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Posts tagged ‘books’

Miranda: For the love of books

Warning. This post contains an unusually intense degree of navel-gazing and otherwise raving on and on about one’s home library and related minutiae. If you find such material nauseating, turn away now. I warned you!

On Friday, I posted this on Facebook:

Miranda Hersey Helin is staging a serious overhaul of the home library/office today, with Mom’s help. The question is — and please don’t cringe, fellow bibliophiles — shelve the books by author last name, or by jacket color? I know, I know….but I peruse and admire many design blogs and must admit that books shelved by color look fabulous. Although I’m not sure I can bring myself to mix genres…..help!

I was amused by the considerable volume of responses. People feel VERY strongly about how to organize their books — as well they should. This is serious business, people!

rainbowWhen I first heard of organizing books by color, I thought the premise was among the most ridiculous things I’d ever heard of. Not to mention sacrilegious. The whole idea sounded like “book as prop,” in the way that a professional decorator might buy small decorative things for a client’s room simply because they look nice against the wallpaper; nothing whatsoever to do with the item’s meaning or symbolism or its emotional value to the owner. Just “stuff.” Books, of course, are not “stuff.” Ew.

But over time, I came across more instances of books organized by color that really looked beautiful. Not just a stack of three yellow books next to a yellow vase, but shelves organized wholesale by color. Still, how would you ever find anything if you didn’t organize all of your books by genre and then by author last name?

When we moved into our new home in February of this year, I was thrilled to unpack my books and various possessions into our new library. I very vaguely segregated the books by nonfiction and fiction, intending to properly sort out the shelves, alphabetize my collection, and arrange all of my non-book items in the near future. Eight months later, the time finally arrived. My mother had given me a birthday coupon for a day’s worth of organizational help (and, most importantly, moral support) so I booked my sitter for an extra day, and on Friday my mother and I tackled the library. (It seemed indulgent to pay for babysitting in order to overhaul my library/home office, but considering that my mother and I worked all day long on Friday, and then I spent the better part of the weekend finishing the job myself, I know that this never would have happened if I hadn’t paid for the extra help.)

So, alphabet or color? I was intrigued by the color principle, and I had to try it. (Obviously, by the photo I ran above, there isn’t much question about which way I went.) I can’t believe HOW LONG it took to sort all the books, but we did it. (All those “taupe” books — are they gray? Are they brown? Are they off-white?) It was a LOT of fun, I have to admit. And I came to realize fairly early on that finding a specific book was not going to be a problem. But more on that later.

I also went through ever drawer and bin, sorting out all of my office supplies. I weeded out tons of stuff I don’t need or want. I filed every stack of paper. I found (or created) logical homes for all those little things that you pick up and say “what do I do with THIS?”

I now have a desk that I can actually use! I paid bills sitting at the desk last night, and everything I needed was in arm’s reach. My art supplies are organized in the hall closet around the corner, as there just isn’t room for everything in one place. But it all works.

The basic footprint of the room hasn’t changed (months ago, we tried many different arrangements of the furniture, but nothing else worked). I did change out a yucky fiberboard bookshelf for a marginally better, longer bookshelf made by my ex-husband. (No, you can’t have it back!) Please ignore the hospital-style table on wheels (it’s one of the most practical things I own, and I use it all the time).

BEFORE

B_before

AFTER

B_after

Desk corner before:

Desk_before

Desk corner after:

Desk_after

Considering that relatively little actually changed, aside from clearing out all the clutter, I can’t entirely explain the magic that this room now holds. I FREAKING LOVE IT. I want to be in here all the time. Yes, I’m in here now, typing on my laptop at my desk. I swear, it’s as if Mr. Roy G. Biv turned the room into a bowl of M&M’s. Very cozy at night, too:

night1

night2

So here’s my case for organizing books by color. In the first “after” photo above, fiction comprises the vertical shelf on the far right and the white shelf up the middle. That’s not really so many books. If I’m looking for a particular title, it’s not going to be hard to find even if I can’t remember the color of its spine. This is the only place I have adult fiction aside from my “to read” shelf on the other wall. The books to the left in the same photo are general nonfiction (biography, autobiography, and history). Again, these are mixed together, but it’s not a lot of shelf space for me to peruse if I need something. The fifth shelf is poetry.

On the other wall, books are broken down by genre. I have a shelf for editorial reference, a shelf for art reference, a shelf for books about writing, a shelf for books about creativity, a shelf for parenting, a shelf for self-help & metaphysical (yes, I have that many self-help and metaphysical books). There’s another shelf of semi-mixed nonfiction; a little chunk of current political books, a chunk of animal-related training books, a chunk of sports-related books, a section for gardening. Then there is the to-read shelf, as well a short fiction and plays. And so on.

For each of these subsections, I organized books by color and shape, depending on what looked best for each shelf. Again, I’m not going to have trouble finding anything because I know what each subsection is, and no single subsection is more than a shelf long.

So, now that I’ve dealt with the question of “how will you find anything?” I’ll get to why I think this is such a fabulous way to organize your books. First, a book is so much more than words on a page, or the author’s position in an alphabet. A book is a piece of art — even an old Bantam mass-market paperback — and to my mind, organizing books this way is something that honors each book as art. Positioning each book on a shelf in a way that maximizes its beauty (almost as “paint”) rather than by the name of the person who wrote it seems to me a more potent way to celebrate the beauty of a personal library. The shelves are pleasing and peaceful, without losing the vaguely chaotic and cozy look that is inherent in any library. The color progression is so eye-catching that I think it actually calls more attention to the books, not less — without dominating. What do you think?

The downside to having a dream library/work environment is this: There is pretty much no excuse left on the planet for not coming up with something brilliantly creative. I seem to have run out of excuses. And I DID just use an entire weekend’s worth of “free” moments to finish the room. Time to get to back to the writing 🙂

Cathy: I can’t even peek.

In my travels over a week ago, I retrieved one well inked copy of my first manuscript draft I had sent to a dear friend in the Boston area for critique and suggested edits.

Many moons ago, I lived in a 2nd floor walk-up on Newbury Street dubbed the shoebox, and he rented a room in the former servants’ quarters on the fourth floor (even more stairs, I had to take them two at a time at a momentum run to survive the ascent) of an old Commonwealth Avenue townhouse that had been broken into condos. We regularly spent entire days walking around Copley Square, sitting on benches on Comm Ave, in the BPL Courtyard, a few regular cafes, Newbury Pizza or each other’s humble abodes, discussing Literature, Art, listening to Mozart, Schubert, old time Rockabilly, Frank Sinatra’s In the Wee Small Hours, and critiquing poetry and plays each wrote. We really dissected each other’s work, at times taking personal affronts, at others, able to make useful and take useful suggestions. Sometimes another friend joined us, but mostly it was just the two of us, picking apart each other’s work in order to build it back up again into something better. That was fifteen and then some years ago.

When he handed back my baby, er, first draft in Cambridge, he very kindly told me it was a great story and excellent characterizations. He gave a few verbal points of interest. But mostly, I noticed just how much ink he laid on each page in my quick thumb through in the dark of the rainy night under a street light.

How very film noir.

I still can’t look at it.

Judge a book by its cover

judgebyNot that any of us needs another way to waste time online (ahem), but I can’t help but share Judge By. Go to the site and you’ll see a random book cover from Amazon.com. Guess how good you think the book is, based on its cover. After you click your assessment, you’ll see what Amazon reviewers actually rated it. You can also click through to the book on Amazon, in the event that you stumble across something interesting. Quite addictive…

Congratulations, Lisa!

Lisa Damian’s nonfiction book, Trout Valley, the Hertz Estate, and Curtiss Farm, was released yesterday. Round of applause! From the publisher’s website:

John D. Hertz, of rental car fame, discovered Trout Valley (then a part of unincorporated McHenry County) in the 1920s. He built a mansion, barns, and polo grounds on the banks of the Fox River, calling his new country estate Leona Farms. Famous landscape architect Jens Jensen designed its scenic landscape, fishing streams, and ponds. Here Hertz raised racehorses, including two Kentucky Derby winners, and hosted Gatsby-like parties for the rich and famous, including Myrna Loy, Will Rogers, and Walt Disney. Eleanor Roosevelt was once a guest too. In 1943, Hertz sold his estate to Otto Schnering, of Baby Ruth and Butterfinger fame, who transformed the grounds from a lush playground to the headquarters of a 10,000-acre farming operation. Old-timers still remember Schnering’s six-pony hitch carrying joy-filled passengers down Main Street, the state-of-the-art livestock arena, and the trophy-winning cattle raised at Curtiss Farm.

Book Review: The Yummy Mummy Manifesto

yummy_mummyA few weeks ago, I read Christa’s review of The Yummy Mummy Manifesto by Anna Johnson. I was intrigued and ordered a copy. I agree with Christa’s assessment, so I won’t repeat all of her points here. I’ll simply say that this book was an interesting take on applying a creative outlook to the experience of mothering — jumping in with both feet (whether or not you also earn a paycheck) and embracing the beauty of daily life.

Johnson doesn’t focus on creativity itself, per se, but she clearly advocates for mothering outside the box. Doing what feels right for you, pushing yourself to new levels of self-expression (and self-care) while raising the offspring. In essence, “yummy” here means something like “vibrant, engaged, and making the very most of whatever you’ve got.”

I liked that Johnson seems to be a voluptuous eccentric, rather than a polished suburban queen. While she’s full of strong opinions (the La Leche League may appreciate Johnson’s use of “lactivist” and — my favorite — “breastaurant”), you won’t come away with an overdose of MSG (Martha Stewart Guilt).

Johnson has launched a website based on the book, which includes a blog.

Since the creative women reading this blog are largely engaged in some kind of work, whether or not we also work for a paycheck, the websites for working mothers that Johnson highlights in her book are resources for all of us, in one way or another. Here are a few of them:

I do think that The Yummy Mummy Manifesto is a nice book to have on your shelf. I plan to pick it up again from time to time — especially on those days when I find myself apologzing for breathing, and other self-effacing faux pas. I probably won’t dance naked in the rain, as Johnson does, but you never know.

Lisa D.: How NOT To Write a Novel by Howard Mittelmark and Sandra Newman

HarperCollins sent me a very handy book to review: How NOT To Write a Novel: 200 Classic Mistakes and How to Avoid Them — A Misstep-By-Misstep Guide by writers and editors Howard Mittelmark and Sandra Newman.  I thought that a few of you might appreciate this hilarious and insightful book as much as I did.  If you’d like to read the review, click here.

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