography and writing has enabled me to fill in all the in between spaces and to communicate what I see when I close my eyes.

My book came about because of a bad case of writer’s block. I had just moved to a small town without an arts community and lacking in many services. I naturally fell back on my old love and started taking Polaroid photos; then I simply wrote what I saw. It dawned on me that there are probably lots of people who need to rely on visual stimulation to get them past creative blocks.

What prompted you to start a blog?
I’ve been blogging steadily for over 6 years now. I started because I really missed writing and being creative. At that time, I had stopped dancing and had no other creative outlet, so I decided to take a social media course and fell in love with the idea of blogging. It’s the online community and the human interaction that keep me motivated to continue. I’ve also had the opportunity to meet many amazing people all over the world.

What goals do you have for your creative pursuits? How do you define your “life’s work”?
One of the projects I’ve recently started is an online course based on my book and visual writing in general. I’m hoping to expand on that and get it up and running soon. I’d also like to publish the family memoir I’ve been working on for the past year. Past that, I’m working on several other writing projects that I want to bring to fruition and hopefully have published as well. As for defining my “life’s work,” I don’t know. I’m too curious and restless to do just one thing and while writing is here to stay and will always be a huge part of my life, I don’t think I could give up trying something new if given the opportunity. It’s not 100% serious for now, but I’ve been toying with the idea of selling everything and moving to the South of France…..

Where do you do your creative work?
Mostly at home. I’ve tried writing in coffee shops and while I do find the idea romantic, they are distracting and the seating is always uncomfortable. Any room with a view gets lots of bonus points. I crave open spaces.

Do you have a schedule for your writing and other creative activities?
At the moment I don’t because I’m very lucky that it’s what I do most of the day.

What do you struggle with most?
The lack of urgency. Since I’m only accountable to myself right now it’s easy to fill my days with other “things.” I’ll add that not having a mentor is tough. It would be great to have someone who could help me get my thoughts together, which would make it easier to move forward.

What inspires you?
I’m a very visual person and I love the bustling life of a big city that is filled with people, museums, galleries, plays, the ballet, and even window shopping. Travel, as well. I couldn’t live without visiting new places. All those things “feed my soul”

When are you at your happiest?
When I’m doing any of the above.

What are your top 5 favorite blogs/online resources?
The Paris Review: love all the articles. The Writer Magazine: I actually enjoy getting their emails. Almost an Author: great interviews and tips. The Write Life, they are a great general resource. Writer’s Digest, because it has pretty much everything. I’m also addicted to Brain Pickings by Maria Popova; I think she’s a genius.

What are you reading right now? My grandfather’s memoir for research, The French Girl by Lexie Elliot (just finished it, great beach read), The Book of Speculation by Erika Swyler (loving it), Killing Commendatore by Haruki Murakami (I love everything he writes), Hunting the Truth by Beate and Serge Klarsfeld (random find) and another random find, Little Boy by Lawrence Ferlinghetti. For anyone looking for bits of inspiration, his book of poetry is fantastic. I carry it around with me.

What advice would you offer to other women struggling to find the time and means to be more creative? With regards to means, there are lots of ways to be creative that are free so that is one problem solved. Even time isn’t that hard. Sure, you may not be able to dedicate hours upon hours to something specific, but as little as 15 minutes is enough to yield the stress-relieving benefits of creativity. This can include dancing around your living room, daydreaming (highly recommend it) or even doodling. The key is doing it consistently. If you are a writer, then keep a notebook by your bedside table or in the shower (there are special ones that exist for this purpose) and every time you have an idea write it down. Before you know it, you’ll have a beautiful book of your thoughts. Another option is to take photos with your phone (which we all do anyway) and then spend 5-10 minutes writing down what you see. I guarantee this will get those creative juices flowing.

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Brittany Writes a Book

britmirandacropEditor’s note: Brittany and I have been friends for more than a decade. Our friendship started through this very blog and then transitioned to the holy grail of IRL. I’ve read enough of Brittany’s writing over the years to know that I love her work. So when I saw that she’d self-published a narrative chapbook of poetry, I couldn’t wait to get my hands on a copy. Brittany graciously fulfilled my request for a signed edition and mailed it to me post-haste.

It’s always an interesting experience, reading the work of a friend. I’m a writer and editor by trade and have worked in the professional world of words for nearly 30 years. As a creativity coach, I enthusiastically applaud every passionate, whole-hearted foray into creative work—but that doesn’t mean I admire the work itself. As many of my creative friends will attest, I’m unable to say, “Wow, this is brilliant,” when I’m not of that opinion. I’m preternaturally allergic to even little white lies of artful affirmation. I don’t want to give or receive disingenuous compliments about creative work. With that nugget of context, here’s what I wrote to Brittany after receiving Courtesan

Courtesan

“Brittany, your book arrived on Monday (or was it Tuesday?) and after a ridiculous work day that capped off a 55-client-hour work week, I crawled into bed with it. Granted, I was a little punchy on account of chronic fatigue, but in the dozen pages I read that night, I laughed out loud and—I know this is going to sound like I’m blowing smoke up your poopchute but it’s the truth—I wept with happiness. Some of these poems are So. Damn. Good. At one point I had to explain to Liam (11 years old, who still sleeps with me when he’s home and my man isn’t) why I was making such a racket (‘persnickety douchebaggery’ set me off). I’m bursting with pride for you, Brittany. I truly am.”

Courtesan is an anthem to the contemplative divorcée. This slim volume will delight you, hit you in all the right spots, and leave you wanting a bit more—just as an experienced courtesan should do. These poems confront you with the pain and loneliness of being married to a person who (you are ultimately forced to concede) will never be able to love you in the ways you most want to be loved, even if one day he does stop screaming and throwing shit and raving like the asshole he is. (Apparently you’ll also find a dose of catharsis between the lines.) Despite what hurts, Courtesan is also a tale of hope—and finding oneself, and love, again. Highly recommended.


Brittany

It’s amazing how much can change in 11 years. In the spring of 2008, Miranda discovered my blog Re-Writing Motherhood and plucked me from total obscurity to ask me to become a Studio Mothers contributor. The Studio Mothers blog was still in its infancy, as was my life as a (theoretically) stay-at-home-mom and full-time novelist. That time marks one of the most prolific creative periods of my life. But considering that I’m *still* working on the novel I started that year, it’s clear that creativity waxes and wanes, too. Now in 2019, I’m in another creative period. In addition to the 900 craft projects I have going on, I recently self-published a poetry chapbook titled Courtesan.

Courtesan is a diary told through poetry. It’s an eye-opening, no-holds-barred exploration of social and sexual re-awakening post-divorce. This is the book I never had any intention of writing. Generally speaking, I’m fun-loving, free-spirited, and unabashedly whimsical. Dark, brooding, erotic stories that would cause my southern Baptist relatives to have a collective pearl-clutching stroke were never part of my repertoire. But as I state in the book, there comes a point when the last thread of I-would-nevers snaps, and you become someone who would.

I became someone who would when I got divorced in 2015, after 13 years of marriage, eight of which I’d spent as a stay-at-home mom. There is a reason stay-at-home moms don’t just up and get divorced and abruptly go from full-time mom, to full-time working/part-time mom. It is traumatic on every level, and something I don’t think you can ever be prepared for. I was completely unprepared for the cold, hard smack of reality that awaited me.

And I did this alone. I was in Upstate New York, which was a 14-hour drive from my family in North Carolina, and across the country from my mom in Idaho. Not that my family was supportive. No one could understand why I was willing to give up such a seemingly comfortable life to go back to work and become a part-time parent. They acted like I had selfishly decided on a whim that getting divorced, re-entering the workforce after a 10-year absence, and parenting my children only half time would be a fun thing to do.

Brittany_bouquetI sunk into a horrible depression, a depression deeper and more pervasive than the depression I had already felt in the last year of my marriage, a nasty black pit I couldn’t seem to dig myself out of. For the first time in my life, I experienced panic attacks and constant anxiety. I’d always been an introverted loner, and suddenly, I couldn’t be alone anymore. I would beg my friends to let me come over and sit huddled on their couches, just to hear the noise in their households and feel like I belonged somewhere again. I cried constantly. My relationship with my children suffered. They were angry that I’d left them. My relationship with my ex further deteriorated. My family was as unsympathetic and unsupportive as it was possible to be. And overnight I became a third wheel among my married friends. Suddenly, I had not very much in common with them anymore.

I liken it to throwing a grenade on my entire life and watching it blow up around me. And into this stew of existentialist crisis, I thought it was a good idea to jump headlong into dating again.

Fresh from a bad marriage, I lived in a fantasy land where post-divorce dating was like an island of misfit toys. Divorcées would arrive broken and battered, having seen better days as a result of living with the wrong partners, and there they would magically find a more suitable person and live happily ever after. But my little fantasy couldn’t have been further from reality. Dating post-divorce is an, as yet, unexplored layer of Dantean hell and I realized that for most men, I was merely a commodity. Interchangeable with every woman out there. The transactional aspect of these relationships left me feeling very much like a courtesan, or more colloquially, a whore.

Brittany_mermaidI wasn’t sure how to process any of this, but I started a diary and wrote down snippets, dialogue, things people said to me that angered or inspired me, and all the observations I made, to process it, make sense of it, and ultimately learn from it. I pulled the diary out periodically to add to it, but was mostly preoccupied with other things, like paying the bills and buying groceries.

The worst part of that period was the complete lack of creative spark inside me. For the longest time, I was barely functioning. And when my creativity started to trickle back, it only came in fits and starts. I knew for my own sanity, I needed a creative outlet, so I took a painting class. And a jewelry-making class. I started to dabble at doll-making and embroidery again in my spare time. My friends knew I was their go-to girl if they saw something on pinterest they wanted to try and we started having semi-regular craft nights. I felt better when I was crafting, so I crafted. I felt better when I was painting, so I painted. I wasn’t able to write anything for the longest time, but eventually, poems started forming in my head again. I wrote them down on whatever piece of paper was handy. If they were good, I stashed them away and saved them. They were shoved inside books and drawers, and sometimes fished out of the dryer lint tray.

Fast-forward three years. My life was entirely altered. In the past, I’d thought of myself as a writer, and only a writer. But during my post-divorce journey, I became an artist, too. And after three years, I was more artist than writer.

Brittany_carI bought myself a little green bungalow and painted the walls bold turquoise and coral and purple. I painted the furniture and decorated the walls with my artwork. The dining room table was always covered in hot glue, paint smears, and glitter from the numerous projects I had in progress. I was always creating something, and as a result, I was happier than I had ever been at any other time in my life. My happiness changed the trajectory of my relationships and three years post-divorce, I was living with the man who would become my husband. In clearing away my clutter to make space for him in my house, I started to rediscover the writing and poetry I had been stashing in all manner of strange spots for three years. He encouraged me to do something with them, rather than re-stashing them somewhere new. But what was I going to do with a bunch of mostly unhappy autobiographical poems about my days as a single divorcée?

Brittany_bouquet2One day as I was driving (a time when great ideas seem to arise), and it occurred to me that if I collected all those poems and added the love poems I’d started writing more recently, I had a story there. I imagined calling it Courtesan, as a nod to my former single life and the way dating had made me feel. I mulled the idea in the back of my mind for some time. It continued to grow on me.

This winter I put it all together and self-published my chapbook. People ask me why I didn’t go the traditional publishing route. I self-published because I figured my “weird little book” didn’t have mass appeal. I wasn’t really sure how you’d market a diary that was poetry. And I thought it would only appeal to women of a certain age who’d experienced a traumatic mid-life divorce. Plus, to be brutally honest, I wasn’t particularly confident in my writing. I liked my writing. I had written it for myself, but I wasn’t sure at all if it would resonate with anyone else and I didn’t want to alter it in any way.

Since I published Courtesan, I have been shocked to my core by the feedback I’ve received. Women who are single, and never been married, have written to tell me how much they related to and enjoyed it. I don’t know whether to feel pleased or saddened that so many women can relate to so much darkness and despair.

Brittany_wandsI think that in most stories, and Courtesan is no exception, the main narrative is that a woman’s life turns around when she experiences true love. But the story functions on two levels. While on the surface, Courtesan is the story of the darkest time of my life and how I fell in love with my husband, there’s also the secret story hidden in the pages, about my love of the creative process, how it brought me back to life, gave me purpose, and fueled the creation of the diary in the first place. Ultimately, I rediscovered myself through the act of creation. And I continue to be amazed at what I can do, and how much joy I get from the doing.

 


See more of Brittany’s artistic projects at her current blog.
Order Courtesan at amazon

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Introvert Insights

I was thrilled to have The Power of Quiet reviewed by Introvert Insights, a well-produced, thoughtful publication for introverts. If you’re a fellow introvert, check out how to subscribe below (it’s free, even in hard copy, no matter where you live)!

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From Peter Vogt, publisher of Introvert Insights: “I am finding — because my approach to the newsletter is atypical (i.e., it’s printed and mailed, for free) — that I need to come right out and tell potential subscribers the following (so you may want to do the same if you decide to tell your readers/followers about Introvert Insights):

“A) Yes, the newsletter really is mailed to them (no matter what country they live in, by the way — in or outside of the U.S.) in print form.

“B) Yes, it really is free.

“C) No, there is no ‘catch.’ (Some people seem to be waiting for the other shoe to drop, but there is no other shoe.)”

Enjoy, introvert friends! www.IntrovertInsights.com

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10 Ways to Make the Most of 10 Minutes

10 Ways to Make the Most of 10 MinutesIt’s a rare but beautiful thing: An unexpected gap opens in your otherwise overbooked day. You realize — with disbelief — that you’re actually “free” for a short window. No one’s hair is on fire and there isn’t anything urgent to take care of right now. Maybe the baby who never sleeps finally closes her eyes or your spouse takes the kids out on an errand or you’re between conference calls. Whatever it is, you realize that the next little bit of time is not yet spoken for. The window is too short to dig into a project, but you do have time for something. What do you do?

For many of us, one thing rises reflexively to the top of the list of possibilities: Facebook. (Or whatever social media you happen to prefer.) We fritter away our 10, 20, or 30 minutes scrolling through the minutia and photographic exploits of people we may or may not a) know, b) like, or c) find interesting. Or maybe we hit our regular news sites or entertainment blogs. So long as we’re online, we’re engaged.

Then our window closes — the baby wakes up, the client calls, it’s time to head out — and those minutes are gone. Are we the better for how we spent them?

Don’t get me wrong: Downtime is important. Ten minutes of doing nothing has its value;  social media and other internet temptations can, at times, serve as recreation. But more often than not, the interwebs become a crutch that we depend on because we’re in a short period of transition. We don’t know what else to do — or we do know what to do, but we’re procrastinating because we’re over- or under-whelmed by whatever we’re supposed to be working on. And just when we might benefit most from a screen-free breather, we’re particularly addicted to the glow.

Whether you’re using up minutes that aren’t otherwise spoken for or you’re avoiding a task you’d rather not do, use those 10 minutes to your advantage. Here are 10 “unplugged” ways to do just that.

  1. Meditate. Whether or not you already meditate regularly, a 10-minute break is a great opportunity to sit. Research demonstrates the substantial health benefits of meditation: it reduces stress, lowers blood pressure, increases focus, and reduces sensitivity to pain. Not sure how to meditate? Here’s an accessible introduction from Zen Habits.
  2. Write a poem. Short-form poetry is a lot of fun, and it only takes a few minutes to pen a haiku, tanka, or cinquain. Even if you’re unfamiliar with writing poetry, it’s deeply satisfying to solve the poetic puzzle of fitting your ideas into a time-honored structure.
  3. “Treat” read. You know that stack of magazines and journals that you never get to? Perhaps the New York Times Book Review that you set aside for “later,” or that tempting collection of One Story issues? Maybe an alumni magazine you want to peruse? That’s what I call “treat” reading — something that meets these three criteria: it’s short, unplugged, and somewhat indulgent.
  4. Exercise. Do 10 minutes of yoga, jump rope, or — if you have them — run up and down a flight of stairs (assuming you’re healthy enough to do so). A 10-minute burst of exercise boosts your concentration, mood, and physical well-being.
  5. Journal. Grab your journal — even if you’re a regular practitioner of Morning Pages — and gift yourself with a brief clearing session. Write out what you’re doing, what you’re not doing, what’s working, what’s not working. Keep your hand moving. Speaking from experience, 10 minutes of intense journaling can be an amazing stress reliever.
  6. Share the love. Dig out one of those blank cards or bits of stationary that are lurking in a drawer somewhere and write a brief note to someone you care about. It might be a thank-you note, a thinking-of-you note, or just a few lines that amount to “I’m so glad to know you.” Address your envelope, put a stamp on it, and mail the card next time you’re out. This act of gratitude has benefits for you as well as your recipient.
  7. Plot creatively. Grab a few index cards. Using one card per idea, outline a handful of important scenes that need to happen in your novel; the concept, colors, or basis for the painting that’s been kicking around in your head; a few possibilities for future blog posts. If you prefer visuals to words, use the blank side of your index cards to sketch or doodle.
  8. Prepare. Use a short interval to do some groundwork for a project: Gesso a canvas, sharpen your colored pencils, clean off your worktable or desk. If you don’t have any tasks in this category, spend your window filing bills or dealing with that “not sure what to do with this” stack of papers. It’s not sexy, but it sure feels good when it’s finished.
  9. Clip. Gather up a few old magazines (I keep a collection in my art room for this purpose) and flip through those glossy pages in search of collage materials. You don’t need to look for anything specific, just pull or clip the words and images that appeal to you. Save these clippings in a box for later collage work — and file anything else that sparks a story or project idea.
  10. Step outside. Use your brief break to get some fresh air. Go stand outside and marvel at whatever you see, feel, and hear. Raining? Enjoy the sound of rain hitting your umbrella. Snowing? Stand outside and be with it. Can’t go out because the kids are sleeping/watching TV/leaving you alone for a few seconds? Go stand by a window and breathe deeply. We all need to connect with nature, even if it’s just a few long-distance minutes with one straggly tree on the other side of a busy street.

What are your favorite ways to make the most of 10 minutes?

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If you’re an artist or writer with little ones, The Creative Mother’s Guide: Six Creative Practices for the Early Years is the essential survival guide written just for you. Concrete strategies for becoming more creative without adding stress and guilt. Filled with the wisdom of 13 insightful creative mothers; written by a certified creativity coach and mother of five. “Highly recommended.” ~Eric Maisel. 35 pages/$11.98. Download here.

Brittany: Unkeeping a Journal

Crossposted from my personal blog.

I’m the sort of writer whose ideas are in a constant state of percolation. I’ll be driving my mini-van, listening to the Wiggles, answering a constant stream of “whys” from the backseat, and all of a sudden a snippet of conversation will pop into my head, where it will sit until I’m in the grocery store, and I imagine a dialogue around that snippet of conversation, where it will sit until I’m in the middle of a debate with Tom about what to have for dinner, when the setting for the dialogue with the snippet of conversation will pop into my head. Then I’ll let it percolate some more while I work out all the sensory details and plot points. And then, when everything finally starts to come together in my own mind, I *try* to write it all down.

It’s not the most effective means of novel writing. Invariably, I lose my momentum halfway through and end up wracking my brain trying to remember what I’d been stewing over.

In this month’s Writer’s Digest, there’s an article that caught my attention about “unkeeping” a journal, and using it as a repository for all those snippets that fall into your head and end up lost to time. Since there are no rules, because technically, you aren’t *keeping* a journal, you can use it to play around with your writing, brainstorm out loud, and amuse yourself by transcribing the conversations around you, funny things children say, and any interesting stories that interest you. All excellent ideas.

Some of the suggestions didn’t really appeal to me. I’m not going to interview myself, pretending I’m a bestselling author, for example. And I don’t see the point in brainstorming titles for a children’s book about two dogs. But a couple of pages into the article, one of the suggestions really caught my eye.

It’s an exercise called Outrunning the Critic. What you’re supposed to do is write 100 short sentences about a character, central concept, or scene in a story, and write those sentences without lifting your pen from the paper. I read that and went, “Huh. I should try that.”

I had a scene percolating in my head — a very pivotal, very long scene that I didn’t want to start yet. It was just too daunting. It takes place at a square dance and it had already taken three hours of watching square dance and clogging videos on You Tube to get the first page of the scene started. But the boys were playing trains in the playroom, and they wanted me in there with them, so I grabbed my new journal, numbered the lines from 1 to 100 and jotted down thoughts as they came to me.

Even though there were times that John was leaping on me and literally swinging off my pen-wielding arm (in danger of getting his little eyes stabbed out, by the way, which I suppose is an occupational hazard when your mother is a novelist) I got my 100 short sentences written in pretty short order. It was surprising to see how truly fleshed out that portion of the chapter already was in my head, and how little I really needed to fill in.

Since I don’t like to “write” until the scene is complete in my head, but 100 sentences feels like a substantial amount of ideas for getting started, I was able to subvert that part of myself that says “Sorry. Not enough here to write it down.” The best part is, in transcribing those 100 sentences into the body of my text, I see it is a hugely substantial piece of writing after all. It didn’t feel like I was making progress because it was too easy, but even so, I was.

This is definitely a technique I’ll try again (there’s a lot of scene left to write, and I still dread writing it).

[Photo courtesy the8rgrl]

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