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Posts tagged ‘poetry’

Applause

Our long-time blogmate Brittany Vandeputte was recently published in the Petigru Review! I stole the following from Brittany’s blog:

Yesterday I received my two free author copies of The Petigru Review. It felt good to hold a big chunk of a book in my hands, flip to the table on contents, and see my name listed three times. The $15 I made in “royalties” felt good, too. It brought the total profits from my writing to date up to $115. What a lucrative career choice I’ve made for myself…

Obviously I’m not in it for the money. It’s more the satisfaction of knowing someone else read my writing and thought other people would like it, too. That feels good. And it also feels good to be published in a literary journal named for James L. Petigru, SC stateman, who famously said “South Carolina is too small to be a republic, and too large to be an insane asylum.” I love my adopted state, but as a born and bred Tarheel, I do snicker (quietly) to myself whenever I hear that quote.

I had hoped that I could brag that it was now available on amazon.com, but it isn’t yet. It is, however, available at a local bookstore, Fiction Addiction.

I’m only doing my due dilligence by pointing out that it would fill a stocking nicely and would most certainly impress all your book-loving friends with its sophisticated, artsy, literary-journalness. Plus, I have it on good authority that you might even persuade one of the contibutors to autograph your copy. :-)

Brava, Brittany! We’re so proud!

Help a writer out: No Haikus

Our friend Debra Bellon, a writer and filmmaker who lives in Toulouse, has a two-year-old son and a brand-new baby girl. Debra has been creatively percolating during the past couple of years, as many of us do while we’re otherwise occupied caring for little ones. To that end, Debra just launched a new blog site for her poetry: No Haikus. Debra says, “I’m going to see if I can write a poem a day, with each poem using a word from the last, if that makes any sense.” She has asked for support and encouragement from the Studio Mothers community — so please visit Debra’s blog from time to time. You know how having an audience helps to keep us honest and committed!

Félicitations, Debra! We much look forward to seeing more of your work.

Brittany: Fly Anyway

There’s something about that line that speaks to me.

Lately, I’ve found myself having a near-obsession with birds. Not real birds, but folk art birds. The kind in profile, that are painted and embellished, and look as unlike real birds as it is possible to get. During my latest trip to Asheville, my grandmother insisted that I go through all my great-grandmothers old craft books. And in them I found pattern after pattern for these birds. Bird statues, bird mobiles, bird appliques, bird sculptures, paper birds, cloth birds, clay birds, wood birds… It was like some kind of sign, because I had previously spent hours scouring the internet for folksy bird patterns and came up empty handed.

I don’t know why I’m so drawn to the birds, except that they’re colorful and friendly, a little quirky, and make me feel happy. People who know me well know that I’m a deeply grounded sort of individual. I dislike flying — literally and figuratively. If you had to describe me in zoomorphic terms, I wouldn’t be a bird. And maybe that’s where the attraction lies.

I read an interesting interview today about Lady Gaga’s new tattoo. What, I’m sure you’re thinking, does that have anything to do with the conversation topic? Bear with me.

First of all, I like Lady Gaga’s music. It’s catchy, fun, better than some other options on the radio. But Lady Gaga herself? I hadn’t given her much thought, to be perfectly honest. But according to the article I read, this is what she recently had tattooed down her arm: “In the deepest hour of the night, confess to yourself that you would die if you were forbidden to write. And look deep into your heart where it spreads its roots, the answer, and ask yourself, must I write?” It’s a quote by Rainer Marie Rilke. I’ll admit I was a little impressed. I don’t really have a thing for tattoos (although I could probably be persuaded to ink a 1940s pinup to my bicep as a conversation piece), but as a writer, I can’t think of anything more appropriate to permanently etch on myself. And then she added something else in this interview that I can’t quite get out of my head. The article said “Rilke’s ‘philosophy of solitude’ spoke to her. The New York native called solitude ‘something you marry, as an artist. When you are an artist, your solitude is a lonely place that you embrace.’”

We talk here a lot about the demands on us as mothers, about how we’re pressed for time and space and energy to write. But one thing we don’t talk about is the inherent loneliness that comes with our chosen occupation. Recently, on my personal blog, I wrote about how being creative and near-mental illness go hand in hand. Part of that is likely due to the fact that creative people have deep, complex inner lives. As such,we’re driven by the compulsion to write (or create) that Rilke speaks of, and soon live mostly in our creative mind. Add to this the loneliness that is inherent to motherhood and you really do have to learn to embrace the solitude or you lose yourself in it.

Which brings me back to the birds…

I said it once before, but it bears repeating. Creative mothers are like caged birds. Our children have clipped our wings, our families, and the sheer domesticity of our mothering lives have become our cages, as have our responsibilities, and financial obligations. We can’t escape from any of it, but then again, maybe we don’t want to. Motherhood was a conscious choice we made. As was following the creative path. And yet we all yearn to fly around. See the world. Live in it a bit.

But ironically enough, life isn’t so free and easy for birds either.

They spend an inordinate amount of time caring for their young. According to a birding website at Cornell University, “Sitting on a nest may look easy, but it involves more trade-offs than meet the eye. When birds sit on eggs, they are not simply relaxing. They are regulating the temperature of the clutch… Although most people think of incubation as a warming process, birds may need to cool their eggs by shading or moistening them in hot environments. For example, one pair of Black-necked Stilts at southern California’s Salton Sea made 155 trips in one day to soak their belly feathers in water to cool their eggs.” It went on to say that, “Incubation requires a balance between sitting on the eggs to maintain their temperature and leaving the nest to refuel by foraging. Incubation thus involves a series of trade-offs: a female gains energy by leaving the nest to forage, but she must expend energy to rewarm or cool the clutch after returning.”

Isn’t that an apt metaphor for the life of a creative mother? And what bird, or mother, has the time to carve out time for relationships with all that traveling back and forth? Sitting on her nest, creating life, is not different than one of us being holed up alone in her studio/office/corner of the sofa working on her latest project. I look at birds differently now. Sure they like to hang out in flocks and travel the world, but when parenthood enters the equation, they are as tied down, lonely, and exhausted as any of us.

I think back to Cathy’s most recent post, where she described the temporary nature of parenthood. And I think of the yearly cycle of nest building, baby hatching, and nest leaving I witness each year in my own backyard. My boys are bigger now than they were yesterday. Soon they will fly away from me. Soon I will have plenty of time for free-flying and writing. But I will not want it. I will want my boys back.

Maybe I am more like a bird than I thought I was. And maybe I should look to the bird as a symbol for the course my life will take. Right now is my time to hatch my clutch, but soon I’ll have to fly anyway.

Writers changed by motherhood

From the Milwaukee Journal Sentinel, highly recommended reading on writing and motherhood, including finding the time, missing the kids, and integrating the experience of being a mother. A brief excerpt from the article, written by Geeta Sharma-Jensen:

When Milwaukee poet laureate Susan Firer’s son was young, she’d often determine the length of her poems by his fingers.

Holed up alone in her writing room, she’d look up to see his fingers running back and forth in the space beneath her door. From the other side of the closed door, she says, he was wordlessly signaling that “it was time to come out and play.”

Her poems, then, were necessarily short; she never knew how long it’d be before the little fingers would slip under her door.

“I tend to be pretty obsessive about my writing, so my children have brought more balance to how I live,” Firer says. “Both my life and, consequently, my poems would be something very different, in fact unimaginable, without my children, who have greatly impacted both what I write about and how I write.”

Writing moms, like all writers, take life in all its aspects and use their imaginations to transform it into art. But motherhood does things to writers – from stealing their time to swelling their emotions to making them silly and dizzy with this strange, overwhelming protective love for another human. They’d often rather be with this human who’s taken over their life, their thoughts, their fears. And yet, there is their artistic impulse, a call so strong they cannot go long without yielding to its siren song.

Somehow, then, they have made time for their work, and the children are there, too – in their art, the result of the twinning of maternal instinct and artistic impulse.

The full article is here. Whatever you do, don’t miss reading this essay by novelist Alice Mattison (opens as a PDF), which is linked within the article. It’s an absolute gem.

7/20 Weekly Creativity Challenge and New Prompt

Another beautiful poem from Cathy Coley for our “finger prints” challenge.  This is so lovely, Cathy!

Finger prints

I awake in the daylight
still feel them,
tingly aftermath
a reminder of our love
after the arguments,
the kids,
the dishes,
the bedtimes,
the laundry,
the taking for granted.

In the stillest hours,
he leaves finger prints
all over my skin.


From me (Kelly Warren): “It will be gone before you know it. The fingerprints on the wall appear higher and higher. Then suddenly they disappear.” Dorothy Evslin

I stumbled across this quote on a friend’s Facebook page and the clarity and truthfulness of it has haunted me ever since.  I thought this picture I took of my girls, running away, suited it well.

FLK DSC_0279


This week’s prompt: “rushed”
Use the prompt however you like – literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by midnight eastern time on Sunday, July 26, 2009. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly challenge, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 48 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

7/6 Creativity Challenge and New Prompt

Some wonderful Fourth of July entries!  I think the one that will all take our breath away is the beautiful poem and accompanying photo from our lovely Miranda Helin Hersey, below.

Independence Day

On Friday morning, July the third
Liam nursed for the last time.
I did not know in the moment,
and so I did not say goodbye
to my little nursling
and the many years of my life
– six? –
that I have spent nursing my five children.
I did not imprint the memory, did not
photograph the image behind my eyes
the feel of him in my arms, the scent of his
warm hair against my arm and the pillow,
the pale blue sheets.
It was just another morning.

But that was three days ago.
I was ready, I thought.
And he was ready, for the most part.
But now that it has ended
(he isn’t asking, and
doesn’t seem to mind)
I find myself awash in grief
as if I have lost something,
or someone.

A part of my life has ended
as it should, naturally –
there is no more giving of new life,
sustaining that life, inside and out.
My body is mine now, forever.
No more sharing.

This strange milestone hits me
hard, and I reach for Liam,
burying my nose in his soft hair,
trying to remember.

miranda babyboy


From Cathy Coley: Baby C spent the morning of July 4th out harvesting beans and tomatoes.

Chloe '09 4th of July 004


From me (Kelly) : More in the mood for small-town goodness than big city traffic, we went to Fernandina Beach for the July 4th festivities…..parade, band and chorale, and fireworks. I had all intentions of capturing some great photos until I reached to capture a shot of the funky painted van outside the Green Turtle only to realize my camera card was still stuck in my computer at home.  Sigh…  I actually took this festive picture on another recent patriotic day: Memorial Day.  She’s a grand old flag.

kelly-glory


This week’s prompt: “ethereal”
Use the prompt however you like – literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by midnight eastern time on Sunday, July 12, 2009. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly challenge, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 48 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

Brittany: What I’m Attached To

After reading Kelly’s post from last week, it got me thinking about a similar topic that comes up in the lives of creative women — marketing ourselves. I’ve been to a couple of writer’s conferences now, and every one has stressed the importance of having a presence — taking advantage of any and all social networking opportunities, becoming active in the writing community at large, and creating an identity in cyberspace. Then in this month’s Writer’s Digest, six pages are devoted to Christina Katz’s article on building a “power platform.”  A strong platform, Katz says, includes an author’s Web presence, classes taught, media contacts, articles  published, public speaking services, and any other means available to make an author’s name known.

Lately, I’ve also become much more aware of where my name is and what it’s attached to. I Google myself periodically (am I the only one who does this?), so I know that my name is attached to my master’s thesis, the three playwriting awards I’ve won, and blog posts about my novel-in-progress. But my name is not attached to any short stories or poetry, and this frustrates me. I’m frustrated because while these aren’t my favorite forms of writing, I feel quite confident that if I just put my mind to it, I could write both, and write them well. Then I could submit them to literary magazines and develop the “street cred” that eludes unpublished novelists and playwrights.

The South Carolina Writer’s Workshop is the main literary arts organization in South Carolina. They put on the yearly writer’s conference, sponsor the Carrie McCray Memorial Literary Awards, and publish the Petigru Review, a literary anthology. I’ve joined the organization, attended conferences, and won two Carrie McCray awards. All that’s left is being published in the Petigru Review, at which point, in my own mind, I will have achieved state of South Carolina superstardom.

The deadline for submissions is April 30, and a week ago, when I got the last reminder e-mail, I thought to myself, “Oh, easy peezy. I can whip up a couple of submissions. How hard can it be?”

Oh Lord, please deliver me from my unfailing optimism…

I started re-working the Sam/Squirrel story for a nice nonfiction piece, but it’s still incomplete because 1) I’ve never written any kind of nonfiction before and it was stressing me out and 2) I got this truly compulsive desire to write a poem about a diphtheria epidemic that killed two of my great-great grandfather’s sisters on the same day (who also happened to be  the same approximate ages as Sam an John at the time).  A week later, I’m still working on it. It’s a horrible, stark, Spoon River-esque kind of poem and I have the worst of the three stanzas to go. I have done so much research on the topic that I’m almost too shell-shocked to continue. And it certainly hasn’t helped that John ran a high fever all last week and seemed seriously ill, or that Sam developed a nasty finger infection that required antibiotics. Writing about dying children while my own children were fighting illnesses of their own brought my little poem a bit too close to home.

But despite all my reasons for not wanting to write it, it is coming along, and that makes me feel good. It’s a beautiful poem, and something that I’d like to have my name attached to.

National Poetry Month: A poem a day

Celebrate National Poetry Month with Poets and WritersMasters of Verse, a free poem each day during the month of April. All featured work is from an iconic member of the (real-life) dead poets’ society.

I do find that poetry and stress seem to be incompatible activities. When you’re feeling overwhelmed, breathe deeply and read a stanza or two. Ah, that’s more like it…

3/25 Weekly creativity contest winner

“Spring equinox” seems like a fitting contest prompt, seeing as we’ll be taking a little hiatus from the weekly contest: change and renewal. Beautiful entries this week — enjoy!

Our winner is Rebecca Coll. Rebecca writes: “As soon as saw what the prompt was for this week, I knew exactly what I was going to do… a dos-à-dos binding. This is a particular bookbinding technique that binds two books together with a shared ‘back’ cover. The two books are therefore both individual and half of a greater whole, much the same as the equinox: equal night. Half night, half day. Following are photos of my equinox-inspired dos-à-dos journal. Two books, each with six signatures (sections) to represent the six months from equinox to equinox, bound together to make one year-long diary. Each signature has 32 pages, which is approximately one page per day (you have to have multiples of 4 when bookbinding, so I couldn’t get the math to work out perfectly). Both ‘books’ are bound in leather with bookcloth onlays and the spines sewn in a button-hole technique using both green and brown cord — for spring and fall. The vernal equinox book is in blue leather with a colorful graphic depicting spring. The autumnal equinox book is bound in black suede (leather glued on backwards with the ‘soft’ side showing). The cover of this book shows a tree having lost it’s leaves. Together with both books one can record a year’s worth of memories: equinox to equinox.” Wow, is all I can say, Rebecca! An absolutely brilliant interpretation of the prompt. Your $10 amazon.com gift certificate has been issued.

dos-a-dos

darkside

blueside

 

From Cathy Coley:

Spring Equinox

The camellias are a winter bloom,
usually December, but this year
they bloomed in March. The ground
didn’t freeze until then,
and one shot of snow
moved the blooms to the Equinox.
The two red bushes dominate
and make the white one blush
as daffodils struggle,
and crocus never awoke.

The season of waking,
My daughter begins to walk
while first blooms of burgeoning
mingle my teen son’s drawing away
and drawing toward
the streets and halls filled
with cucumber perfumed
tresses and new curves
unsweatered,
scent of new skin.
3192009spring-015

 

From Karen Winters: “Malibu Creek Afternoon Hike,” 12 x 16 oil on canvas. Karen writes:

“This new landscape oil painting celebrates the arrival of spring in the Santa Monica Mountains in Malibu Creek State Park, one of my favorite local inspirations. The hills will only stay this beautiful green color for a short while but it’s glorious while it lasts. Soon, the greens will dry to a golden brown, and the desert look will be revealed. I learned something interesting about Southern California’s desert nature while watching a show on geology a little while ago. Before the Sierra Nevada range formed due to compression of the North American and Pacific tectonic plates, California received abundant summer rainfall, just like the rest of what is now the United States. When the mountain range rose, this changed weather patterns and So. Cal became a desert. To get the rain back we’ll have to wait quite some time for the mountains to age. But since the plates continue to compress and mountains continue to rise, that’s not going to happen anytime soon. Perhaps one day we’ll have Californian Alps or Himalayan-size peaks. I won’t be around to paint them, but I can imagine that they’ll look wonderful in springtime.”

malibu-creek-painting-b

 

dsc05371From Jen Johnson: “As I was thinking about this week’s prompt, I found myself reflecting on hibernation, awaking to sunshine. This week I’m also in the thick of preparations for my son’s fourth birthday (his party is Saturday and his actual birthday is March 31st). My little boy loves all things serpentine — two of his most significant attachment objects are rubber snakes that he has named ‘Stuxey’ and ‘The Other Stuxey.’ I knew I wanted to make my son something special for his birthday, and so all these things combined to inspire this morning’s project: ‘Spring’ the snake. ‘Spring’ is made from fleece, which is a fairly new material for me; I find it is very forgiving and I’m enjoying working with it! dsc05370She is the second stuffy that I’ve made from my own pattern. The stripes were the most fun! I brought her outside to take advantage of the sunshine for the picture, and happily our overgrown oxalis provided a suitable backdrop. (Wouldn’t be spring out here without the oxalis explosion!) And for a more literary –- and literal — approach to this week’s prompt, you can check out my blog post on the Equinox itself: an old poem that I found in the files. It’s posted here.”

 

This weekly contest has been a real pleasure, everyone. Please keep those creative juices flowing, and don’t feel shy about sending your creative endeavors in for posting. We love random acts of creativity!

In case you missed any of the prompts we’ve had during the past 47 weeks, here’s the list, ordered from most recent to oldest:

1.    Spring equinox
2.    Map
3.    Dance
4.    Light
5.    Eyes
6.    Box
7.    Cookies
8.    Clock
9.    Hope
10.   Wool
11.    Snow
12.    Stars
13.    Noel
14.    Gift
15.    Waiting
16.    Fire
17.    Thanksgiving
18.    Silver
19.    Quilt
20.    Self-portrait
21.    Hands
22.    Dream
23.    Apples
24.    Tears
25.    Autumn
26.    The notebook
27.    Dinnertime
28.    The guitar
29.    My favorite shoes
30.    Sunflowers
31.    The wedding
32.    Chocolate
33.    Circles
34.    Vacation
35.    Beauty
36.    Chinese restaurant
37.    My mother’s house
38.    Independence Day
39.    Wings
40.    At 3:00 am
41.    Margaritas
42.    The crows
43.    The ocean
44.    The last time you kissed me
45.    Little black dress
46.    A cup of coffee
47.    View from the window


3/18 Weekly creativity contest winner & new prompt

Musical intro for this week’s contest post: “Get out the map, get out the map and lay your finger anywhere down. We’ll leave the figuring to those we pass on the way out of town.” (Lyrics from one of my favorite Indigo Girls songs.)

Several lovely entries for this week’s creativity contest. The winner is Brittany Vandeputte, who is clearly entering the freakishly creative phase. Brittany, we all want to know where your creative mojo is coming from!

Brittany writes: “I had fun with this one Miranda! This week’s entry is a paper doll. My best friend (who’s Australian) and her family are coming to the US next month. I haven’t seen her since 1994 and have never met her three-year-old daughter, Mackenzie. They are planning a coast-to-coast, two-month whirlwind tour of the country and the prompt made me think of them immediately. I wondered if there would be any way to help Mackenzie orient herself, and teach her a little bit about what she was seeing in the process. I was struck with this idea to commemorate each of the stops on their trip.”

Here is Brittany’s description of the images she sent in:

  • The doll’s body is made from an Apian Compass Rose (with the face of a porcelain doll I found online).
  • Her first dress is made from a map of North America. With it, as well as the others, I let natural boundaries shape the design.
  • The second dress is a topographical map of Mt. Ranier.
  • The third is a geologic map of SC.
  • The fourth is the park map of Disney World.
  • The fifth is a satellite map of California.
  • And the sixth commemorates the ports we’ll visit on the cruise we’ll meet on — and is a world atlas map of the Caribbean Sea.”

bv_dolls

 

From Jen Johnson: “I have to say, as I pondered this week’s prompt, I kept coming back to Elizabeth Bishop’s take on ‘The Map,’ which I’ve always admired immensely.  With that in the forefront of my mind, I found myself quite unable to come up with something new.  I especially admire her gentle query: ‘Are they assigned, or can the countries pick their colors?’ (Here’s a copy of the poem, if you’re not familiar with it.) So I’d all but given up on having a submission, but then I remembered a VERY old poem, written in a light-yet-serious mood in the early years of my marriage. So I’m sending it in, just for fun. Looking forward to what others have this week!”

Poem, as I Try to Put Pieces Together

“She likes to stretch from England to Brazil,”
you say, while fingering a cardboard piece
of ocean, land, or sky. I hold it still
between our fingers, as I match the crease
that curves from blue to green along the edge
with several jagged gaps here in the map.

Because the cat refused to move, I wedge
the piece we hold into an empty gap
beneath her grey and furry tail. “It’s land.
It fits. Now Britain is complete,” I say.
Of course I realize the notion’s grand,
misleading, silly. For there is no way
this puzzle will complete a single thing.

Much less the world. In fact, I feel like Greek
Penelope–by day the pieces cling
together, but by night I let them seek
destruction of the pattern. Them? The cats.

I swear they’re planning feline schemes to tear
the world apart–two fuzzy democrats
demanding equal rights, each her own chair,
our full attention. Yes, when we are through
with playing god, with this our paper world,
I’m sure our world will have a hole or two;
these cats will sit with tails all tucked and curled
into a satisfied I told you so,
and they will never tell where pieces hide.

So we will forget missing Morocco,
holes in Antarctica, each gap we tried
to remember to fill. Perhaps someday
we will find dusty pieces in corners.
For now we will tear up the bluish-grey
oceans to pieces of paper waters,
break England apart, put bits of Brazil
in a cracked, cardboard box in a closet,
and we will map out each other, until
we find room for cats, chaos, and secret
blank holes in the puzzle. Oh, yes. We will.

 

From Cathy Coley: “i think it’s done. thanks for the inspiration. honestly, this could be a whole memoir full of adventures!”

Maps
I grew up on what seems like one long road trip. Summers spent boiling in the back of a station wagon throughout the Seventies and beyond in both directions in time, back into the Sixties and up into the Eighties. Mom’s Parliaments’ and later those long brown Mores’ smoke blown into the back seat by the cracked window, rather than out it, as her theory dissolved in practice. She never listened to us when we said we couldn’t breathe or were getting carsick from the lack of viable oxygen. She would pop the still burning butt out the window before vacuum sealing the tiny wing window which made our ears constrict and burst from the pressure, especially when we took a mountain route. Hands over my ears, I watched the fiery butt fly by, sending off sparks at seventy-five miles per hour or more, and imagined the kids in the back of the pickup behind us, or the couple in the convertible, or the cut-away hood of a suped-up hot-rod, or the dry roadside grasses and trash bursting into flames, ignited by my mother’s careless discard. But it was the Seventies, and even with the crying native public service announcements and ‘give a hoot, don’t pollute’ campaigns on television, the roadways were littered from car windows far more than my mother’s butts, and I believe everyone’s mother smoked. There’s a certain smell I still smell in certain roadside stops in Virginia, of old cigarettes, linoleum and sealed in broken down air-conditioning, barbeque, hot dog, melting chocolate, Cheetos, Coppertone, pork rinds, potato chips, Coca-cola, Mr. Pibb, birch beer, bologna, egg salad, and old sweat that brings me right back to my childhood. It’s not a great aroma, but it is the perfume of my youth, travelling southward, circa 1976.

My extended family lived in Georgia and Florida, and a few in North Carolina on my father’s side. My parents were traitors who had crossed the Mason-Dixon Line to raise their family. We were the first generation in at least three hundred years, on both sides, and cousins of Robert E. Lee. My younger brother, born in Connecticut was ‘that damn Yankee’ as dubbed by my maternal grandfather and uncles. So we travelled every summer to visit the rest of us Down South. We did so for some Christmases, too. Preparations for the trip included long consultations with Rand-McNally on our kitchen counter, flipping the pages from state to state to determine the best route this time. Would we take a more coastal route and stop over in Virginia Beach or other resort beach zone? Or is the mountain route through the Blue Ridge on Skyline drive our preference this time? Maybe an altered western route across the Smokeys instead, so we can stop over at my father’s old Georgia Tech fraternity brother’s place in North Carolina, rather than with Great Aunt Alma and Uncle Jack, who had a 1922 Model A Ford with an A-Ooga! horn to squeeze and a houseful of antiques.

First we rode in our old Oldsmobile Vista Cruiser with the windows on top, I would lay down in the ‘way back’ or in the back seat and stare up at the passing clouds and stars and wave to the truckers high up in their perches at the front of their megatons of steel and whatever they hauled inside, so they’d blow their horns as they passed. We had these windows in the car ceiling way before the concept of a sunroof came into fashion. After that car’s engine blew, with my mother, younger brother and me in the car, downtown, hometown, Connecticut with real estate agents chasing after us yelling “Fire!” the day before one of our journeys, the dealership lent us a green station wagon that stopped running smack-dab in the middle of the Delaware Memorial Bridge. My father coasted in neutral from hovering over a river past New Jersey, and drifted us onto the roadside with minimal embankment in Delaware. I remember lunching on boiled eggs and hot Peter Pan peanut butter and Welch’s Grape Jelly sandwiches, chased by Coca-cola, and Wise potato chips, for what seemed like hours, as I already needed to go to the bathroom before the bridge, as we waited for the Triple A guy to tow us somewhere for repair. The whir-whizz constant of traffic so much louder and the wind from each vehicle’s pass nearly knocked me over. I was always a puny kid. My mother often said she was sure I would blow away in a strong wind one of these days.

After that trip, my parent’s purchased a Pontiac Grand Safari station wagon with a 455 V-8 and plenty of walnut-grained vinyl veneer. This station wagon lasted us through many more trips, and my high school driving years, when I’d pile all my friends and then some into it to party-hop all over town at whoever’s parents were out of town for the weekend, and have everyone back before my curfew, drunk as skunks, but home safe at a decent hour. Their mothers all loved me. I, however, was straight and in by midnight, mom waiting up, cigarette burning next to her, while she dozed by the light of the television, waiting for me to check in, check my breath, with a ‘goodnight, mom’ kiss on her cheek before heading upstairs.

But that Pontiac Grand Safari with the 455 V-8 lead us to Georgia and Florida and back, mountain routes, coastal routes, down to Orlando where my paternal grandmother lived, Ft Lauderdale and Daytona Beach for fun in the sun, and even gulf-side to Panama City Beach. It carried us on trips to Maine and Vermont for skiing and all the way down the East Coast, hot as blazes, crayons melting in the floorboard with the chocolate. I remember stopping in Pennsylvania Dutch Country, Myrtle Beach, you name it, if it was in Eastern Standard Time, we saw it as kids. My father was never too keen on stopping anywhere for too long, and if we wanted a side trip, one of us navigated from the atlas in our lap, flipping pages from state to state, squeezed in the middle of that front bench seat between Mom and Dad. The other two, listening to The Eagles in the way back, on the Panasonic handheld pushbutton tape recorder, with nothing to do but pretend to be Bonnie and Clyde on the lam from the coppers, read, doodle or watch the trees, cows, hills, cars and sky go by for hours and days on end at a steady 75 miles per hour.

 

From me (Miranda): I recently listened to this old podcast interview with Keri Smith, which got me thinking about the creative inheritance of childhood. Lately I’ve been thinking about work that links to my past. The piece I created for the map prompt is about documenting my creative birthright; my origins (the map is of a town in England that was one of my early homes) and what I was given by my mother, who is what I could call reflexively creative. The past can been seen as a map from which we navigate the future. The sunflower is a personal icon of sorts, and in this instance echoes the compass icon used on many maps. This piece isn’t quite what I set out to do, but it is what it is. (Kind of like me.)

creative_birthright_lo_res

 

This week’s prompt: “Spring Equinox”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, March 24, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.


3/11 Weekly creativity contest winner & new prompt

Care to dance? A lovely array of submissions for this week’s creativity contest. Our winner is Cynthia Platt, for a beautiful poem. Cynthia sent in this lovely note: “Here’s an entry for you for the ‘Dance’ category. Dancing has always been a big — and joyful — part of my life. Now it’s joyful part of my nearly-three-year-old daughter’s life, too. Thanks for taking a read, and for hosting the blog, which I read, and take inspiration from, regularly!” Congratulations, Cynthia. Your $10 amazon.com gift certificate has been issued.

Dance Party

Last night we had a dance party.
A dance party
used to mean something
concrete to me.
Late nights,
flashing lights,
speakers pumping out
bass at outrageous decibels.
I am older now, though,
and she is so young.
Early nights have replaced late,
a brightly lit living room has displaced
the dark, pulsing club.
Last night, her music played
sweet and low and lovely.
I am older now,
and she is so young.
The three of us danced
around the living room,
laughing.
“It’s a dance party, Mummy!” she trilled,
joy suffusing her voice.
And it was.
Last night we had a dance party.
A dance party means something concrete to me.

 

From Jen Johnson, a fabulous sonnet: “Submitting an oldie-but-goodie this week, something that came immediately to mind with the ‘dance’ prompt. It was written back when I was in my sonnet phase and really fascinated with poetic form and structure. (A fascination that I still have, though these days I have less of the required focus to put it into practice!) The idea originally sparked when I realized that the nursery rhyme for which it is named has fourteen words — so I wanted to see how it would work as an ‘acrostic sonnet.’ The term refers to the fact that this can be read two ways: top to bottom, like an acrostic, by reading the first words of each line ‘down’ the poem; and also left to right, like a typical poem.”

Ashes, Ashes — We All Fall Down

Ring me round with laughing children, dancing
around and around in the pale daffodils,
the yellow, nodding flowers chancing spring.
Rosy sky wipes wet hands down her skirts, spills
pockets brimming with sultry, heavy air.
Full puddles standing in the glossy street
of gravel-gilded pavement call for bare
posies of children’s toes — pink, tiny, sweet.

Ashes of memory, now — bitter, gray.
Ashes only, no longer the burning.
We slog through this muddy field on May Day,
all alone, sodden socks blistering, yearning.

Fall just once to your naked knees. Stumble
down and stop. Now rise, kindled and humble.

 

From Cathy Coley: “So, when I saw ‘dance’ was the prompt, I knew I could take this in a 1,000 different directions. However, very quickly the idea of dancing on my father’s feet as a little girl, and Baby C dancing on her Daddy’s feet popped up strongly and quickly from the bottom of that full pool. Unfortunately, I couldn’t get good light, dh and baby together all at once since last Wednesday. This is the result of the photos, which I had hoped would inspire a generational poem or something. Alas, bad photos don’t make for good inspiration, especially on Tuesday morning staring at the day’s deadline. But it was great to remember how I felt as a little girl dancing on my father’s feet. And I got a nice shot in of Daddy kissing his girl.”

babycdancing

 

From me (Miranda): When I was in high school, I won a competition for designing the T-shirts and sweatshirts for an annual dance event. (The win was one of about two happy moments related to my high school years.) I loved drawing in pen and ink, an interest that I inherited from my mother, who supplied me with a homemade light box. The final design is packed in a box somewhere in my attic, but I do have some similar sketches around somewhere — alas I spent nearly an hour tearing apart my just-unpacked house in search of the scrap of paper I was looking for, to no avail.

danceI have a weakness for images of dancers. I’ve always admired the beauty of a high arch. Many dancers have exquisite feet — and many non-dancers have exquisite feet, too. Whenever I notice a person with exceptional arches, I can’t help but ask if she’s a dancer. Unless someone is willing to intentionally point her feet for you (which is a bit awkward to ask of a stranger), the only way to really assess her arches is to casually observe her foot when it’s extended — say, if she’s sitting on the floor with her legs out straight, one crossed over the other, which tends to force a gentle pointing of the foot. Or, if someone is sitting in a chair cross-legged and has a natural turnout, you might be able to observe her arch when she absently points her foot during conversation. Not that I am utterly obsessed with feet or anything, really! Despite many years of ballet, and dancerly aspirations, I do not have beautiful arches — as you can tell from this photo of me en pointe. Just not that impressive. (Good thing that “arch augmentation” isn’t something that most plastic surgeons offer, or I’d have done it by now.)

I still remember the smell of new toeshoes with fondness — that intoxicating perfume of glue, leather, and satin. While I don’t consider myself a stage mother, I admit that I did drag my daughter to ballet lessons at the age of 5. Ballet just wasn’t her thing, however. She never cared for it, so I let it go after a few weeks. Now, I peruse my old copy of Allegra Kent’s The Dancer’s Body Book and Suzanne Farrell’s autobiography, hoping to manifest a little grace in my life, even with my regular old, Plain Jane arches. (Photo credit Jack Foley.)

 

This week’s prompt: “Map”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, March 17, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

3/04 Weekly creativity contest winner & new prompt

Beautiful submissions for this week’s creativity contest on the prompt “light.” Our winner is Cathy Coley, for a haiku image pairing. I love the simplicity of what Cathy did — just showing up and looking into the every day. Congratulations, Cathy — your $10 amazon.com gift certificate is on its way.

 

in the new morning light
quiet and promise
are all I need to write

 

morning-light-001

 

From Juliet Bell: “This is an oil painting I completed recently. It is painted from a photo I took of a morning glory blossom outside my kitchen door after an August rain. I changed the orientation of the light to appear to be coming from inside the blossom. It is entitled ‘Glory After a Morning Rain.’” [Editor's note: OK, so this BEAUTIFUL painting is actually hanging on the wall in my new library....]

glory-after-the-morning-rain

 

From Amy Grennell, a beautifully textured pair of images — one an altered version of the other? I wasn’t able to ask Amy what media she used — Amy, please tell us!

light-alt

light-alt2

 

From Kelly Warren: “Here are two photos for you….one of one of lights of my life, and one of the light of her life.  I love the way the light plays off both of them in these pictures, highlighting Sarah’s jumble of lovely red curls and Bunny’s pensive thoughts.”

bunny-portrait-for-cc

sarah-and-bunny

 

From me (Miranda), a haiku image pair:

 

Inside the new house
we orient ourselves to
southern exposure

dsc_0104

 

This week’s prompt: “Dance”
Use the prompt however you like — literally, or a tangential theme. All media are welcome. Please e-mail your entries to creativereality@live.com by 10:00 p.m. eastern time (GMT -5) on Tuesday, March 10, 2009. The winning entry receives a $10 gift certificate to amazon.com. Writers should include their submission directly in the body text of their e-mail. Visual artists and photographers should attach an image of their work as a jpeg. Enter as often as you like; multiple submissions for a single prompt are welcome. There is no limit to how many times you can win the weekly contest, either. (You do not have to be a contributor to this blog in order to enter. All are invited to participate.) All submissions are acknowledged when received; if you do not receive e-mail confirmation of receipt within 24 hours, please post a comment here. Remember, the point is to stimulate your output, not to create a masterpiece. Keep the bar low and see what happens. Dusting off work you created previously is OK too. For more info, read the original contest blog post.

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