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Posts tagged ‘Creativity’

Brittany: The Top-Secret Christmas Craft

As you might recall, last year, when Sam was three, I took him to the local paint-your-own-pottery studio where he (and sometimes John) painted several pieces for our family members. You can read about that here.

I did it on a fluke, and had seriously low expecations going in because three-year-olds don’t produce asthetically-pleasing art, right? Well, Sam proved me wrong. Granted, his pottery painting technique was more Jackson Pollack than Picasso, but the end result was interesting, vibrant, and better still, utilitarian.

I love making crafts, and I want my kids to share in that love, but to be brutally honest for a second, most of the kids’ craft ideas out there are just plain stupid. I don’t want a tissue-paper-bedecked toilet roll pencil holder and I can’t think of a single person out there who does. Yes, I’m a strictly if-the-ends-don’t-justify-the-means-I-don’t-waste-my-time kind of person, and my philosophy is that if I or my children are going to put in the time and energy to make a gift for someone, I want it to be something well-received. I like gifts that are beautiful and useful, so that’s the criteria I adhere to before I pull out the craft supplies.

Now that Sam is old enough to make handmade gifts for Christmas, this has become an annual event (or at least it will be, now that I’ve done it twice in a row!). I’ve alluded to our top secret Christmas craft for a while now, and I know some of you have been eagerly awaiting my reveal, so without further ado, here is Sam’s Christmas Craft for 2010!

Beading!

Back in September, I got a wild hair that maybe Sam would enjoy making some jewelry-type gifts this year. He seems to have an appreciation for color and fashion (with really specific ideas about what Mom needs to wear in public), and after several years of manpulating a bunch of magnetic trains around, he’s got killer fine motor skills. So it wan’t as totally far-fetched an idea as it sounds.

But when I went digging around the internet looking for kid-appropriate-jewelry-making tutorials, I got a whole lot of foam, a whole lot of pasta, and a whole lot of plastic. Nothing says Merry Christmas like a macaroni necklace. I began to dispair.

Then, around Halloween, one of Sam’s classmates brought in candy necklaces for the kids to make, and when Sam excitedly told me all about how much fun he had making his, the wheels in my head started turning. I’d seen simple beaded bracelets on stretchy cord that he’d be able to make. How different could that be from making a candy necklace?

I wasn’t quite ready to go into this whole hog yet. Beads–the real things–aren’t cheap, and I didn’t want to go buy out Michaels if this was a one-time thing for him. So I went to Wal-mart and bought a hideous foam bead kit and pulled it out on a rainy afternoon. Sam wanted to make one necklace after another…

So I was on to something… but I still had my doubts.

Before I committed to the project, I emailed my friend (and fellow Studio Mothers blogger) Kelly, who’s an amazingly talented jewelry designer in Jacksonville, Florida (and she’s done quite a few jewelry projects with her girls who are a few years older than Sam). I asked her for advice on materials and bead size/type and basically asked her if I was insane to even consider doing this. She gave me the go ahead. My instincts were correct–Sam could do a stretchy bracelet, especially if we used big(ger) glass beads and a product called Stretch Magic (a stretchy cord–we used 0.5 mm).

So then we went to Michaels and Sam got to go bead shopping. I encouraged him to take his time and really look at the beads. Eventually he picked several types that he especially liked and we came home and got started. There are a zillion tutorials for stretchy-bracelet making on You Tube, so I won’t bother posting another one here.

Sam really got into it and would sit down with me and work with the beads–turning out one or two bracelets a day. He does the beading, and all I do is tie them off for him.

Here are the final products after months of hard work:

The bonus is that he’s learning about measurement, sorting by size and color, and practicing counting the whole time. And he says he’s making “really long trains with lots of boxcars,” because everything Sam does is with trains in mind.

After he made bracelets for all the women in the family, he wanted to make bracelets for all the men, too. Knowing that they wouldn’t be quite as keen on jewelry, Sam and I compromised and made the guys beaded bookmarks. This is how they turned out:

Then I started thinking about how best to present these. I mean, they’re gorgeous, right? They should have packages to match.

I wanted to make come sort of cardstock business card for Sam’s “brand” (because I’m actually kicking around the idea of opening an etsy store for our bracelets), so I had him go outside and I took picures of his hand in the fall leaves (this was back in October). It was just a fluke when he made a four with his fingers, but since he was four when he made these, I went with it.

And then, poking around the web, I found the perfect quote to go with it: Love, with little hands, comes and touches you with a thouand memories,and asks you beautiful, unanswerable questions. ~ an excerpt from a poem by Carl Sandberg 

So, I made these little cards to hang the jewerly/bookmarks from:

And then I wrapped it up like this:

Sam really seems to enjoy beading. He didn’t stop after the Christmas bracelets were made, and still asks me on an almost daily basis to make a bracelet. John even got into the act one day when I left our beading supplies on the table. I walked in and found this:

He likes to bead just as much as Sam (but rarely beads long enough to complete a whole bracelet).

I’m so proud of them.

[Cross-posted from Re-Writing Motherhood]

 

Robin: 2011 in Flight


Want to Join Me?
Where do I begin with this new venture? You could blame it on Kelly Rae Roberts e-course that I took during the summer. Or you could blame it on the months of introspection that I talk about over here during the year I spent living and learning to thrive in Germany.
This notion of Creative Peace is one I have gone back to over and over again over the last two years. I know that when I started this “idea” of living more creatively and then trying my hand at a creative business, the movements were always with a twinge of self doubt; as if I was living someone else’s life. Was a creative life one I could actually attain?
The answer is a resounding YES! Now that this is settled in my mind and heart, I would love the opportunity to walk alongside you as you do some traveling yourself.
Learn more here…
[Crossposted from Well of Creations]

Jodi: An Introduction

[Editor’s note: Please join me in welcoming Jodi to the Studio Mothers community!]

I am a wife and mom to four great kids: 14, 12, 2.5 years, and 8 months old. I live up in Timmins, ON, Canada. I have been running a small home daycare for the past 7 years while I dabble with writing, blogging, mixed-media artforms, reading, cooking, baking, and my biggest passion, photography. I am a collector of vintage cameras (Brownies, Hawkeyes, Minolta), toy cameras (4 and 8 lens), and the proud owner of a Holga, a Diana, and too many Polaroids.

I recently graduated from the New York Institute’s Full Photography course and have committed to opening up my own photography studio where I plan to offer traditional indoor studio sessions and outdoor/location shoots. I also have delusions of grandeur that include my own line of fine art prints (check out my Etsy shop), notecards, templates, and anything else I can create in my little home photo/art studio. I love my Canon 7D and Photoshop Elements 9. Whatever would I do without you?

I look forward to being a part of a community that encourages creativity and family.

Where I can be found:



Cathy: New favorite thing

Please forgive me if my sentences make no sense today. I had a cahrazy weekend, which included Honey’s birthday, on which I barely saw him. It was a good weekend, a celebratory weekend, but I have been having a cold coming on for a few days, and I think it hit me full force today, when I can finally rest, while catching up and critiquing two manuscripts for tomorrow’s writing group, that is. How’s that for a run-on?

Oh, and for some unknown reason, Captain Comic has decided that somewhere between 3 am and 4:30 am is primo wakeup and run back and forth with lights on and doors slamming time.

Anyway, in time for the December challenge, one of my old writing friends from my Boston days turned me on to a new writing tool. It works like Julie Cameron’s Morning Pages from The Artist’s Way, but it’s online. It’s typed. It’s private, and you can let your mind wander for 750 words, the equivalent of three pages. And you don’t have to find that notebook or pen. I think most of us are sitting in front of a screen these days anyway, right? And it gives me a community of people who are also writing, whether or not I make any more of a connection beyond just knowing they are out there somewhere doing the same thing: http://750words.com.

I am a horrible typist. It takes me about 20 minutes per day to meet the 750, averaging about 35-40 words a minute. all typos are left in place. I try not to go back and correct. I don’t think about what I’m writing, I just let the garbage fall out of my brain through my fingers tips and up onto the screen.

Usually about three quarters of the way in, I hit my stride and there’s at least a phrase if not an idea that I like or that I can work with in something else, later.

Here’s the thing:

When the boys were younger, and I was single and working three part-time jobs to support them, when I woke up in the morning, I put the baby gate across the kitchen doorway of our little condo, got the coffee started, and while it brewed, I started my morning pages with pen and notebook amidst the dulcet tones of Captain Comic hanging on the opposite side of the gate, rattling it and screaming for my attention, Mr. Cynic momming me, and the themes of Blues Clues or Bob the Builder running from the tv in the background. After a few months, they got that I was not going to give them the time of day during “Mommy’s morning pages.”

And that’s when I started writing my almost finished editing this draft manuscript — later in the day, somewhere between job number one and the first school bus arrival, I had 30 minutes in which I wrote the first thirty or so pages of this book. But I was only productive on that if I had been productive earlier by getting through the mess of my daily concerns to hit the subconscious, where the better writing sprung from, like an underground spring of fresh water. First I had to clear away the mud.

So why have I not been writing or editing what I really want to be working on lately?

I think the key is in these morning pages. I think it’s in getting the garbage out of my head. It only takes me 20 minutes, so why not? Here I am, doing it online. And this site has some interesting tools to help you see what mood you’re writing in, for instance. Or what words you repeat, or what senses you are using, and how dominantly you write in one over another. It also has a healthy dose of competition that fuels some of us to write. For me it’s much needed accountability. I highly recommend it: http://750words.com.

C’mon….you know you want to.

 

Kelly: What Shall You Do?

This little scrap of spelling list has been floating around the house for months. I find it here and there, and for some reason, I’ve just never thrown it away. Today I was thinking about everything that I have on my plate on right now, and when I came home, I saw this on the floor in the bedroom. Shall.

Sometimes things get so crazy that we lose track of all the things we said we shall do. The kids get sick (Olivia). You get sick (me). The cat goes on the lam again (Tink). You become over-committed, oftentimes because of things you cannot control (me, work). You stay sick because you’re over-committed (me, still). You follow through on obligations you make because you committed that you shall do them (me, participating in the Halifax Arts Festival even though I was still sick). You work one very demanding full-time job, one part-time job and try to manage a creative business, for a reason (you, um, I, want the part-time job to become the full-time job so you can have more time with your family and more time for creativity). So you keep going.  What shall you do to pull all this together?

Today, I shall try to remember that all things will fall into place where they shall, in their due time, as the Man above plans. And I shall be thankful that I got to get away for a brief 24 hours to reunite with my sorority sisters Saturday (45 of us), antibiotics and cough drops in hand (and a few beers to help battle the germs). And I shall decide that those custom orders can wait just a little while longer, and that will be okay. And I shall decide that I’ll get to my blog when I get to my blog, which obviously hasn’t been very often lately. And I shall sit on the couch and cuddle with my girls while watching Wheel of Fortune and Jeopardy and then lie in the bed and snuggle with DH while watching Antiques Roadshow. And I shall try not to worry about all those things I’ve been losing track of. And I shall decide that everything will be just fine. What shall you do today?

[cross-posted from Artful Happiness…pictures from the reunion there :-)]

Miranda (and Brittany): If these walls could talk….

Last month the lovely Brittany Vandeputte and her husband Tom stopped in for a visit on their way from Salem, Massachusetts, back home to the vicinity of Albany, New York.

Before she left, Brittany wrote all over my wall. Not a display of bad manners, mind you — I asked her to do it. Some of you may remember my half-bath makeover that included a wall of blank “frames.” This wall is a pretty happening place, I have to say. Here, with her permission, is the poetry that Brittany left behind. (Click on the image for a larger view if needed. The frame that Brittany chose was tucked beside the wall cabinet, so I was unable to get a straight-on shot.)

Yeah. I thought you’d like that.

 

Robin: Stepping In

I completed my one week ecourse with Christine Mason Miller this past week.

More than anything, I found that putting the money down for the e-course forced me to DECIDE…Decide whether I am in or out. Am I really moving into this writing life of mine? Or am I just flitting around from here to there talking about it and blogging about it and TWEETING about it.

So step 1: Yesterday, I cancelled with a friend who wanted to shoot the breeze explaining that I KNOW that Josey’s preschool time is supposed to be set aside for writing. And I KID YOU NOT, within the next 24 hours TWO PEOPLE asked me if I would like them to help with Josey, giving me 4 EXTRA HOURS next week to write.

So here I am stepping into my life. I am writing an e-course on the spiritual side of creativity. The anticipated launch date is January 2011. You heard it here first. I am thrilled to say it in this space because this is where I first put my toes in the writing water this year. Thanks to Miranda and all my kindred spirits for the courage to put one foot in front of the other.

[Photo credit]

Art and Motherhood

Does blending art and motherhood = mission impossible? One recent response to this perennial question comes from Canadian painter Robert Genn, in his twice-weekly newsletter. While Genn writes about painting, his thoughts usually apply to any creative pursuit, including writing — and I have reposted his letters here before. Late this summer, Robert wrote a letter specific to making art as a mother. The letter garnered a TON of comments that are well-worth reading. Much inspiration and practical advice to be found. (Genn’s newsletter is reprinted here by permission. Thanks again, Bob.)

Yesterday, Cedar Lee of Ellicott City, MD, wrote, “I have a 10-month-old son. Before I had this child I never realized the level of freedom and time that I had. The demands are so all-consuming that they leave me with little if anything left to give to my work. I’m depressed about my career–at full speed a year ago, it’s now barely squeaking along. Do you have any advice for how to keep my creative flames burning, how to keep my professional image from slipping, and how to be productive during this time? What are the creative, financial, political, and practical dilemmas facing female artists with young children.”

Thanks, Cedar. Big order. Before I start in with my stuff about being more efficient, making time, getting help, etc., I need to ask you mothers to give me a hand with Cedar’s questions. Your best advice will be included in the next clickback. Live comments are welcome as well. FYI, we’ve put a short video of Cedar’s studio at the top of the current clickback.

Also, I want to mention the extreme expectations that current parents have for their children. Children have taken on a god-like role and have become the focus for everything from prepping for stellar futures to daily parental companionship. Parents sacrifice their own lives for the potential brilliance of kids. For better or for worse, raising kids well is the new religion.

Further, I wanted to say that letters like Cedar’s come in here like leaves from a shaken maple. I’m conscious that many artists, both male and female, use the advent of parenthood as a scapegoat for failing careers. Artists in this predicament need to examine their true motivation for this popular complaint.

It’s been my experience that dedicated artists will always find a way. I’m also happy to report that selfishness need not prevail, nor need the baby lie unchanged in its crib. The creative mind is always working, even during the application of nappies. Household workstations can be set up and work can continue between feedings and other downtimes. The intermittent business may actually benefit the art–for many of us, contemplation is a much needed ingredient to our progress.

Cedar, exhausted though you may be, there is always recourse to the DMWH (Daily Manic Working Hour). This can be programmed any time, perhaps early morning or late at night. When performed as regularly as baby-feeding, you might amaze yourself with how much you can get done when you focus hard for one lovely little hour.

Best regards,

Robert

PS: “You have no obligation other than to discover your real needs, to fulfill them, and to rejoice in doing so.” (Francois Rabelais)

Esoterica: There is an excellent book on the subject. The Divided Heart: Art and Motherhood by Rachel Power [reviewed at Studio Mothers]. It’s well researched with lots of references and historical evidence. An excerpt is here. There’s value in partnership. “To create art once you have children requires the commitment of more than one person,” she writes. “As novelist Eleanor Dark wrote, ‘The balance is elusive; the support crucial.’ “

To read the many responses to Robert’s letter, click here. Any pieces of advice that really stand out for you?

Robin: Wish.Play.Create. — Week 4

Welcome to Week 4 of Wish.Play.Create. Week 4 was taught by Mindy, THE ONE who DREAMED UP the WishStudio
This little one is my MENTOR when it comes to using color WITH ABANDON!
We used some fabric paint that we got on the cheap but didn’t have a chance to experiment with yet. The effect on the gesso was pretty cool. The colors took on a metallic feel.
I want to thank Mindy again for the generous gift of this class (I won this opportunity via Miranda of Studio Mothers).
I am now prepping for a new course offered in the Wish Studio taught by Christine Mason Miller in an effort to get myself in gear on a writing project that I need to work on. Anyone want to join me in The WishStudio?

Miranda: Psst…”creativity” does not contain the letters S, H, O, U, L, or D

So I have this other blog about my newbie Buddhist practice. In a recent post I wrote about motherhood and creativity, so I wanted to share that post here as well. Please share your thoughts.

Last month I attended “Mothers’ Plunge” in Boston, a one-day retreat for mothers led by Karen Maezen Miller, author of Momma Zen and Hand Wash Cold (two invaluable books about showing up for motherhood in your entirety — relevant for any mother, no Buddhist label required).

As the retreat was drawing to a close, Karen made time for a short Q&A session. My arm shot up. Yes, I did have a burning question. I explained that I understand the concept of paying attention to that which requires attention, of focusing on the matter at hand rather than fretting about stuff that isn’t within arm’s reach. I get that. But with so many people in my life and responsibilities to tend to, I could easily just turn from one urgent matter to the other and fill nearly every waking moment of every day without ever finding/making time for my own stuff, like finishing one of my manuscripts. Do I need to just make peace with that? Do I need to stop clinging to this idea (ideal?) of “being” a writer — for now?

Karen suggested that — despite my protests — it really does get easier, and that at some point the opportunity to write would present itself. Have faith. Write in bits and pieces. Make hay when the sun shines, even if it doesn’t seem like it shines very often. (My cheesy phrasing, not hers.) Let go. Trust. Everything in its own time.

I wanted Karen to have the answer, and I suspected that she did, if I could surrender to it. But I felt enormous resistance bubble up inside me. No. I will never be able to do what I really want to do without making a painful sacrifice somewhere else. My oldest child is nearly 20, my youngest child is only 2, and while the demands of motherhood change over time, the totality of five children and a freelance career is often overwhelming. I don’t want to wait until I’m 60 before I can count on a little “me” time — time to breathe, time to be creative, just time.

During the drive home, I started mulling all of this over — and over. I’ve devoted much of my life to the topic of motherhood and creativity, trying to figure out how to be a mother and an artist without completely messing up one or the other or both. I’m writing a book on the subject, for which have interviewed dozens of creative mothers, extracting commonly successful strategies. I have a blog — this blog — devoted to the community of creative mothers. I know firsthand how the need to be creative coupled with the seemingly inescapable roadblocks of motherhood can lead a woman to tears in the frozen food aisle. I get it. Is the answer really just letting it all go and accepting that the time for creativity will come when it’s time for creativity?

Under the tension of my growing resistance, somewhere along Route 3 a long-held knot popped open, untangling itself into clarity. I realized that when I decided to practice meditation on a regular basis, I started getting up every morning at 5:30 instead of 5:50 to sit for 20 minutes. It wasn’t a big deal. It was important to me, and I wanted to do it, so I made it happen. Sure, there are some mornings when I’m just too tired to get up or my youngest child wakes up exceptionally early and my sitting time is abandoned. But in general, it works. Why then, during all my years of complaining about not having time to write, didn’t I get up 20 minutes earlier to eke out a paragraph or two? There may have been a few early morning or late night attempts over the years, but the strategy never seemed sustainable. Admittedly, a “set” schedule isn’t feasible when you have a newborn or during some other major transition, but my littlest guy has been sleeping fairly predictably for at least a year now.

I realized that I’d fallen into the trap of my own “story.” I write for a living, but writing and editing for hire isn’t enough. I want very much to complete my own personal writing projects. But. (To borrow a Karen-ism.) Do I really want that? Was writing something that I wanted to do so desperately during all those years, or something that I thought I should want to do? Perhaps spending time on my personal writing projects was something I rarely made a regular commitment to because it’s hard, and not always gratifying, and maybe there were a lot of other things — like cleaning the kitchen grout with a Q-Tip — that seemed more important at the time.

It’s hard to make time for shoulds. The shoulds weigh us down and transform everyday life into a bone-wearying Sisyphus impersonation. Meanwhile, the things that we really want to do? We usually do them. A bit of compromise might be required, but if you are totally keyed up to write a haiku today, chances are, you will find 10 minutes to scribble down the draft floating around in your head. Conversely, if you think you should write a haiku today, you might discover that item #37 on your to-do list is so important that there’s simply no way that you can get to the notepad to pen a few lines. Just 10 minutes? Not a chance.

Maybe I wrapped myself up in a coat of creative deprivation just so that I would have something to hide behind. Maybe it really was as uncomplicated as my husband’s response to my martyring complaints, which he offered with a shrug of the shoulders: “If you want to write, write.” This used to infuriate me, but now I see the truth there — as annoying as that is to admit. No, I am not able to run off for six hours of solitary writing time. But. Even 20 minutes of writing time yields 20 minutes’ worth of words that I wouldn’t have otherwise. I know this from personal experience; I have 200 viable pages in my nonfiction manuscript and nearly as many in my most recent novel. These words were amassed in fits and starts rather in predictable, extended writing stints. (Note to self: Try to avoid forgetting all the things that you worked so hard to figure out.)

On my drive home from the retreat, I couldn’t sort out how this construct of beleaguered, suffering writer-mother had sustained me, or why I had bought into it so hard, but I did know that many things I had accepted as inescapable truths were suddenly swathed in question marks. Time to start all over again, with beginner’s mind.

Robin: Wish.Play.Create. Week 3 – Knowing Your Limitations

Have you checked out Stephanie Lee’s Work? She was this week’s fabulous instructor in the WishStudio for the online art playgroup. Her contribution was heart of stone plaster pendants and called for an introduction of plaster of paris and doing some wire work. I gotta come clean on this. When something this NEW TO ME is introduced, I actually need the benefit of sitting in a class with an instructor coddling me through my fear! And really, that SHOULD NOT have been necessary because Stpehanie’s instructions were very clear and she gave us a PHENOMENAL amount of pictures with each step. I think this was just not the right time for me to learn it. So…

Plan B:

Josey and her best friend Noelle up 6:15 am on a Saturday morning after their sleepover, remnants of the carnvial we went to the night before still on their face! We are prepping to make polymer clay pendants!

This is something I learned to do about two years ago in an art class I took at a local community center.  The girls were amazed at the amount of work it took to get the clay soft — this is NOT Play-Doh!
Josey decided she wanted to make cookies for her kitchen (don’t worry, I’m way ahead of what is going to happen later…)

I am about to hit a MAJOR SNAG because I can’t seem to remember what TEMPERATURE and HOW LONG to bake them…

The good news is they were happy with them (if you look closely, you will see they were in the oven a bit TOO LONG!)
OK, ON TO WEEK 4!
[Cross-posted from Well of Creations]

Kelly: A New Twist for Teaching

Ever agree to do something and then wonder “what the heck have I gotten myself in to?” Well, I did just that. My friend Connie asked if I’d contribute to her newest online class and, after a few back and forth e-mails of me saying “Connie, you have far more talented art journaling friends than I!” she finally convinced me I’d be great. So! My class is complete and I’ve sent it off to Connie to be included in the full class, and, just like Connie, I’m so stinkin’ excited!

It wasn’t the teaching part that concerned me. Heck, I’ve been teaching for 20 years, and I know I truly am a gifted teacher. I feel confident in that. But having never had any formal art training myself, I really didn’t think I was a candidate to teach art techniques to adults. To kids, sure! But to grown women (and maybe even men), most of whom are probably artists themselves? This is a bridge I’ve never crossed. I’ve seen all those awesome videos artist/teachers create to demonstrate their techniques. And I have no clue how to make a video. I can “take” a video with my camera, but what to do with it after that? Clueless! So there are no videos in my little class. What there are, however, are tons of photographs and witty commentary demonstrating the techniques step-by-step. And the most awesome thing about it? It’s not just Kelly teaching the class; it’s Kelly, Sarah, and Olivia teaching the class together. My contribution to the 21 Secrets Art Journal Playground is wrapped around creating art journals with your kids, using the things they say as prompts. My class is called “The Things They Say,” and the girls and I had a ball creating the samples we demonstrate in the class.

Another awesome point about this class is Connie’s generosity towards the contributing artists. She’s set up an affiliate program to allow us to reap some financial rewards for our contributions. Each artist has a special link, so for me, click here and you’ll be taken to my personal registration page. The girls and I would love some of the Studio Mothers community to join us! Registration opened September 20, and the class itself starts October 1.